{"product_id":"canzoniere-fascista-vol-6","title":"Canzoniere Fascista (Vol 6)","description":"\u003cp\u003eCanzoniere Fascista (Vol 6) preserves twelve supplied titles spanning naval and military repertory, Fascist mobilization and a possible colonial satirical song. The mixture requires track-level interpretation: an older institution’s name, a later propaganda use and an unidentified performance are different kinds of evidence. The compilation label does not date the recordings or establish a common source.\u003c\/p\u003e\n\u003cp\u003e12 MP3 access files • 256 kbps • stereo • approximately 35 minutes 7 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 12-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 12 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 12 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence and supplied track wording are preserved; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio. Listening previews contain up to 25 seconds of source audio, or the complete source when it is shorter.\u003c\/p\u003e\n\u003cp\u003eDownload archive: Canzoniere-Fascista-Vol-6-MP3.zip (67,305,742 bytes). It contains 12 full-length MP3 files and Recording-notes.txt. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Inno dei carristi.wav\"\u003eInno dei carristi \u003cspan\u003e(2:51)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Marcia della marina italiana.wav\"\u003eMarcia della marina italiana \u003cspan\u003e(2:57)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Marcia brigata San Marco.wav\"\u003eMarcia brigata San Marco \u003cspan\u003e(2:38)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Patria.wav\"\u003ePatria \u003cspan\u003e(3:24)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Passan i battaglioni.wav\"\u003ePassan i battaglioni \u003cspan\u003e(2:51)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Squadristi a noi.wav\"\u003eSquadristi a noi \u003cspan\u003e(3:16)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Avanti gloriose schiere.wav\"\u003eAvanti gloriose schiere \u003cspan\u003e(2:30)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Cara mamma.wav\"\u003eCara mamma \u003cspan\u003e(3:12)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Ei fu...5 maggio.wav\"\u003eEi fu...5 maggio \u003cspan\u003e(3:08)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Guidonia.wav\"\u003eGuidonia \u003cspan\u003e(2:47)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Il saluto del marinaio.wav\"\u003eIl saluto del marinaio \u003cspan\u003e(2:49)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Mamma bisogna vincere.wav\"\u003eMamma bisogna vincere \u003cspan\u003e(2:45)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eA naval march needs a specific identity\u003c\/h3\u003e\n\u003cp\u003eThe supplied title is broad. An official Italian bibliographic correction lists a separate release with Ritirata identified as a march of the Italian navy. That is a useful comparison work, but neither the abbreviated filename nor a later compilation supplies a reliable composer, ensemble or recording date. Naval ceremonial repertoire should be distinguished from songs written specifically to promote Fascist policy. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eSan Marco before and during the dictatorship\u003c\/h3\u003e\n\u003cp\u003eThe Italian navy records that the name San Marco was conferred on the Reggimento Marina by decree on 17 March 1919, following its service on the lower Piave in the First World War. The institutional name therefore predates Fascist rule. The filename’s use of brigata does not date the composition or recording, and it does not prove that musicians belonging to that formation are heard. \u003ca href=\"https:\/\/www.marina.difesa.it\/media-cultura\/press-room\/comunicati\/Pagine\/2019_039.aspx\"\u003eMarina Militare: La fanteria di Marina celebra il 100° anniversario del conferimento del nome \"San Marco\"\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePopular song and wartime mobilization\u003c\/h3\u003e\n\u003cp\u003eREDIRE documents a separate Cetra issue of Passano i battaglioni under 1940, with music credited to Marf (Mario Bonavita) and words to Bixio Cherubini. It places the work in a wartime market where popular songs and military subjects reached both troops and civilians through records, radio and print. This is a comparison for the supplied Passan i battaglioni, not an attribution of its performance. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0545.html\"\u003eUniversität Bonn, REDIRE: Passano i battaglioni, demo_0545\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eSquadristi and political violence\u003c\/h3\u003e\n\u003cp\u003eSquadristi refers to the Fascist action squads. Research presented by the Parri institute’s Novecento.org describes the marked expansion of squad violence in 1921–1922 while stressing local differences. REDIRE separately catalogues Squadristi, a noi ! on Cetra IT 569 with an explicitly uncertain date, 1940 ?. A later musical invocation of squadristi must not be mistaken for a recording made during the early violence itself. \u003ca href=\"https:\/\/www.novecento.org\/uso-pubblico-della-storia\/storia-e-memoria-delle-violenze-nello-spazio-digitale-latlante-delle-violenze-politiche-del-primo-dopoguerra-italiano-8149\/\"\u003eNovecento.org \/ Istituto nazionale Ferruccio Parri: Storia e memoria delle violenze nello spazio digitale\u003c\/a\u003e; \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0549.html\"\u003eUniversität Bonn, REDIRE: Squadristi, a noi !, demo_0549\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA colonial title that can be misread\u003c\/h3\u003e\n\u003cp\u003eEi fu...5 maggio should not automatically be catalogued as a recitation of Manzoni’s ode. A library-hosted contents excerpt places this wording among songs mocking the Negus; an official later-release register also lists Ei fu with Olivieri–Prestini credits in an African-war collection. These remain comparison leads. The ICRC’s archival account of the invasion of Ethiopia and attacks on medical facilities supplies essential context for colonial triumphalism; it does not authenticate this file’s text, date or sound. \u003ca href=\"https:\/\/www.gbv.de\/dms\/casalini\/02\/02380080.pdf\"\u003eGBV-hosted contents excerpt: section Goliardie sul Negus\u003c\/a\u003e; \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e; \u003ca href=\"https:\/\/blogs.icrc.org\/cross-files\/the-cross-in-the-crosshairs-a-photographic-record-of-the-bombing-of-red-cross-field-hospitals-during-the-second-italo-ethiopian-war\/\"\u003eICRC Archives: The cross in the crosshairs\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eGuidonia: a place, a march and conflicting credits\u003c\/h3\u003e\n\u003cp\u003eGuidonia was a centre of military aeronautical research: the air-force museum dates the establishment of its DSSE to June 1927. A 1937 Radiocorriere programme names a Guidonia march by Di Miniello, while a later official registration document associates the short title with G. Carino. These differing documentary leads are not resolved by the filename. Neither a composer nor a period military performance is assigned to this file. \u003ca href=\"https:\/\/www.aeronautica.difesa.it\/home\/area-museale-aeronautica\/direzione-superiore-studi-ed-esperienze-dsse\/\"\u003eAeronautica Militare: Direzione Superiore Studi ed Esperienze (DSSE)\u003c\/a\u003e; \u003ca href=\"https:\/\/www.worldradiohistory.com\/INTERNATIONAL\/Radiocorriere\/30s\/1937\/RC-1937-39.pdf\"\u003eRadiocorriere, anno XIII, n. 39 (1937), programme for the Corpo musicale della R. Aeronautica\u003c\/a\u003e; \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eThe supplied wording remains unchanged, including Passan i battaglioni and Ei fu...5 maggio. The latter remains a possible colonial song rather than an authenticated Manzoni recitation; the competing Guidonia credits remain unresolved. These forms are source evidence, not authenticated work credits. No silent correction, title expansion or lyric substitution has been made.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The issues below remain open even though the files passed technical decoding checks; successful decoding does not authenticate a performance or establish permission to distribute it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Inno dei carristi\u003c\/strong\u003e. The generic military-hymn title does not identify a particular tank-unit song; no unit, author or performer is assigned. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Marcia della marina italiana\u003c\/strong\u003e. Possible expanded-title lead in a separate later-release register; no composer or performance match. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Marcia brigata San Marco\u003c\/strong\u003e. Institutional dedication alone cannot identify a march, composer, arrangement or performing band. \u003ca href=\"https:\/\/www.marina.difesa.it\/media-cultura\/press-room\/comunicati\/Pagine\/2019_039.aspx\"\u003eMarina Militare: La fanteria di Marina celebra il 100° anniversario del conferimento del nome \"San Marco\"\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Patria\u003c\/strong\u003e. Patria is too generic for reliable work identification. The later compilation title match adds no source-recording evidence. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Passan i battaglioni\u003c\/strong\u003e. Possible title expansion; the separate Cetra GP 93145 and Marf\/Cherubini credits are research leads only. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0545.html\"\u003eUniversität Bonn, REDIRE: Passano i battaglioni, demo_0545\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Squadristi a noi\u003c\/strong\u003e. Possible punctuation-normalized work lead. Preserve the comparison catalogue’s uncertain 1940 ? date separately from the unknown file date. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0549.html\"\u003eUniversität Bonn, REDIRE: Squadristi, a noi !, demo_0549\u003c\/a\u003e; \u003ca href=\"https:\/\/www.novecento.org\/uso-pubblico-della-storia\/storia-e-memoria-delle-violenze-nello-spazio-digitale-latlante-delle-violenze-politiche-del-primo-dopoguerra-italiano-8149\/\"\u003eNovecento.org \/ Istituto nazionale Ferruccio Parri: Storia e memoria delle violenze nello spazio digitale\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Avanti gloriose schiere\u003c\/strong\u003e. No authoritative work match established for Avanti gloriose schiere; an exhortative title alone cannot identify composer or military body. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: Cara mamma\u003c\/strong\u003e. Cara mamma occurs in period catalogue listings but is not distinctive enough to select one work or issue. Do not confuse it with “Era fascista, Vol. 3” Caro papà. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Ei fu...5 maggio\u003c\/strong\u003e. Colonial-song candidate only; do not assign Manzoni, a Napoleon recitation, a 5 May 1936 event date or Olivieri–Prestini credits to the file without confirmation. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e; \u003ca href=\"https:\/\/www.gbv.de\/dms\/casalini\/02\/02380080.pdf\"\u003eGBV-hosted contents excerpt: section Goliardie sul Negus\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Guidonia\u003c\/strong\u003e. Competing documentary credits: Di Miniello in the 1937 broadcast programme; G. Carino in the later register. They could involve different works or metadata problems. \u003ca href=\"https:\/\/www.worldradiohistory.com\/INTERNATIONAL\/Radiocorriere\/30s\/1937\/RC-1937-39.pdf\"\u003eRadiocorriere, anno XIII, n. 39 (1937), programme for the Corpo musicale della R. Aeronautica\u003c\/a\u003e; \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e; \u003ca href=\"https:\/\/www.aeronautica.difesa.it\/home\/area-museale-aeronautica\/direzione-superiore-studi-ed-esperienze-dsse\/\"\u003eAeronautica Militare: Direzione Superiore Studi ed Esperienze (DSSE)\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Il saluto del marinaio\u003c\/strong\u003e. Il saluto del marinaio is preserved. No source was found sufficient to establish author, ensemble or whether the item is vocal. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Mamma bisogna vincere\u003c\/strong\u003e. A victory exhortation in the supplied title does not establish the song’s text, author, wartime date or recording identity. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eNo exact complete decoded-audio match involving this album was found in the available verified comparison set. This negative exact-match check does not prove that the performances are unique or distinct from other recordings.\u003c\/p\u003e\n\u003cp\u003eThe technical comparison uses SHA-256 of the complete decoded audio converted only for comparison to signed 16-bit little-endian PCM at 44.1 kHz in stereo. A matching title, similar duration or later compilation sequence alone cannot establish recording identity. Source-file or decoded-audio hash inequality is not proof of a different historical performance.\u003c\/p\u003e\n\u003cp\u003eA later Fonotil commercial compilation listing has the same twelve-title order and wording: \u003ca href=\"https:\/\/music.amazon.com\/tracks\/B073VDV769\"\u003eAmazon Music: Era fascista, Vol. 6 (Canti ed inni originali del ventennio), album tracklist\u003c\/a\u003e. This is a research lead only. Its release date, durations, collective artist name and rights assertions are not assigned to these files. The concordance does not establish an original source, transfer history, recording identity, ownership, copying, infringement or permission to distribute.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address each work, text version, arrangement and particular recording, including publication evidence and permission in the intended territories. Content restrictions also require separate review. No legal clearance is inferred from age, ownership of a physical record, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda, militarization and the cultures surrounding dictatorship. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708443910433,"sku":"HIS-CD330-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/canzoniere-fascista-vol-6","provider":"Nadelton Recordings","version":"1.0","type":"link"}