{"product_id":"das-heer-vol-3","title":"Das Heer (Vol. 3)","description":"\u003cp\u003eDas Heer (Vol. 3) brings together eighteen supplied titles referring to soldiers’ medleys, regional repertory, marches and leader praise. These notes examine the history around those titles, including propaganda and militarization. The album label does not establish who made the recordings, when they were made or what versions are heard.\u003c\/p\u003e\n\u003cp\u003e18 MP3 access files • 256 kbps • stereo • approximately 54 minutes 20 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eAn 18-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 18 source files and full-length MP3 derivatives passed complete technical decoding checks; source-file checksums remained unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 18 tracks and the complete album.\u003c\/p\u003e\n\u003cp\u003eThe supplied track wording and sequence are preserved. Durations below are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context, not audio translations. Eighteen 25-second listening excerpts were prepared and checked.\u003c\/p\u003e\n\u003cp\u003eDownload archive: Das-Heer-Vol-3-MP3.zip (103,158,595 bytes). It contains 18 full-length MP3 files and Recording-notes.txt. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Soldatenlieder Potpourri.wav\" data-inventory-position=\"1\" data-filename-track-number=\"1\" data-duration-seconds=\"332.640000\"\u003eSoldatenlieder Potpourri \u003cspan\u003e(5:33)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Gott Segne Unseren Fuhrer.wav\" data-inventory-position=\"2\" data-filename-track-number=\"2\" data-duration-seconds=\"118.693333\"\u003eGott Segne Unseren Fuhrer \u003cspan\u003e(1:59)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Manoverleben.wav\" data-inventory-position=\"3\" data-filename-track-number=\"3\" data-duration-seconds=\"137.546667\"\u003eManoverleben \u003cspan\u003e(2:18)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Es Geht Bei Gedampfer Trommelklang.wav\" data-inventory-position=\"4\" data-filename-track-number=\"4\" data-duration-seconds=\"157.333333\"\u003eEs Geht Bei Gedampfer Trommelklang \u003cspan\u003e(2:37)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Jagerbataillon 7.wav\" data-inventory-position=\"5\" data-filename-track-number=\"5\" data-duration-seconds=\"161.293333\"\u003eJagerbataillon 7 \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Auf Der Luneburger Heide.wav\" data-inventory-position=\"6\" data-filename-track-number=\"6\" data-duration-seconds=\"130.986667\"\u003eAuf Der Luneburger Heide \u003cspan\u003e(2:11)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Oberst Von Tippelskirch.wav\" data-inventory-position=\"7\" data-filename-track-number=\"7\" data-duration-seconds=\"142.906667\"\u003eOberst Von Tippelskirch \u003cspan\u003e(2:23)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Falkland Marsch.wav\" data-inventory-position=\"8\" data-filename-track-number=\"8\" data-duration-seconds=\"173.653333\"\u003eFalkland Marsch \u003cspan\u003e(2:54)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 In Der Heimat Steh'n Auf Posten.wav\" data-inventory-position=\"9\" data-filename-track-number=\"9\" data-duration-seconds=\"190.720000\"\u003eIn Der Heimat Steh'n Auf Posten \u003cspan\u003e(3:11)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Militarsignal Marsch.wav\" data-inventory-position=\"10\" data-filename-track-number=\"10\" data-duration-seconds=\"169.786667\"\u003eMilitarsignal Marsch \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Im Schonen Heimatland.wav\" data-inventory-position=\"11\" data-filename-track-number=\"11\" data-duration-seconds=\"175.866667\"\u003eIm Schonen Heimatland \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Unter Dem Grillenbanner.wav\" data-inventory-position=\"12\" data-filename-track-number=\"12\" data-duration-seconds=\"138.586667\"\u003eUnter Dem Grillenbanner \u003cspan\u003e(2:19)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Weit Ist Der Weg.wav\" data-inventory-position=\"13\" data-filename-track-number=\"13\" data-duration-seconds=\"158.773333\"\u003eWeit Ist Der Weg \u003cspan\u003e(2:39)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Wenn Die Trommel Sich Ruhrt.wav\" data-inventory-position=\"14\" data-filename-track-number=\"14\" data-duration-seconds=\"175.960000\"\u003eWenn Die Trommel Sich Ruhrt \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Der Stosstrupp.wav\" data-inventory-position=\"15\" data-filename-track-number=\"15\" data-duration-seconds=\"171.813333\"\u003eDer Stosstrupp \u003cspan\u003e(2:52)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Stahlhelm Paradenmarsch Nr1.wav\" data-inventory-position=\"16\" data-filename-track-number=\"16\" data-duration-seconds=\"193.146667\"\u003eStahlhelm Paradenmarsch Nr1 \u003cspan\u003e(3:13)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Wir Marschieren Mit Herms Niels.wav\" data-inventory-position=\"17\" data-filename-track-number=\"17\" data-duration-seconds=\"369.453333\"\u003eWir Marschieren Mit Herms Niels \u003cspan\u003e(6:09)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Zum Schluss Ein Kuss.wav\" data-inventory-position=\"18\" data-filename-track-number=\"18\" data-duration-seconds=\"160.906667\"\u003eZum Schluss Ein Kuss \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eThe army and Nazi crimes\u003c\/h3\u003e\n\u003cp\u003eThe Wehrmacht, including the German army, participated in Nazi genocide, mass murder and forced labour. Military music must be considered alongside those crimes and the people harmed by them. A picture of a politically detached or “clean” army would obscure that history. This institutional context does not identify the performers on these files. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-german-military-and-the-holocaust\"\u003eUnited States Holocaust Memorial Museum: The German Military and the Holocaust\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLeader praise as propaganda\u003c\/h3\u003e\n\u003cp\u003eThe Holocaust Memorial Museum describes organized praise of Hitler as part of the regime’s personality cult. Track 2’s title requires that context. A museum-hosted discography and Prieberg’s scholarly reference point to separate settings associated with Gott segne unsern Führer; neither establishes this file’s composition, singer, session or date. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-nazi-party-1?series=29\"\u003eUnited States Holocaust Memorial Museum: The Nazi Party\u003c\/a\u003e; \u003ca href=\"https:\/\/discography.phonomuseum.at\/telef\/telef19000.pdf\"\u003eChristian Zwarg: Telefunken matrix series 19000, hosted by Phonomuseum\u003c\/a\u003e; \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, university-hosted edition\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eOlder songs in later circulation\u003c\/h3\u003e\n\u003cp\u003eFor track 4, the BnF’s Silcher\/Chamisso entry and Hofmeister’s October 1867 listing provide a printed-work comparison with Es geht bei gedämpftem Trommelklang. For track 6, Lower Saxony’s state-library reference dates Ludwig Rahlfs’s melody for Auf der Lüneburger Heide, to Hermann Löns’s words, to 1912. Those are work and publication histories. They do not date these recordings or establish singing, a military ensemble or a particular arrangement. \u003ca href=\"https:\/\/catalogue.bnf.fr\/ark%3A\/12148\/cb43042984j\"\u003eBibliothèque nationale de France: Sammlung von Volksgesängen für den Männerchor, subnotice 108\u003c\/a\u003e; \u003ca href=\"https:\/\/hofmeister-os.kdl.kcl.ac.uk\/2008\/content\/monatshefte\/1867_10.html\"\u003eHofmeister XIX \/ King’s College London: October 1867, page 157\u003c\/a\u003e; \u003ca href=\"https:\/\/personen.niedersaechsische-bibliographie.de\/person\/1043189335\/\"\u003eNiedersächsische Personen: Rahlfs, Ludwig\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eMarches and arrangements\u003c\/h3\u003e\n\u003cp\u003eFreiburg’s archive catalogues Unter dem Grillenbanner under W. Lindemann. A publisher’s separate edition credits Wilhelm Lindemann and arranger Hans Kliment and describes a Strauss-waltz quotation. These edition facts offer a comparison for track 12; they do not identify the arrangement or performers heard here. \u003ca href=\"https:\/\/d-nb.info\/1152210416\/34\"\u003eUniversity of Freiburg, Zentrum für Populäre Kultur und Musik: collection S 0368\u003c\/a\u003e; \u003ca href=\"https:\/\/www.abel.at\/de\/produkt\/unter-dem-grillenbanner\"\u003eMusikverlag Abel: Unter dem Grillenbanner\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Stahlhelm as a political organization\u003c\/h3\u003e\n\u003cp\u003eFounded in December 1918, the Stahlhelm veterans’ association became an anti-republican paramilitary organization. It joined the Harzburg Front in 1931 and was later absorbed into Nazi structures before dissolution in 1935. This history explains the political weight of the name in track 16. The specific numbered march, composer and performing band remain unresolved. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/weimarer-republik\/innenpolitik\/stahlhelm\"\u003eDeutsches Historisches Museum: Der Stahlhelm, Bund der Frontsoldaten\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eHerms Niel and the Reichsarbeitsdienst\u003c\/h3\u003e\n\u003cp\u003eState-library and Bundesarchiv records document Herms Niel’s leadership of Reichsarbeitsdienst musicians. The RAD combined labour with military preparation and Nazi political education. A separately indexed melodic sequence, Wir marschieren mit Herms Niel, is a title-comparison lead for track 17. It does not establish that Niel performs or conducts this file, or identify its contents. \u003ca href=\"https:\/\/personen.niedersaechsische-bibliographie.de\/person\/export\/1786809540\/\"\u003eNiedersächsische Personen: Niel, Herms\u003c\/a\u003e; \u003ca href=\"https:\/\/www.bundesarchiv.de\/assets\/bundesarchiv\/de\/Downloads\/Verzeichnisse\/dfr_deutscher-fernsehrundfunk.pdf\"\u003eBundesarchiv: Deutscher Fernsehrundfunk, finding aid by Hans-Gunter Voigt\u003c\/a\u003e; \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/ns-regime\/ns-organisationen\/arbeitsdienst\"\u003eDeutsches Historisches Museum: Der Reichsarbeitsdienst (RAD)\u003c\/a\u003e; \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, university-hosted edition\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels and issues, catalogue and matrix numbers, source carriers and track-level transfer histories remain unverified. Audible language and vocal or instrumental content are also unverified. Composition, publication, reissue and transfer dates must remain separate from recording dates.\u003c\/p\u003e\n\u003ch3\u003eTitles and exact source filenames\u003c\/h3\u003e\n\u003cp\u003eDas Heer (Vol. 3) is the readable album title. The supplied source label, Das Heer (Vol 3), is preserved, with the period in Vol. added only for display. This punctuation change does not authenticate an original album or issue. All supplied track wording and original filenames remain unchanged.\u003c\/p\u003e\n\u003cp\u003eTwo documented forms remain comparison notes rather than changes to the track list: Es geht bei gedämpftem Trommelklang for track 4, and Wir marschieren mit Herms Niel for track 17. These printed or indexed forms do not identify the works or performances in the supplied files. Tippelskirch also remains unchanged despite the Tippelskirsch variant in a later commercial catalogue. \u003ca href=\"https:\/\/hofmeister-os.kdl.kcl.ac.uk\/2008\/content\/monatshefte\/1867_10.html\"\u003eHofmeister XIX \/ King’s College London: October 1867, page 157\u003c\/a\u003e; \u003ca href=\"https:\/\/personen.niedersaechsische-bibliographie.de\/person\/export\/1786809540\/\"\u003eNiedersächsische Personen: Niel, Herms\u003c\/a\u003e; \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, university-hosted edition\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery entry below remains under review. Each specific question is additional to the unresolved recording identity and distribution rights. Documented comparison works do not authenticate the supplied recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-hold-track=\"1\"\u003e\n\u003cstrong\u003eTrack 1: Soldatenlieder Potpourri\u003c\/strong\u003e. The label Potpourri does not identify the constituent works, text versions, arrangement or ensemble. The complete supplied file is retained without splitting or truncation. Source filename: 01 Soldatenlieder Potpourri.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"2\"\u003e\n\u003cstrong\u003eTrack 2: Gott Segne Unseren Fuhrer\u003c\/strong\u003e. Telefunken A 1550 \/ matrix 19348 and a separately referenced Benesch setting are comparison leads. Neither is assigned to this file. Identify the exact work, setting, performers and recording independently of the leader-praising wording. \u003ca href=\"https:\/\/discography.phonomuseum.at\/telef\/telef19000.pdf\"\u003eChristian Zwarg: Telefunken matrix series 19000, hosted by Phonomuseum\u003c\/a\u003e; \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, university-hosted edition\u003c\/a\u003e; \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-nazi-party-1?series=29\"\u003eUnited States Holocaust Memorial Museum: The Nazi Party\u003c\/a\u003e. Source filename: 02 Gott Segne Unseren Fuhrer.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"3\"\u003e\n\u003cstrong\u003eTrack 3: Manoverleben\u003c\/strong\u003e. The spelling is retained. An apparent omitted umlaut does not identify a composition, military exercise, event or performing band. Source filename: 03 Manoverleben.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"4\"\u003e\n\u003cstrong\u003eTrack 4: Es Geht Bei Gedampfer Trommelklang\u003c\/strong\u003e. The Silcher\/Chamisso printed work and the form Es geht bei gedämpftem Trommelklang are comparison candidates. No audible text, singing, arrangement or performance is established. \u003ca href=\"https:\/\/catalogue.bnf.fr\/ark%3A\/12148\/cb43042984j\"\u003eBibliothèque nationale de France: Sammlung von Volksgesängen für den Männerchor, subnotice 108\u003c\/a\u003e; \u003ca href=\"https:\/\/hofmeister-os.kdl.kcl.ac.uk\/2008\/content\/monatshefte\/1867_10.html\"\u003eHofmeister XIX \/ King’s College London: October 1867, page 157\u003c\/a\u003e. Source filename: 04 Es Geht Bei Gedampfer Trommelklang.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"5\"\u003e\n\u003cstrong\u003eTrack 5: Jagerbataillon 7\u003c\/strong\u003e. The battalion number does not select a historical unit, composition or performing band. The supplied spelling and number remain unchanged. Source filename: 05 Jagerbataillon 7.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"6\"\u003e\n\u003cstrong\u003eTrack 6: Auf Der Luneburger Heide\u003c\/strong\u003e. Rahlfs’s melody to Löns’s words is a work-level candidate only. Its documented 1912 date is not a recording date and does not establish a military performance. \u003ca href=\"https:\/\/personen.niedersaechsische-bibliographie.de\/person\/1043189335\/\"\u003eNiedersächsische Personen: Rahlfs, Ludwig\u003c\/a\u003e. Source filename: 06 Auf Der Luneburger Heide.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"7\"\u003e\n\u003cstrong\u003eTrack 7: Oberst Von Tippelskirch\u003c\/strong\u003e. No officer, regiment, composer or recording is assigned. The later catalogue’s Tippelskirsch differs from supplied Tippelskirch; the discrepancy remains unresolved. Source filename: 07 Oberst Von Tippelskirch.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"8\"\u003e\n\u003cstrong\u003eTrack 8: Falkland Marsch\u003c\/strong\u003e. Falkland alone does not prove a dedication to the 1914 naval battle or identify a composer, performance or recording date. Source filename: 08 Falkland Marsch.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"9\"\u003e\n\u003cstrong\u003eTrack 9: In Der Heimat Steh'n Auf Posten\u003c\/strong\u003e. No authoritative exact-work identification has been established. Repertory associations do not justify attributing the recording to Herms Niel. Source filename: 09 In Der Heimat Steh'n Auf Posten.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"10\"\u003e\n\u003cstrong\u003eTrack 10: Militarsignal Marsch\u003c\/strong\u003e. the “Fallschirmjäger \u0026amp; Flieger Marches” collection’s 6 Militärsignal Marsch.wav is a title-only lead. It is the 10th WAV in that inventory; 6 is its filename number. Its verified audio record is unavailable, so this pair was not tested. Work, ensemble and recording equivalence remain unresolved. Source filename: 10 Militarsignal Marsch.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"11\"\u003e\n\u003cstrong\u003eTrack 11: Im Schonen Heimatland\u003c\/strong\u003e. This generic homeland title does not identify a composition, composer, text version or particular recording. Source filename: 11 Im Schonen Heimatland.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"12\"\u003e\n\u003cstrong\u003eTrack 12: Unter Dem Grillenbanner\u003c\/strong\u003e. Lindemann’s separately catalogued work is a comparison candidate; the Kliment arrangement is not assigned to this file. Complete source-file and normalized decoded-audio hashes differ from the “Kavallerie marsch” collection’s 03 Unter dem Grillenbanner.wav. That excludes exact digital equality only; a shared historical performance, alternate transfer or edit remains possible. \u003ca href=\"https:\/\/d-nb.info\/1152210416\/34\"\u003eUniversity of Freiburg, Zentrum für Populäre Kultur und Musik: collection S 0368\u003c\/a\u003e; \u003ca href=\"https:\/\/www.abel.at\/de\/produkt\/unter-dem-grillenbanner\"\u003eMusikverlag Abel: Unter dem Grillenbanner\u003c\/a\u003e. Source filename: 12 Unter Dem Grillenbanner.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"13\"\u003e\n\u003cstrong\u003eTrack 13: Weit Ist Der Weg\u003c\/strong\u003e. The broad title does not identify a composition, tradition, translated source or vocal content. Source filename: 13 Weit Ist Der Weg.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"14\"\u003e\n\u003cstrong\u003eTrack 14: Wenn Die Trommel Sich Ruhrt\u003c\/strong\u003e. The spelling is retained. A possible omitted umlaut does not establish the exact work, text version, display correction or performance. Source filename: 14 Wenn Die Trommel Sich Ruhrt.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"15\"\u003e\n\u003cstrong\u003eTrack 15: Der Stosstrupp\u003c\/strong\u003e. The military expression does not identify an assault unit, author, text version or particular propaganda recording. Source filename: 15 Der Stosstrupp.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"16\"\u003e\n\u003cstrong\u003eTrack 16: Stahlhelm Paradenmarsch Nr1\u003c\/strong\u003e. The organization’s political history is documented, but this numbered march, its composer, arrangement and performing band remain unidentified. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/weimarer-republik\/innenpolitik\/stahlhelm\"\u003eDeutsches Historisches Museum: Der Stahlhelm, Bund der Frontsoldaten\u003c\/a\u003e. Source filename: 16 Stahlhelm Paradenmarsch Nr1.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"17\"\u003e\n\u003cstrong\u003eTrack 17: Wir Marschieren Mit Herms Niels\u003c\/strong\u003e. The official name Herms Niel and separately indexed title are comparison leads. The contents, medley structure, arrangement, composer attribution, conductor and session remain unverified. The source filename retains Niels. \u003ca href=\"https:\/\/personen.niedersaechsische-bibliographie.de\/person\/export\/1786809540\/\"\u003eNiedersächsische Personen: Niel, Herms\u003c\/a\u003e; \u003ca href=\"https:\/\/www.uibk.ac.at\/media\/filer_public\/ec\/c6\/ecc677ef-87b0-4f73-9562-0a14d80bbb1d\/hdm.pdf\"\u003eFred K. Prieberg: Handbuch Deutsche Musiker 1933–1945, university-hosted edition\u003c\/a\u003e. Source filename: 17 Wir Marschieren Mit Herms Niels.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-hold-track=\"18\"\u003e\n\u003cstrong\u003eTrack 18: Zum Schluss Ein Kuss\u003c\/strong\u003e. The common farewell wording does not identify a precise composition, singer, recording date or medley content. Source filename: 18 Zum Schluss Ein Kuss.wav. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical comparison and its limits\u003c\/h3\u003e\n\u003cp\u003eAll 18 files were compared with a saved baseline of 367 verified files, for 385 files in the comparison set. No exact source-file or complete normalized decoded-audio match involving “Das Heer (Vol. 3)” was found within that available set. This does not prove that the historical performances are unique; alternate edits, transfers or other processing of a shared recording may have different checksums.\u003c\/p\u003e\n\u003cp\u003eThe tested title pair, the “Das Heer (Vol. 3)” collection’s 12 Unter Dem Grillenbanner.wav and the “Kavallerie marsch” collection’s 03 Unter dem Grillenbanner.wav, has unequal source-file and complete normalized decoded-audio checksums. Exact digital equality is excluded; work identity and any shared historical performance remain unresolved. Both entries are retained.\u003c\/p\u003e\n\u003cp\u003ethe “Das Heer (Vol. 3)” collection’s 10 Militarsignal Marsch.wav has a title-only lead in the “Fallschirmjäger \u0026amp; Flieger Marches” collection’s 6 Militärsignal Marsch.wav, but the latter has no verified audio record in this comparison set. No result is claimed for that pair. Its filename number is 6 and its supplied inventory position is 10; its position in a complete original release remains unknown.\u003c\/p\u003e\n\u003cp\u003eFor comparison only, complete decoded audio was converted to signed 16-bit little-endian PCM at 44.1 kHz in stereo and checked with SHA-256. Exact equality would not authenticate works, performers, recording dates, original issues or rights; inequality does not establish different performances. No entry has been merged or removed on the basis of title or checksum comparisons.\u003c\/p\u003e\n\u003cp\u003eFull-duration signal measurements found nonzero finite signal in every “Das Heer (Vol. 3)” file, with no anomaly flagged by that check. No subjective listening review was performed. These measurements do not certify musical content, intelligibility, historical authenticity or absence of distortion.\u003c\/p\u003e\n\u003cp\u003eA third-party transcription of a later commercial catalogue follows all eighteen title positions with spelling variants. It is a compilation lead only. Its wartime-78-rpm assertion, artist labels, dates, source-medium claims and rights statements are not adopted. No reference audio was compared, and the sequence alone establishes neither copying nor infringement.\u003c\/p\u003e\n\u003ch3\u003eSource access and rights review\u003c\/h3\u003e\n\u003cp\u003eThe Prieberg, Telefunken and BnF leads were available only through indexed passages; their complete surrounding pages, archival recordings and underlying source materials were not inspected. The publisher’s edition note and the museum’s account of the military’s involvement in the Holocaust were also read through indexed text after direct access was unsuccessful. These limits do not authenticate any file as a cited catalogue item.\u003c\/p\u003e\n\u003cp\u003eIdentification of each work, text version, arrangement and particular recording remains open for all 18 tracks and the full album, along with rights and intended-territory review. No public-domain, royalty-free or redistribution permission is asserted. Age, physical ownership, educational framing, catalogue matches and the price do not settle those questions.\u003c\/p\u003e\n\u003cp\u003eThese notes support critical historical study of propaganda, militarization and dictatorship, including the persecution, exploitation and mass murder surrounding Nazi institutions. They do not endorse Nazi ideology. No lyrics, lyric translations or fabricated archival imagery are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708567511329,"sku":"HIS-CD930-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/das-heer-vol-3","provider":"Nadelton Recordings","version":"1.0","type":"link"}