{"product_id":"canti-del-fascismo","title":"Canti Del Fascismo","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 24 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Canti Del Fascismo. 24 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 24 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThe supplied 24-title programme brings party and military titles together with a sustained group of colonial references. Selected work histories show how an older musical repertory could be assembled within a fascist framework. Titles alone do not establish what was performed, when, or by whom.\u003c\/p\u003e\n\u003cp\u003eCritical historical documentation of fascist propaganda, dictatorship, militarization and colonial racism without endorsement. These materials must be considered alongside the people harmed by those policies. No lyrics, speech excerpts or fabricated archival imagery are reproduced.\u003c\/p\u003e\n\u003ch2\u003eRecording and source notes\u003c\/h2\u003e\n\u003cp\u003e24 supplied titles. Digital download price: USD 9.99. Recording-identification, rights and distribution review remain open.\u003c\/p\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 24 source files passed full technical decoding. Total measured source audio: 66:17, rounded to the nearest second. The complete archive, Canti-Del-Fascismo-MP3.zip (125,345,827 bytes), contains 24 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle note:\u003c\/strong\u003e Supplied spellings and punctuation are retained below, including underscores. Editorial title candidates remain separate pending verification.\u003c\/p\u003e\n\u003ch2\u003eSupplied track listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Giovinezza.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Giovinezza.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:55, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Il Canto Degli Arditi.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Il Canto Degli Arditi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:47, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Inno A Roma.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Inno A Roma.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:22, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Battaglioni _M_.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 Battaglioni _M_.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:03, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIndependent title-reading candidate only; exact supplied filename and title remain unchanged.\u003c\/p\u003e\n\u003cp\u003eUnderscores are retained literally. Do not infer quotation marks, unit identity or period from filename punctuation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Camerata Richard.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Camerata Richard.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:13, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 S. Marco.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 S. Marco.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:13, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Marcia Della Legioni.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Marcia Della Legioni.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:53, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIndependent title-reading candidate only; exact supplied filename and title remain unchanged.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Fischia Il Sasso.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Fischia Il Sasso.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:13, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 All Armi_ Inno Del Fascisti.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 All Armi_ Inno Del Fascisti.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIndependent title-reading candidate only; exact supplied filename and title remain unchanged.\u003c\/p\u003e\n\u003cp\u003eThe underscore after Armi is retained exactly; it is not silently interpreted as a colon, question mark or apostrophe.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Ciao Blondina.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Ciao Blondina.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:30, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIndependent title-reading candidate only; exact supplied filename and title remain unchanged.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Vincere.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Vincere.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:34, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Cantate Del Legionari.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Cantate Del Legionari.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:32, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIndependent title-reading candidate only; exact supplied filename and title remain unchanged.\u003c\/p\u003e\n\u003cp\u003eThe historical register uses a different grammatical form; verify the exact work rather than automatically normalizing the title.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Faccetta Nera.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Faccetta Nera.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:50, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 A Tripoli.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 A Tripoli.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:19, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Adua.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 Adua.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:26, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eAdua is a place-name title, not sufficient evidence of which battle, composition, text or recording is represented.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Il Canto Del Volontari D' Africa.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 Il Canto Del Volontari D' Africa.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:26, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003eIl Canto Del Volontari D' Africa is preserved despite grammatical uncertainty. No composer attribution is assigned from a similar title.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Africa Nostra.wav\" data-source-position=\"17\"\u003e\n\u003cstrong\u003e17 Africa Nostra.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Povero Selassie.wav\" data-source-position=\"18\"\u003e\n\u003cstrong\u003e18 Povero Selassie.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 4:35, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Ti Saluto E Vado In Abessinia.wav\" data-source-position=\"19\"\u003e\n\u003cstrong\u003e19 Ti Saluto E Vado In Abessinia.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:35, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003cp\u003ePlace-name spelling candidate only; no authenticated composition, wording or recording match.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Il Ritorno Del Legionario.wav\" data-source-position=\"20\"\u003e\n\u003cstrong\u003e20 Il Ritorno Del Legionario.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:04, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 In Africa Si Va.wav\" data-source-position=\"21\"\u003e\n\u003cstrong\u003e21 In Africa Si Va.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:27, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 Africanella.wav\" data-source-position=\"22\"\u003e\n\u003cstrong\u003e22 Africanella.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:32, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 C'era Una Volta Il Negus.wav\" data-source-position=\"23\"\u003e\n\u003cstrong\u003e23 C'era Una Volta Il Negus.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:55, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 O Morettina.wav\" data-source-position=\"24\"\u003e\n\u003cstrong\u003e24 O Morettina.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSupplied wording preserved; work, version and performance remain unverified.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eA melody with changing political uses\u003c\/h3\u003e\n\u003cp\u003eTurin’s university archive traces Giovinezza to Blanc and Oxilia’s 1909 student song Il Commiato, followed by military and fascist adaptations, including Gotta’s party-anthem text. The supplied title cannot identify a particular version.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/www.atom.unito.it\/index.php\/da-il-commiato-ad-addio-giovinezza\"\u003eUniversity of Turin Historical Archive: Da Il Commiato ad Addio giovinezza!\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eInno a Roma predates the dictatorship\u003c\/h3\u003e\n\u003cp\u003ePuccini’s work catalogue dates Inno a Roma to March 1919, with its first performance in Rome on 1 June. Those dates concern the composition’s history; they do not identify or date this supplied recording.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/catalog.puccini.it\/public\/works\/inno-a-roma\"\u003eCentro Studi Giacomo Puccini: Inno a Roma, work catalogue no. 90\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn earlier colonial work\u003c\/h3\u003e\n\u003cp\u003eLibrinlinea documents A Tripoli! as a patriotic song-march by Colombino Arona, with words by Giovanni Corvetto. Its score description dates publication as after 1911 and records distribution to troops in Tripoli. This is evidence of an earlier colonial repertory, not proof of track 14’s work, arrangement or recording date.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/www.librinlinea.it\/titolo\/a-tripoli-canzone-marcia-patriottica\/LO11430765\"\u003eLibrinlinea: A Tripoli! score, catalogue LO11430765\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eFaccetta nera and the Ethiopian invasion\u003c\/h3\u003e\n\u003cp\u003eThe University of Bonn’s REDIRE project places Faccetta nera within propaganda surrounding the Ethiopian war and identifies music by Mario Ruccione and words by Renato Micheli. Its separately catalogued Odeon issue is a research lead. That record’s date, personnel and language cannot be assigned to this WAV.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_1139.html\"\u003eUniversity of Bonn, REDIRE: Faccetta nera, metadata record demo_1139\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eColonial propaganda and its human consequences\u003c\/h3\u003e\n\u003cp\u003eINDIRE documents gas warfare, village bombing and forced displacement during Italy’s invasion of Ethiopia, alongside racial propaganda addressed to children. These harms are essential context for examining the programme’s colonial vocabulary and its claims about conquest.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/mostrevirtuali.indire.it\/mostra\/a-ottanta-anni-dalle-leggi-razziali-del-fascismo-1938-2018-un-percorso-didattico\/sezione-4-la-guerra-detiopia-e-la-fondazione-dellimpero-fascista\/\"\u003eINDIRE Historical Archive: the Ethiopian war and fascist empire\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eCollections and the afterlife of colonial propaganda\u003c\/h3\u003e\n\u003cp\u003eMuseo delle Civiltà explains that Rome’s Colonial Museum opened in 1923 for propaganda purposes and now subjects its inherited collections to critical provenance research. This offers a useful curatorial model: preserve the evidence while examining how institutions presented conquest, concealed unequal power and shaped its later memory.\u003c\/p\u003e\n\u003cp\u003eSources: \u003ca href=\"https:\/\/www.museodellecivilta.it\/collezioni\/ex-museo-coloniale\/\"\u003eMuseo delle Civiltà: history and critical reassessment of the former Colonial Museum\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eRecording research and rights\u003c\/h2\u003e\n\u003cp\u003eNo “Canti Del Fascismo” recording is authenticated. Performers, speakers, ensembles, arrangers, sessions, original issues, source media and recording dates remain unverified. Generic catalogue artist labels are organizational metadata, not verified performer or speaker credits. Do not transfer credits, dates, language or instrumentation from comparison records to these files.\u003c\/p\u003e\n\u003cp\u003eA commercial catalogue has a close 24-title sequence concordance. This remains a provenance lead and does not identify the supplied performances, original release or rights holder. Seller narratives, track times and sound-quality claims are not adopted.\u003c\/p\u003e\n\u003cp\u003eHistorical events, composition dates, score descriptions and comparison-record metadata provide context, not authentication of the supplied WAVs. A matching title or sequence establishes neither performer nor original medium, unedited historical origin, audio language or copyright status.\u003c\/p\u003e\n\u003cp\u003eUnverified. Titles and commercial descriptions do not establish audible language, a sung performance, an instrumental performance or speech content.\u003c\/p\u003e\n\u003cp\u003eUnverified. No recording licence, ownership, public-domain status, royalty-free status or redistribution permission is asserted.\u003c\/p\u003e\n\u003cp\u003eTechnical decoding and source-duration measurement are complete. Recording identification and a listening-based sound-quality assessment remain open. The historical commentary cannot substitute for direct recording identification and rights review. Exact original filenames are preserved in the accompanying research record.\u003c\/p\u003e\n\n\u003ch2\u003eOutstanding identification questions\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eOriginal issue, catalogue and matrix information remain unverified. Sleeves and accompanying source documents are unavailable.\u003c\/li\u003e\n\u003cli\u003eCompare any proposed compilation match against authorized audio and independently measured track boundaries and durations. Similar titles do not prove a shared performance or transfer.\u003c\/li\u003e\n\u003cli\u003eIdentify each work, text version, arrangement, audible language, performers, recording session, original issue and subsequent reissues. Distinguish event, composition, performance, recording, publication and digitization dates.\u003c\/li\u003e\n\u003cli\u003eResolve ambiguous spellings and punctuation against primary documentation. Keep the supplied filename unchanged and any editorial candidate in a separate field.\u003c\/li\u003e\n\u003cli\u003eReview composition, text, arrangement, performance, recording and compilation rights, licence scope, provenance and applicable distribution restrictions before a sale, upload or public preview. Historical framing is not rights clearance.\u003c\/li\u003e\n\u003cli\u003eThe 24-title Lancer catalogue concordance remains a comparison lead. Whether apparent errors are typographical or source-label wording remains unresolved; original compilation documentation has not been authenticated.\u003c\/li\u003e\n\u003cli\u003eInvestigate the punctuation in Battaglioni _M_ and All Armi_ Inno Del Fascisti, and the readings Ciao Blondina, Cantate Del Legionari and Abessinia, without altering the source filenames.\u003c\/li\u003e\n\u003cli\u003eCheck recurring titles against “Il Duce Avanti” and “Il Duce Victoria” through authorized audio comparison; shared titles alone do not prove duplicate recordings or transfers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709855490337,"sku":"HIS-CD550-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/canti-del-fascismo","provider":"Nadelton Recordings","version":"1.0","type":"link"}