{"product_id":"das-heer-vol-2","title":"Das Heer (Vol 2)","description":"\u003cp\u003eDas Heer (Vol 2) brings together fourteen supplied selections under an army-themed title. A Heidelberg popular-song title sits beside political dedications and explicitly military references. The historical notes explore these different associations, including the persecution of a writer connected with the Heidelberg song and the Wehrmacht’s involvement in Nazi crimes. The compilation label does not identify the performers or make every selection a Nazi composition.\u003c\/p\u003e\n\u003cp\u003e14 MP3 access files • 256 kbps • stereo • approximately 40 minutes 10 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 14-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 14 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 14 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence is preserved. Display titles use readable capitalization and documented editorial spelling where noted below; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Gefallt Dir Meine Grune.wav\"\u003eGefällt dir meine grüne \u003cspan\u003e(3:03)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Ich Hab Mein Herz In Heidelberg Verloren.wav\"\u003eIch hab mein Herz in Heidelberg verloren \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Schneidig Ist Die Infanterie.wav\"\u003eSchneidig ist die Infanterie \u003cspan\u003e(2:36)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Stahlhelm Bundesmarsch.wav\"\u003eStahlhelm Bundesmarsch \u003cspan\u003e(3:06)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Hindenburg Marsch.wav\"\u003eHindenburg Marsch \u003cspan\u003e(2:47)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Dort Wo Die Eichen.wav\"\u003eDort wo die Eichen \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Immer Wenn Soldaten Singen.wav\"\u003eImmer wenn Soldaten singen \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Morgenlied Der Soldaten.wav\"\u003eMorgenlied der Soldaten \u003cspan\u003e(2:48)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Warte Mein Madel.wav\"\u003eWarte mein Mädel \u003cspan\u003e(3:06)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Ich Denk An Dir Mein Deutsches Madchen.wav\"\u003eIch denk an dir mein deutsches Mädchen \u003cspan\u003e(2:16)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Nach Vorn.Munitionskolonne!.wav\"\u003eNach vorn, Munitionskolonne! \u003cspan\u003e(3:04)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Wenn Wir Durch Die Stadt Marschieren.wav\"\u003eWenn wir durch die Stadt marschieren \u003cspan\u003e(2:57)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Wenn Wir Durch Die Stadt Marschieren.wav\"\u003eWenn wir durch die Stadt marschieren \u003cspan\u003e(3:00)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Im Schutz Der Wehrmacht.wav\"\u003eIm Schutz der Wehrmacht \u003cspan\u003e(2:51)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003ePopular song beyond the album’s military label\u003c\/h3\u003e\n\u003cp\u003eHeidelberg’s municipal archive describes Fred Raymond’s song as a success in 1925. A Wienbibliothek theatre bill documents a separate stage production in 1932. These are distinct parts of the title’s history: neither the song’s popularity nor a theatre performance identifies the audio filed here under an army-themed album. \u003ca href=\"https:\/\/ww2.heidelberg.de\/aktuelle\/archiv\/pd120400.htm\"\u003eCity of Heidelberg: Das Herz in Heidelberg verloren? (11 April 2000)\u003c\/a\u003e; \u003ca href=\"https:\/\/digital.wienbibliothek.at\/wbrtheater\/content\/titleinfo\/5729737\"\u003eWienbibliothek im Rathaus: Ich hab’ mein Herz in Heidelberg verloren, theatre bill, 19 August 1932\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRemembering Fritz Löhner-Beda\u003c\/h3\u003e\n\u003cp\u003eBuchenwald Memorial includes the Heidelberg song among the works associated with Fritz Löhner-Beda. It records his deportation through Dachau and Buchenwald to Auschwitz-Monowitz, where he died on 4 December 1942 following an SS beating. His persecution belongs in the cultural history surrounding this title, even when later compilations present it chiefly as military entertainment. \u003ca href=\"https:\/\/www.buchenwald.de\/geschichte\/biografien\/ltg-ausstellung\/fritz-loehner-beda\"\u003eBuchenwald Memorial: Fritz Löhner-Beda\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Stahlhelm and the destruction of the republic\u003c\/h3\u003e\n\u003cp\u003eThe Stahlhelm veterans’ organization joined the NSDAP and other anti-republican groups in the Harzburg Front in 1931. The German Historical Museum records its incorporation into the SA in 1934 and dissolution in 1935. These institutional changes matter when interpreting a march invoking its name; they do not establish when, or by whom, the supplied recording was made. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/weimarer-republik\/innenpolitik\/stahlhelm\"\u003eDeutsches Historisches Museum: Der Stahlhelm, Bund der Frontsoldaten\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eHindenburg between military commemoration and dictatorship\u003c\/h3\u003e\n\u003cp\u003ePaul von Hindenburg’s public image drew on his First World War military reputation. As president, he appointed Hitler chancellor on 30 January 1933 and signed the emergency decree of 28 February. The German Historical Museum’s biography places both phases in view. A dedication bearing his name cannot by itself date a march or identify its political occasion. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/biografie\/paul-hindenburg\"\u003eDeutsches Historisches Museum: Paul von Hindenburg\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eTwo files, one supplied title\u003c\/h3\u003e\n\u003cp\u003eThe Library of Congress catalogs a 1935 Hermann Blume publication in box-folder 19\/13 that matches the city-marching title. Both supplied files remain separate. A shared work title does not show whether they contain the same performance, different takes, different arrangements or different transfers. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eMilitary identity and the Wehrmacht’s crimes\u003c\/h3\u003e\n\u003cp\u003eThe United States Holocaust Memorial Museum documents the Wehrmacht’s participation in forced labor and mass murder, including the army. This history is necessary context for the album’s military framing and for a title presenting the Wehrmacht as protective. It should not be used to attribute a specific crime or institutional membership to unidentified performers. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-german-military-and-the-holocaust\"\u003eUnited States Holocaust Memorial Museum: The German Military and the Holocaust\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eEditorial display readings restore the umlauts in tracks 1, 9 and 10 and use a comma and spacing in track 11, as supported by the corresponding positions in this later listing: \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e. Track 1 keeps its supplied abbreviated wording, track 10 retains an dir, and tracks 12 and 13 have no added version numbers. The exact original filenames are preserved; these display changes do not authenticate a work, performer, release or recording date.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The issues below remain open even though the files passed technical decoding checks; successful decoding does not authenticate a performance or establish permission to distribute it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Gefällt dir meine grüne\u003c\/strong\u003e. The umlauts are editorial display normalization supported by the corresponding later forum list. The source filename is 01 Gefallt Dir Meine Grune.wav. Its abbreviated wording is retained without the later list’s added final noun or question mark; no complete work title is assigned. \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Ich hab mein Herz in Heidelberg verloren\u003c\/strong\u003e. Fred Raymond’s popular song is a strong title-level candidate. The municipal notice’s exclusive text credit conflicts with other references, and the 1932 theatre bill describes a separate stage production. The exact version, text attribution and recording remain unresolved. \u003ca href=\"https:\/\/ww2.heidelberg.de\/aktuelle\/archiv\/pd120400.htm\"\u003eCity of Heidelberg: Das Herz in Heidelberg verloren? (11 April 2000)\u003c\/a\u003e; \u003ca href=\"https:\/\/www.buchenwald.de\/geschichte\/biografien\/ltg-ausstellung\/fritz-loehner-beda\"\u003eBuchenwald Memorial: Fritz Löhner-Beda\u003c\/a\u003e; \u003ca href=\"https:\/\/digital.wienbibliothek.at\/wbrtheater\/content\/titleinfo\/5729737\"\u003eWienbibliothek im Rathaus: Ich hab’ mein Herz in Heidelberg verloren, theatre bill, 19 August 1932\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Schneidig ist die Infanterie\u003c\/strong\u003e. Prieberg’s reference entry supplies a comparison lead, available in the prior research only as an institutional search-index extract. The original score has not been checked, and no arrangement date, composer or performance credit is transferred to this recording. \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, comparison entry at printed p. 3721\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Stahlhelm Bundesmarsch\u003c\/strong\u003e. A 1933 newspaper review provides a Hermann Blume work-level lead. The available OCR and catalogue details still need checking against the scan. No composer or performance credit is assigned from that lead. \u003ca href=\"https:\/\/exist.ulb.tu-darmstadt.de\/3\/v\/pa000239-0147\"\u003eTU Darmstadt digital newspaper edition, 29 May 1933: Schallplatten-Besprechung\u003c\/a\u003e; \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/weimarer-republik\/innenpolitik\/stahlhelm\"\u003eDeutsches Historisches Museum: Der Stahlhelm, Bund der Frontsoldaten\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Hindenburg Marsch\u003c\/strong\u003e. Hindenburg is a historical dedication rather than a unique musical identifier. The composer, political occasion, arrangement and recording date remain unknown. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/biografie\/paul-hindenburg\"\u003eDeutsches Historisches Museum: Paul von Hindenburg\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Dort wo die Eichen\u003c\/strong\u003e. This abbreviated title remains unassigned. No continuation, composer or specific composition is inferred. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Immer wenn Soldaten singen\u003c\/strong\u003e. No authoritative work or recording match has been established. The title does not authenticate a military ensemble or performance date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: Morgenlied der Soldaten\u003c\/strong\u003e. A trade-catalogue lead could not be checked directly in the earlier research. No unverified composer, edition date or recording credit is adopted. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Warte mein Mädel\u003c\/strong\u003e. Mädel is an editorial display spelling supported by the corresponding later forum list. The source filename is 09 Warte Mein Madel.wav. The precise work, arrangement and recording remain unidentified. \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Ich denk an dir mein deutsches Mädchen\u003c\/strong\u003e. Mädchen is an editorial display spelling supported by the corresponding later forum list. The source filename is 10 Ich Denk An Dir Mein Deutsches Madchen.wav. The supplied an dir wording is retained, without a grammatical rewrite or a definitive work credit. \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Nach vorn, Munitionskolonne!\u003c\/strong\u003e. The display comma and spacing follow the corresponding later forum list. The source filename remains 11 Nach Vorn.Munitionskolonne!.wav. The title has not been shortened to Nach vorn or assigned to a composer, unit or recording. \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Wenn wir durch die Stadt marschieren\u003c\/strong\u003e. The Library of Congress’s 1935 Hermann Blume publication, box-folder 19\/13, is a work-level comparison. This file and track 13 remain separate supplied positions. The later forum’s numbered version labels are not adopted as evidence of distinct takes. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: Wenn wir durch die Stadt marschieren\u003c\/strong\u003e. The Library of Congress’s 1935 Hermann Blume publication, box-folder 19\/13, is a work-level comparison. This file remains separate from track 12; no preferred copy, take number or verified performance credit is assigned. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: Im Schutz der Wehrmacht\u003c\/strong\u003e. The institutional name supplies historical context. It does not authenticate a precise work, performer, army unit or wartime recording date. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-german-military-and-the-holocaust\"\u003eUnited States Holocaust Memorial Museum: The German Military and the Holocaust\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eTracks 12 and 13 share the supplied title Wenn wir durch die Stadt marschieren but have different whole-file and complete normalized decoded-audio checksums. Their measured source durations are approximately 2 minutes 57 seconds and 3 minutes, respectively. They are not exact digital duplicates. This does not establish different historical performances, takes or transfers; both positions remain retained.\u003c\/p\u003e\n\u003cp\u003eTrack 9, Warte mein Mädel, and “Kriegsmarine” track 5 have different whole-file and complete normalized decoded-audio checksums and different measured durations. No timing-alignment test was performed for this pair. A shared historical recording, alternate edit or transfer remains unresolved.\u003c\/p\u003e\n\u003cp\u003eTrack 5 has title-based comparison leads in “SS Schwerpunkt” track 12 and “Pralantier-Und Parademarlche Der Waffen-SS” track 3. Track 8 has a title-based lead in “Waffen SS vol2” track 6. Those other source files were not available in the verified comparison set, so these relationships remain untested. No shared work, recording or transfer has been established.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/diemilitarmusik.clan.su\/forum\/84-1637-2\"\u003eDie Militarmusik Forum: Reichsmusikkammer – 17 compilations, post 14\u003c\/a\u003e gives a corresponding fourteen-position sequence. A separate \u003ca href=\"https:\/\/open.spotify.com\/track\/6NC0zC3rUCPeve6KDgMHdL\"\u003elater streaming-catalogue entry\u003c\/a\u003e was also located in the earlier research. These are unverified release leads only. Their artists, countries, dates, durations and numbered version labels have not been treated as recording evidence about the supplied files.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address the work, arrangement and particular recording in the relevant territories, including first publication and the chain of permission. The \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and German \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86.html\"\u003eStGB § 86\u003c\/a\u003e and \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86a.html\"\u003e§ 86a\u003c\/a\u003e are research starting points. No legal clearance is inferred from age, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda, militarization and the cultures surrounding dictatorship. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708363333921,"sku":"HIS-CD840-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/das-heer-vol-2","provider":"Nadelton Recordings","version":"1.0","type":"link"}