{"product_id":"die-grosse-march-parade-vol-1","title":"Die Grosse March Parade (Vol 1)","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 14 tracks. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTechnical checkpoint: 14 of 14 source files fully decoded; all 14 MP3 files and 14 previews independently verified.\u003c\/strong\u003e ZIP integrity and member hashes have been checked. These technical checks do not establish recording identity, rights clearance or permission to sell. The full ZIP is included with this digital download.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Die Grosse March Parade (Vol 1). 14 source-file listings, retained in their original order. The actual source encoding is verified as WAV containing signed 16-bit PCM at 44,100 Hz with two channels. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThese fourteen supplied filenames bring together march titles and appended ensemble names. The notes trace selected works through manuscripts, printed arrangements and museum collections. These varied histories do not establish a common recording period, original release or performing body. The filename credits remain unverified.\u003c\/p\u003e\n\u003cp\u003eUnder Nazi rule, cultural authorities excluded Jewish artists and political opponents and used songs and marches for ideological indoctrination. This context is essential to studying propaganda, while each recording’s actual period and use remain unverified. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/culture-in-the-third-reich-overview?parent=en%2F11058\"\u003eUnited States Holocaust Memorial Museum: Culture in the Third Reich\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete; recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp\u003eAll fourteen listed source WAV files passed complete decoding. The prepared ZIP contains all fourteen 256 kbps MP3 files at 44,100 Hz with two channels, in the original source order. Total measured source duration: 36:56.533 (2216.533333 seconds); exact source payload: 390,997,096 bytes. Fourteen 25-second preview excerpts are prepared. MP3 container durations include encoder padding and can differ slightly from the measured source durations. The full ZIP is included with this digital download.\u003c\/p\u003e\u003cp\u003eNormalized source PCM comparison hashes and signal statistics are available for 13 of 14 tracks. Track 6 has a verified complete-source hash and full decode, but no retained normalized source PCM hash or signal statistics. This gap is not filled by its MP3 decoded-audio hash. Audio verification establishes technical readability, not performers, recording dates, original release identity or redistribution permission.\u003c\/p\u003e\n\u003cp\u003eFilename prefixes run from 1-01 to 1-14. All fourteen supplied entries and their appended name strings are retained in the listed order; this does not authenticate an original disc release.\u003c\/p\u003e\n\u003cp\u003eSource spelling, capitalization, punctuation and order are retained. Names inside filenames are unverified source text. Historical notes concern works, editions and institutions, not established audible content.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"1-01 Alte Kameraden - Musillorps Garmisch Partenkirchen.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e1-01 Alte Kameraden - Musillorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:58.933 (178.933333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes the audio match Teike’s work, and which arrangement? Musillorps Garmisch Partenkirchen is an unverified filename attribution; its spelling is preserved.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does the audio match Teike’s work, and which arrangement? Musillorps Garmisch Partenkirchen is an unverified filename attribution; its spelling is preserved. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-02 Gruss An Kiel - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e1-02 Gruss An Kiel - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:07.893 (127.893333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Gruss An Kiel composition and arrangement are present? The appended Musikkorps Garmisch Partenkirchen name is unverified and supplies no recording date.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Gruss An Kiel composition and arrangement are present? The appended Musikkorps Garmisch Partenkirchen name is unverified and supplies no recording date. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-03 Florentiner Marsch - Militärmusik Burgenland.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e1-03 Florentiner Marsch - Militärmusik Burgenland.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 5:10.267 (310.266667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes the audio match Fučík’s work, and which orchestration or abridgement? Militärmusik Burgenland is a filename claim, not an authenticated performer credit.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does the audio match Fučík’s work, and which orchestration or abridgement? Militärmusik Burgenland is a filename claim, not an authenticated performer credit. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-04 Pappenheim Marsch - Militärmusik Salzburg.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e1-04 Pappenheim Marsch - Militärmusik Salzburg.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 1:26.800 (86.800000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Pappenheim Marsch composition is meant? Neither a historical dedicatee, composer nor Militärmusik Salzburg performance is established.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Pappenheim Marsch composition is meant? Neither a historical dedicatee, composer nor Militärmusik Salzburg performance is established. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-05 Preussens Gloria - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e1-05 Preussens Gloria - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 1:40.373 (100.373333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich edition or arrangement is heard, if Piefke’s work is present? The 1912 Grawert notice and filename ensemble cannot date or identify this recording.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which edition or arrangement is heard, if Piefke’s work is present? The 1912 Grawert notice and filename ensemble cannot date or identify this recording. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-06 Mussinan Marsch - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e1-06 Mussinan Marsch - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 3:11.333 (191.333333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Mussinan Marsch work and arrangement are present? No dedicatee, date or Garmisch Partenkirchen ensemble is authenticated.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Mussinan Marsch work and arrangement are present? No dedicatee, date or Garmisch Partenkirchen ensemble is authenticated. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-07 Bayerischer Defiliermarsch - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e1-07 Bayerischer Defiliermarsch - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:04.333 (124.333333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes this match Scherzer’s work under its later title? No regimental use, archive recording, label or filename ensemble is adopted.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does this match Scherzer’s work under its later title? No regimental use, archive recording, label or filename ensemble is adopted. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-08 Radetzky Marsch - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e1-08 Radetzky Marsch - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:23.667 (143.666667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich arrangement of the candidate Strauss march is audible? Neither the 1848 source nor a familiar modern version identifies this performance.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which arrangement of the candidate Strauss march is audible? Neither the 1848 source nor a familiar modern version identifies this performance. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-09 Unter Dem Doppeladler - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e1-09 Unter Dem Doppeladler - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:42.027 (162.026667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich arrangement of the Wagner candidate is present? A catalogued string-orchestra edition is not evidence of this file’s instrumentation or filename ensemble.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which arrangement of the Wagner candidate is present? A catalogued string-orchestra edition is not evidence of this file’s instrumentation or filename ensemble. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-10 Flieger Marsch - Orig. Tiroler Kaiserjägermusik.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e1-10 Flieger Marsch - Orig. Tiroler Kaiserjägermusik.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:33.400 (153.400000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes Flieger Marsch refer to Dostal’s operetta-derived work or another similarly named march? Orig. Tiroler Kaiserjägermusik remains an unverified filename credit.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does Flieger Marsch refer to Dostal’s operetta-derived work or another similarly named march? Orig. Tiroler Kaiserjägermusik remains an unverified filename credit. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-11 Fenner Jägermarch - Militärmusik Vorarlberg.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e1-11 Fenner Jägermarch - Militärmusik Vorarlberg.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:20.040 (140.040000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Fenner Jägermarch work is meant? The supplied Jägermarch spelling remains unchanged, and no composer or Militärmusik Vorarlberg identity is established.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Fenner Jägermarch work is meant? The supplied Jägermarch spelling remains unchanged, and no composer or Militärmusik Vorarlberg identity is established. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-12 Laridah Marsch - Musikkorps Garmisch Partenkirchen.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e1-12 Laridah Marsch - Musikkorps Garmisch Partenkirchen.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 3:17.000 (197.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Laridah Marsch composition, spelling and arrangement are represented? No composer or Garmisch Partenkirchen performer attribution is authenticated.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Laridah Marsch composition, spelling and arrangement are represented? No composer or Garmisch Partenkirchen performer attribution is authenticated. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-13 Prinz Eugen Marsch - Militämusik Salzburg.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e1-13 Prinz Eugen Marsch - Militämusik Salzburg.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:32.333 (152.333333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Prinz Eugen Marsch is represented, rather than a similarly named song or setting? The supplied Militämusik Salzburg spelling and unverified credit are preserved.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Prinz Eugen Marsch is represented, rather than a similarly named song or setting? The supplied Militämusik Salzburg spelling and unverified credit are preserved. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"1-14 Ersherzog Marsch - Militärmusik Salzburg.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e1-14 Ersherzog Marsch - Militärmusik Salzburg.wav\u003c\/strong\u003e\u003cp\u003eMeasured source duration: 2:28.133 (148.133333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIs Ersherzog Marsch incomplete, misspelled or a distinct title? No expansion to a named archduke, composition, composer or Salzburg ensemble is justified without evidence.\u003c\/p\u003e\n\u003cp\u003eUnverified text embedded in source filename; not an authenticated performer or ensemble\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Is Ersherzog Marsch incomplete, misspelled or a distinct title? No expansion to a named archduke, composition, composer or Salzburg ensemble is justified without evidence. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eA march across playback technologies\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 1.\u003c\/strong\u003e The Deutsches Museum catalogues an Aeolian player-piano roll of Carl Teike’s Alte Kameraden, labelled in English and German and dated after 1897. The object documents circulation beyond a military-band setting. Its mechanism, manufacturer and approximate date belong to that museum object; none establishes the medium, musicians or date of this file. \u003ca href=\"https:\/\/digital.deutsches-museum.de\/projekte\/notenrollen\/1980-470T56\/\"\u003eDeutsches Museum: Alte Kameraden, player-piano roll 1980-470T56\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA manuscript preserves a changing title\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 3.\u003c\/strong\u003e The Czech Museum of Music preserves Fučík’s orchestral autograph completed on 3 December 1907 and traces earlier titles before Florentiner Marsch appeared in print in 1908. The museum says the actual reason for the change is unknown. These manuscript and publication dates concern the work, not the supplied performance or its filename credit. \u003ca href=\"https:\/\/www.nm.cz\/ceske-muzeum-hudby\/florentinsky-pochod-julia-fucika-slavi-115-let\"\u003eNational Museum, Czech Museum of Music: Florentinský pochod Julia Fučíka slaví 115 let\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eOne march, several published performing formats\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 5.\u003c\/strong\u003e A February 1912 publishing notice lists G. Piefke’s Preussens Gloria, newly arranged by Th. Grawert, in versions for piano, military band and cavalry band. Such editions show how one title moved between performing forces. The notice predates Nazi rule, but it neither dates this file nor identifies its arrangement or musicians. \u003ca href=\"https:\/\/digital.slub-dresden.de\/data\/kitodo\/Brsfded_39946221X-19120224\/Brsfded_39946221X-19120224_tif\/jpegs\/Brsfded_39946221X-19120224.pdf\"\u003eSLUB Dresden: Börsenblatt, 24 February 1912, page 2436\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn older name and several regimental uses\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 7.\u003c\/strong\u003e The Franconian folk-music research archive identifies Adolf Scherzer’s Bayerischer Defiliermarsch as a work first known as Avancier-Marsch and documents its use by several Bavarian regiments. A title therefore need not identify a single unit or occasion. The archive’s separate recording and performer credits cannot authenticate the supplied Garmisch Partenkirchen filename attribution. \u003ca href=\"https:\/\/volksmusik-forschung.de\/legamus\/audio.html?id=71670\"\u003eForschungsstelle für fränkische Volksmusik: Bayerischer Avanciermarsch, object 71670\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe importance of an arrangement\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 8.\u003c\/strong\u003e Strauss researcher Norbert Rubey describes a handwritten source for Johann Strauss I’s Radetzky March, op. 228, that underlay the 1848 Haslinger editions. His comparison shows that later familiar versions differ in orchestration. The supplied title provides no basis for choosing an original or later version, or for dating this performance to 1848. \u003ca href=\"https:\/\/www.johann-strauss.at\/en\/publikationen\/radetzky-marsch-urfassung\/\"\u003eWiener Institut für Strauss-Forschung: Radetzky-Marsch – Urfassung\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA military-band title with a string-orchestra edition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 9.\u003c\/strong\u003e The Wienbibliothek catalogues Joseph Franz Wagner’s Unter dem Doppeladler, op. 159, in a string-orchestra edition issued by Rebay \u0026amp; Robitschek without a stated year. This illustrates the work’s arranged circulation. The catalogue does not establish that this file uses strings, identify its arrangement or verify the ensemble named in its filename. \u003ca href=\"https:\/\/digital.wienbibliothek.at\/name\/view\/2986273?offset=41\"\u003eWienbibliothek im Rathaus: Joseph Franz Wagner, including Unter dem Doppeladler\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work history, publication dates and names embedded in filenames do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track uncertainties\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlte Kameraden - Musillorps Garmisch Partenkirchen\u003c\/strong\u003e: Does the audio match Teike’s work, and which arrangement? Musillorps Garmisch Partenkirchen is an unverified filename attribution; its spelling is preserved. Rights remain unresolved. \u003ca href=\"https:\/\/digital.deutsches-museum.de\/projekte\/notenrollen\/1980-470T56\/\"\u003eDeutsches Museum: Alte Kameraden, player-piano roll 1980-470T56\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGruss An Kiel - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which Gruss An Kiel composition and arrangement are present? The appended Musikkorps Garmisch Partenkirchen name is unverified and supplies no recording date. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlorentiner Marsch - Militärmusik Burgenland\u003c\/strong\u003e: Does the audio match Fučík’s work, and which orchestration or abridgement? Militärmusik Burgenland is a filename claim, not an authenticated performer credit. Rights remain unresolved. \u003ca href=\"https:\/\/www.nm.cz\/ceske-muzeum-hudby\/florentinsky-pochod-julia-fucika-slavi-115-let\"\u003eNational Museum, Czech Museum of Music: Florentinský pochod Julia Fučíka slaví 115 let\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePappenheim Marsch - Militärmusik Salzburg\u003c\/strong\u003e: Which Pappenheim Marsch composition is meant? Neither a historical dedicatee, composer nor Militärmusik Salzburg performance is established. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreussens Gloria - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which edition or arrangement is heard, if Piefke’s work is present? The 1912 Grawert notice and filename ensemble cannot date or identify this recording. Rights remain unresolved. \u003ca href=\"https:\/\/digital.slub-dresden.de\/data\/kitodo\/Brsfded_39946221X-19120224\/Brsfded_39946221X-19120224_tif\/jpegs\/Brsfded_39946221X-19120224.pdf\"\u003eSLUB Dresden: Börsenblatt, 24 February 1912, page 2436\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMussinan Marsch - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which Mussinan Marsch work and arrangement are present? No dedicatee, date or Garmisch Partenkirchen ensemble is authenticated. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBayerischer Defiliermarsch - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Does this match Scherzer’s work under its later title? No regimental use, archive recording, label or filename ensemble is adopted. Rights remain unresolved. \u003ca href=\"https:\/\/volksmusik-forschung.de\/legamus\/audio.html?id=71670\"\u003eForschungsstelle für fränkische Volksmusik: Bayerischer Avanciermarsch, object 71670\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRadetzky Marsch - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which arrangement of the candidate Strauss march is audible? Neither the 1848 source nor a familiar modern version identifies this performance. Rights remain unresolved. \u003ca href=\"https:\/\/www.johann-strauss.at\/en\/publikationen\/radetzky-marsch-urfassung\/\"\u003eWiener Institut für Strauss-Forschung: Radetzky-Marsch – Urfassung\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnter Dem Doppeladler - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which arrangement of the Wagner candidate is present? A catalogued string-orchestra edition is not evidence of this file’s instrumentation or filename ensemble. Rights remain unresolved. \u003ca href=\"https:\/\/digital.wienbibliothek.at\/name\/view\/2986273?offset=41\"\u003eWienbibliothek im Rathaus: Joseph Franz Wagner, including Unter dem Doppeladler\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlieger Marsch - Orig. Tiroler Kaiserjägermusik\u003c\/strong\u003e: Does Flieger Marsch refer to Dostal’s operetta-derived work or another similarly named march? Orig. Tiroler Kaiserjägermusik remains an unverified filename credit. Rights remain unresolved. \u003ca href=\"https:\/\/www.digital.wienbibliothek.at\/wbrobv\/content\/titleinfo\/5418564\"\u003eWienbibliothek im Rathaus: Fliegermarsch aus der Operette Der fliegende Rittmeister\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFenner Jägermarch - Militärmusik Vorarlberg\u003c\/strong\u003e: Which Fenner Jägermarch work is meant? The supplied Jägermarch spelling remains unchanged, and no composer or Militärmusik Vorarlberg identity is established. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLaridah Marsch - Musikkorps Garmisch Partenkirchen\u003c\/strong\u003e: Which Laridah Marsch composition, spelling and arrangement are represented? No composer or Garmisch Partenkirchen performer attribution is authenticated. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinz Eugen Marsch - Militämusik Salzburg\u003c\/strong\u003e: Which Prinz Eugen Marsch is represented, rather than a similarly named song or setting? The supplied Militämusik Salzburg spelling and unverified credit are preserved. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eErsherzog Marsch - Militärmusik Salzburg\u003c\/strong\u003e: Is Ersherzog Marsch incomplete, misspelled or a distinct title? No expansion to a named archduke, composition, composer or Salzburg ensemble is justified without evidence. Rights remain unresolved.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eComparison leads and evidence limits\u003c\/h3\u003e\n\u003cp\u003e“Die Grosse March Parade (Vol 1)” and Die Grosse March Parade (Disc 1) have the same fourteen filename and displayed-size pairs in the same order in the supplied index. Equal rounded sizes and filenames do not establish equal audio, source provenance or recording rights. Both original folder sequences remain separate. At the 13 October 2026 comparison checkpoint, all fourteen complete-source file hashes differed between these folders despite equal exact file sizes and durations. All thirteen available normalized-PCM comparisons also differed with equal exact frame counts; the Vol 1 track 6 source PCM hash was not retained. These results establish differences between the supplied digital files, but do not establish whether the historical performances differ.\u003c\/p\u003e\n\u003cp\u003eAll fourteen title-and-sequence comparison leads with “Die Grosse March Parade” were checked at that checkpoint, with every original listing retained. Historical recording equivalence remains unresolved. The attached package retains the earlier dated preparation notes; those comparison notes still require a consistency update.\u003c\/p\u003e\n\u003cp\u003eSome source evidence is available only as indexed text or catalogue descriptions. Limits are recorded for each source. No cited score, archive item or later recording has been authenticated as a supplied file.\u003c\/p\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all tracks. No public-domain, royalty-free or redistribution permission is asserted. The USD 9.99 price does not establish rights clearance for sale.\u003c\/p\u003e\n\u003cp\u003eWork, text, arrangement, performance and recording rights need separate review. Physical ownership, age and educational framing do not establish permission to distribute.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, militarization and propaganda. Nazi ideology and the persecution and violence it promoted are not endorsed. Historical titles are preserved as evidence, not advocacy. No lyrics, lyric translations or imagery are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete customer download is included.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709852967201,"sku":"HIS-CD380-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/die-grosse-march-parade-vol-1","provider":"Nadelton Recordings","version":"1.0","type":"link"}