{"product_id":"dasiiireich-vol-2-sa-marschiert","title":"DasIIIReich (Vol  2) SA Marschiert","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 16 tracks. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e DasIIIReich (Vol  2) SA Marschiert. 16 source-file listings, retained in their original order. The actual source encoding is verified as WAV containing signed 16-bit PCM at 44,100 Hz with two channels. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eDasIIIReich (Vol  2) SA Marschiert is the supplied title for sixteen files. Its wording and several filenames invoke the SA. The notes examine propaganda, political violence and specific printed-work comparison leads; no original issue, ensemble, recording date or audible content has been verified.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete; recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eAll 16 source WAV files passed complete decoding and have complete-file and normalized source PCM SHA-256 receipts. All 16 MP3 files and 16 previews were independently decoded in full. The ZIP passed CRC and member-hash checks. MP3 files: 256 kbps, 44,100 Hz, two channels. Preview excerpts: 25 seconds, 128 kbps, 44,100 Hz, two channels. Total measured source duration: 48:26.160 (2906.160000 seconds); exact source payload: 512,647,328 bytes. MP3 playback durations may include encoder padding. The complete MP3 ZIP is included with this digital download. Technical verification does not authenticate recording identity or grant distribution rights.\u003c\/p\u003e\n\u003cp\u003eAll 16 filenames and listing positions are preserved exactly; source filename numbers are stored separately from listing positions. They are not an authenticated original release sequence.\u003c\/p\u003e\n\u003cp\u003eSource spelling, capitalization, punctuation and filenames are retained. Listing positions and source filename numbers are shown separately; the historical notes do not authenticate any supplied recording.\u003c\/p\u003e\n\u003ch2\u003eTrack listing and identification notes\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Volk Ans Gewehr.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Volk Ans Gewehr.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:37.213 (157.213333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eCompare the documented printed title\/incipit association; establish actual text, setting and performance separately.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 01 Volk Ans Gewehr.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Sieg Der Deutschen Nation.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Sieg Der Deutschen Nation.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 6:24.333 (384.333333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIdentify the work behind this national-victory label; it supplies neither composer nor a dated historical event.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 02 Sieg Der Deutschen Nation.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Durch Gross Berlin Marrschieren Wir 1.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Durch Gross Berlin Marrschieren Wir 1.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:13.827 (133.826667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003ePreserve Marrschieren and the final 1; establish the exact work and whether the suffix denotes a take, part or filing convention.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 03 Durch Gross Berlin Marrschieren Wir 1.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 In Munchen Sind Viele Gefallen.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 In Munchen Sind Viele Gefallen.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:56.000 (176.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIdentify the work and commemorative subject; Munich wording does not prove a 1923 putsch song or date the recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 04 In Munchen Sind Viele Gefallen.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Duppler Schanzen Marsch.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Duppler Schanzen Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:25.840 (205.840000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eResolve the supplied Duppler spelling and match a score before proposing a Düppeler or other march; no composer, battle association or date is assigned.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 05 Duppler Schanzen Marsch.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Deutsche Kameraden.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Deutsche Kameraden.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52.493 (172.493333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDisambiguate the broad comrades title through text and tune; no service affiliation or ensemble can be inferred.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 06 Deutsche Kameraden.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 S.A. Totenmarsch.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 S.A. Totenmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:55.840 (175.840000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIdentify the titled funeral-march work and arrangement; the filename does not authenticate a funeral event or an SA ensemble.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 07 S.A. Totenmarsch.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Braunschweig Marsch.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Braunschweig Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:54.493 (174.493333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDisambiguate this place-named march; do not assume a particular Brunswick unit, composer or performance location.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 08 Braunschweig Marsch.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Lisa, Lisa!.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Lisa, Lisa!.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:33.667 (153.666667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIdentify the exact Lisa song or march and its setting; the personal name alone is insufficient for authorship or genre.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 09 Lisa, Lisa!.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Mein Regiment, Mein Heimatland.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Mein Regiment, Mein Heimatland.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:47.840 (167.840000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDetermine whether the comma joins one title, a subtitle or multiple works; preserve the supplied combined label pending identification.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 10 Mein Regiment, Mein Heimatland.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Der Sturmmarsch Der S.A..wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Der Sturmmarsch Der S.A..wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:38.680 (158.680000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIdentify the exact Sturmmarsch work and setting; a generic SA descriptor does not prove one composer or original issue.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 11 Der Sturmmarsch Der S.A..wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Es Pfeift Von Allen Dashern.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Es Pfeift Von Allen Dashern.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:42.813 (162.813333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003ePreserve Dashern as supplied; compare both the LOC printed title and the companion volume’s Dachern label without assuming identical audio.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 12 Es Pfeift Von Allen Dashern.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Die Alte Garde.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Die Alte Garde.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:43.667 (163.666667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDisambiguate this old-guard title through documentary and musical comparison; no organization, personnel or composer is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 13 Die Alte Garde.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Die Braune Kompanie.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Die Braune Kompanie.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:19.667 (139.666667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eCompare the same label in the companion volume independently; identical wording is not proof of the same work or master.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 14 Die Braune Kompanie.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Flieg Deutsche Fahne, Flieg.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 Flieg Deutsche Fahne, Flieg.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:58.840 (178.840000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eCompare the LOC print; its 1935 date belongs to that edition, not this file, and neither scoring nor credits transfer automatically.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 15 Flieg Deutsche Fahne, Flieg.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Horst Wessel Lied.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 Horst Wessel Lied.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:20.947 (200.946667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eCompare the documented Wessel work; text version, arrangement, performance and recording session remain unidentified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: For 16 Horst Wessel Lied.wav: which exact work, text version and arrangement are present? Which performer, original issue, session evidence and transfer chain identify this particular recording? Which permissions cover composition\/text, arrangement, performance, sound recording and remaster for the intended preview, sale and distribution territories?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eHistorical context\u003c\/h2\u003e\n\u003cp\u003eThese six notes distinguish historical evidence about works and institutions from the unverified contents of the supplied files.\u003c\/p\u003e\n\u003ch3\u003eWhat SA marching represented\u003c\/h3\u003e\n\u003cp\u003eThe Deutsches Historisches Museum links SA marching formations to political attacks and, in 1933, antisemitic terror, detention and torture. The collection’s title requires this context. It provides no proof that an SA ensemble made any particular recording. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/ns-regime\/ns-organisationen\/sa\"\u003eDeutsches Historisches Museum: Die Sturmabteilung (SA)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eMunich and the construction of a martyr tradition\u003c\/h3\u003e\n\u003cp\u003eThe Nazi-led coup attempt of 8–9 November 1923 failed. The movement later glorified the failed insurrection as a heroic national struggle. This supplies context for the Munich-dead filename, without proving its specific commemorative subject or identifying the work. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/beer-hall-putsch-munich-putsch\"\u003eUnited States Holocaust Memorial Museum: Beer Hall Putsch (Munich Putsch)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eWessel’s song as political mobilization\u003c\/h3\u003e\n\u003cp\u003eAfter Wessel died in February 1930, the Nazis used his martyr legend and party anthem to promote violence and sacrifice. The final filename is a comparison lead for that work; neither the performance date nor the words actually present are established. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/timeline-event\/holocaust\/before-1933\/sa-member-horst-wessel-dies\"\u003eUnited States Holocaust Memorial Museum: SA Member Horst Wessel Dies\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA title and an opening line can name one work\u003c\/h3\u003e\n\u003cp\u003eThe Bibliothèque nationale de France catalogues Volk ans Gewehr under Arno Pardun and gives Siehst du im Osten das Morgenrot as its opening line. This documents a printed-work association for the first filename; it supplies no recording credits or session date. \u003ca href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43043080x\"\u003eBibliothèque nationale de France: Frisch gesungen! (97th edition, 1941)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA dated print is not a dated recording\u003c\/h3\u003e\n\u003cp\u003eThe Library of Congress lists Flieg’, deutsche Fahne, flieg’! in an edition dated 1935. That printed item is a comparison source for the fifteenth filename. Its publication date, scoring and authorship cannot be assigned to an unidentified recording without matching evidence. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe SA’s loss of independent power\u003c\/h3\u003e\n\u003cp\u003eHitler and his advisers purged the SA in 1934; Ernst Röhm was murdered and the organization’s independence curtailed. This institutional history complicates the image of an unchanging marching movement. It establishes no before-or-after date for the supplied files. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-sa\"\u003eUnited States Holocaust Memorial Museum: The SA\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work, publication, institutional and film dates are not recording dates for these files.\u003c\/p\u003e\n\u003cp\u003eUnverified. Specific work, recording and rights questions remain open for every track. No public-domain status, royalty-free status or permission to preview, sell or redistribute is asserted. USD 9.99 is the album price.\u003c\/p\u003e\n\u003cp\u003eEach file needs identification of its work and text, arrangement, performance, original issue and transfer history. Permission must be assessed separately for the intended use and territories. A source catalogue describes its own holding and does not authenticate these files or grant distribution rights.\u003c\/p\u003e\n\u003c\/details\u003e\n\u003cp\u003ePresented for critical historical study of propaganda, dictatorship, militarization, racial persecution and their victims. Nazi ideology and violence are not endorsed. Historical filenames are preserved as evidence, not advocacy. No lyrics, translations of lyrics or imagery are reproduced.\u003c\/p\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709867024673,"sku":"HIS-CD650-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/dasiiireich-vol-2-sa-marschiert","provider":"Nadelton Recordings","version":"1.0","type":"link"}