{"product_id":"calling-in-the-pacific","title":"Calling In The Pacific","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 3 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Calling In The Pacific. 3 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 3 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eCalling In The Pacific is the supplied label for three unidentified audio listings. The geographical wording establishes no broadcaster, country of origin, wartime date or programme. These notes explore selected histories of broadcasting during the Pacific war, including mixed news-and-music formats, captivity and the later memory of radio voices. None of the cited people or archive examples has been identified in these files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 3 source files passed full technical decoding. Total measured source audio: 46:05, rounded to the nearest second. The complete archive, Calling-In-The-Pacific-MP3.zip (88,044,039 bytes), contains 3 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eThe supplied 3 listing positions and generic titles are retained in order. They do not establish the number of original broadcasts, speakers, disc sides or programmes. Source spelling, capitalization and filenames are unchanged.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Track 01.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Track 01.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 23:08, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe generic title provides no speaker, programme, date or content identification. Opening announcements and the extent of any speech, music or later commentary are unverified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: The identities of any broadcasts, scripts, music, performances, sound recordings and later edits remain unresolved. Any permissions needed for previews, sale or redistribution in the intended territories remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Track 02.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Track 02.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 22:09, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe generic title does not establish whether this is a continuation, a separate broadcast or a later compilation. Its relationship to the preceding file remains unknown.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: The identities of any broadcasts, scripts, music, performances, sound recordings and later edits remain unresolved. Any permissions needed for previews, sale or redistribution in the intended territories remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Track 03.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Track 03.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:48, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe generic title and smaller listed size establish no content identity, duration or completeness. Its relationship to the other files remains unknown.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: The identities of any broadcasts, scripts, music, performances, sound recordings and later edits remain unresolved. Any permissions needed for previews, sale or redistribution in the intended territories remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eBroadcasting in its historical setting\u003c\/h2\u003e\n\u003cp\u003eThese notes concern documented historical examples and archives. They are not descriptions or identifications of the supplied tracks.\u003c\/p\u003e\n\u003ch3\u003eMusic and news shared a programme\u003c\/h3\u003e\n\u003cp\u003eDocsTeach describes a surviving Zero Hour broadcast of 14 August 1944 for Allied forces in the South Pacific, combining music, war commentary and news from the United States. This is a documented example of a mixed broadcast format. Its title, date, sequence and named participants are not identifications of these three files. \u003ca href=\"https:\/\/docsteach.org\/document\/zero-hour\/\"\u003eNational Archives Foundation, DocsTeach: Zero Hour, 14 August 1944\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA collective nickname can obscure individual lives\u003c\/h3\u003e\n\u003cp\u003eThe National Archives explains that servicemen used Tokyo Rose for several female broadcasters; Iva Toguri broadcast as Orphan Anne. The official pardon register records Toguri’s pardon on 19 January 1977. This history cautions against turning a familiar label into a speaker credit. No speaker is identified in this album. \u003ca href=\"https:\/\/prologue.blogs.archives.gov\/2010\/10\/06\/the-orphan-called-tokyo-rose\/\"\u003eU.S. National Archives: The orphan called Tokyo Rose\u003c\/a\u003e; \u003ca href=\"https:\/\/www.justice.gov\/pardon\/pardons-granted-president-gerald-ford-1974-1977\"\u003eU.S. Department of Justice: Pardons granted by President Gerald Ford\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eCaptivity complicates the meaning of a broadcast voice\u003c\/h3\u003e\n\u003cp\u003eThe Australian War Memorial describes Australian prisoner of war Charles Cousens’s involvement in Radio Tokyo and Zero Hour, including scripts and prisoner messages with double meanings. Such evidence demands attention to coercion and individual circumstances when interpreting wartime voices. It does not show that Cousens, another prisoner or any particular message appears here. \u003ca href=\"https:\/\/www.awm.gov.au\/collection\/C294352\"\u003eAustralian War Memorial: Charles Cousens portrait and biographical description\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBroadcasts were preserved through monitoring\u003c\/h3\u003e\n\u003cp\u003eThe Foreign Broadcast Intelligence Service recorded, translated and analysed foreign radio. Its surviving records include programme schedules, Far Eastern reports and broadcasts from Japan or Japanese-held territory. Those descriptions suggest useful comparisons once audible details are known; they do not establish Japanese origin, wartime date or monitoring provenance for these files. \u003ca href=\"https:\/\/www.archives.gov\/research\/guide-fed-records\/groups\/262.html\"\u003eU.S. National Archives: Records of the Foreign Broadcast Intelligence Service\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLater compilation dates matter too\u003c\/h3\u003e\n\u003cp\u003eThe Australian War Memorial’s Media in Wartime is a 1975 teaching compilation with Axis and Allied excerpts. Later selection can reshape wartime material. No connection to this album has been established. \u003ca href=\"https:\/\/www.awm.gov.au\/collection\/S03127\"\u003eAustralian War Memorial: Media in Wartime\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003eSpeakers, performers, programmes, broadcast stations, broadcast and recording dates, places, composers, arrangements, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible languages and spoken or musical content remain unverified. Album labels and generic filenames do not authenticate recordings.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track uncertainties\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 01\u003c\/strong\u003e: The generic title provides no speaker, programme, date or content identification. Opening announcements and the extent of any speech, music or later commentary are unverified. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 02\u003c\/strong\u003e: The generic title does not establish whether this is a continuation, a separate broadcast or a later compilation. Its relationship to the preceding file remains unknown. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 03\u003c\/strong\u003e: The generic title and smaller listed size establish no content identity, duration or completeness. Its relationship to the other files remains unknown. Rights remain unresolved.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eEvidence limits\u003c\/h3\u003e\n\u003cp\u003eDates, names and descriptions belong to the cited historical examples. None is adopted as recording metadata. Generic Track labels do not support cross-album identification or merging. Sound comparisons have not been performed.\u003c\/p\u003e\n\u003cp\u003eSource descriptions and catalogue records were examined as text. Cited audio was not played, and no institutional item has been matched to a supplied recording.\u003c\/p\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all entries. No public-domain, royalty-free or redistribution permission is asserted. The USD 9.99 album price does not establish rights clearance for sale.\u003c\/p\u003e\n\u003cp\u003ePhysical ownership, age and educational framing do not establish permission to distribute. Broadcast scripts, music, performances, recordings and later edits may require separate review.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of broadcasting, propaganda and captivity during war. The political purpose of a broadcaster does not by itself establish the beliefs or freedom of every participant. No propaganda transcript, lyrics or imagery are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709875478817,"sku":"HIS-CD880-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/calling-in-the-pacific","provider":"Nadelton Recordings","version":"1.0","type":"link"}