{"product_id":"edeltraut-the-german-ns-girl","title":"Edeltraut - The German NS Girl","description":"\u003cp\u003eEdeltraut - The German NS Girl brings together fifteen titles centred on affection, farewell and wartime separation. Presented for historical study and critical listening, the programme offers a way to examine popular entertainment, gender roles and the political framing of music under National Socialism.\u003c\/p\u003e\n\u003cp\u003e15 MP3 access files • 256 kbps • stereo • approximately 41 minutes 52 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 15-track MP3 access edition has been prepared from the supplied WAV files, with no additional noise reduction, normalization or restoration. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 15 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open.\u003c\/p\u003e\n\u003cp\u003eTitles and sequence follow the supplied filenames. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Ein Jedes Madchen Liebt Das Militar.wav\"\u003eEin Jedes Madchen Liebt Das Militar \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Edeltraut.wav\"\u003eEdeltraut \u003cspan\u003e(2:55)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Drei Madel.wav\"\u003eDrei Madel \u003cspan\u003e(2:58)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Rote Rosen.wav\"\u003eRote Rosen \u003cspan\u003e(2:18)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Es Liebten Sich Zwei In Der Rosenzeit.wav\"\u003eEs Liebten Sich Zwei In Der Rosenzeit \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Du Schonste Von Stadtel, Schwarzbraune Madel.wav\"\u003eDu Schonste Von Stadtel, Schwarzbraune Madel \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Ich Will Dir Gehoren.wav\"\u003eIch Will Dir Gehoren \u003cspan\u003e(2:49)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Du Bist Zu Schon Um Treu Zu Sein.wav\"\u003eDu Bist Zu Schon Um Treu Zu Sein \u003cspan\u003e(2:34)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Sag Beim Abschied Leise Servus.wav\"\u003eSag Beim Abschied Leise Servus \u003cspan\u003e(3:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Nach Jedem Abschied Gibt es Ein Wiedersehen.wav\"\u003eNach Jedem Abschied Gibt es Ein Wiedersehen \u003cspan\u003e(3:09)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Auf Wiedersehen, Schatzelein.wav\"\u003eAuf Wiedersehen, Schatzelein \u003cspan\u003e(2:49)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Nachtlied.wav\"\u003eNachtlied \u003cspan\u003e(3:20)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Feldpost Fur Annchen.wav\"\u003eFeldpost Fur Annchen \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Wer Weiss Was Uns Bluht, Marie.wav\"\u003eWer Weiss Was Uns Bluht, Marie \u003cspan\u003e(2:26)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Tapfere Kleine Soldatenfrau.wav\"\u003eTapfere Kleine Soldatenfrau \u003cspan\u003e(2:18)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eGender roles and the compilation label\u003c\/h3\u003e\n\u003cp\u003eThe German Historical Museum describes how Nazi organizations sought to integrate women into the dictatorship and presented motherhood and household work as national duties. The compilation subtitle, The German NS Girl, invites examination of that political framing alongside titles about romance, loyalty and separation. The subtitle is retained as catalogue wording; the performers’ identities, ages and organizational affiliations remain unknown. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/ns-regime\/innenpolitik\/frauen\"\u003eGerman Historical Museum: women under National Socialism\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA song associated with the cinema\u003c\/h3\u003e\n\u003cp\u003eThe DFF film catalogue associates Sag beim Abschied leise Servus with Peter Kreuder and Willi Forst’s Burgtheater, first shown in Germany in November 1936. This provides a work-history lead for track 9. It does not show that the supplied file is taken from the film soundtrack, uses its performers or was recorded in 1936. \u003ca href=\"https:\/\/www.filmportal.de\/film\/burgtheater_d1941758cf4b4426b8d739a1e853028e\"\u003eDFF filmportal: Burgtheater (1936)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe idealized soldier’s wife\u003c\/h3\u003e\n\u003cp\u003eThe private Notenmuseum collection catalogues a 1941 printed edition of Tapfere, kleine Soldatenfrau, crediting Karl Sträßer for music and text. The song’s documented text presents family separation through the ideal of a loyal, supportive wife. This is a work-level comparison for the supplied title; the printed publication date and credits do not identify the particular recording. \u003ca href=\"https:\/\/www.notenmuseum.de\/sammlung-u-musik-bis-ca-1960\/top-schlager-deutsch\/tapfere-kleine-soldatenfrau\/\"\u003eNotenmuseum private score collection: item 3004\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLetters and the distance between front and home\u003c\/h3\u003e\n\u003cp\u003eFeldpost für Annchen names a form of wartime communication. The Museumsstiftung Post und Telekommunikation preserves field-post letters, with major holdings from the First and Second World Wars. Such documents offer a way to compare sentimental musical representations with personal experiences. The title does not establish an actual letter, correspondent or historical Annchen in this audio. \u003ca href=\"https:\/\/onlinesammlung.museumsstiftung.de\/sammlungsgebiete\/feldpostbriefe\"\u003eMuseumsstiftung Post und Telekommunikation: field-post letters\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePopular entertainment within a persecuting state\u003c\/h3\u003e\n\u003cp\u003eThe Austrian Mediathek places popular recordings within changing commercial, radio and film cultures. It also documents how Nazi racial policies expelled Jewish artists from public cultural life, forced many into exile and led to deportation and murder. The appeal of familiar entertainment should therefore be interpreted alongside the coercion and exclusions surrounding its production and circulation. The circumstances of these individual performances still require research. \u003ca href=\"https:\/\/www.mediathek.at\/onlineausstellungen\/tonkonserven\/fokus-unterhaltungsmusik\/unterhaltungsmusik-auf-fruehen-schellackaufnahmen\"\u003eAustrian Mediathek: entertainment music and Nazi persecution\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, audible language and vocal or instrumental content remain unverified. The historical sources cited concern institutions or comparison works; they do not authenticate these particular recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEdeltraut (track 2), Rote Rosen (track 4) and Nachtlied (track 12) still require precise work identification. Track 6’s two-title wording has been preserved; its punctuation alone does not establish a medley.\u003c\/li\u003e\n\u003cli\u003eThe Burgtheater and Tapfere, kleine Soldatenfrau references are comparison works. Their publication or film dates and credits have not been assigned to tracks 9 or 15.\u003c\/li\u003e\n\u003cli\u003eRote Rosen and Nach Jedem Abschied contain the same digital audio content as the corresponding entries in “Kraft Durch Freude”, with a timing offset of about 24 milliseconds. All overlapping stereo samples match exactly after alignment; the differing edges contain only digital silence. The separate supplied filenames and album positions are retained. Performers, recording dates, editions and rights remain unverified. Drei Madel also has a title-based comparison lead in “Das Heer - Soldaten der Wehrmacht” that remains untested.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks are retained, including questioned entries, and remain subject to further research. No public-domain, royalty-free or redistribution permission is asserted.\u003c\/p\u003e\n\u003cp\u003ePresented as critical historical documentation of propaganda, political coercion and the cultures surrounding dictatorship. No endorsement of Nazi or fascist ideology is intended, and no lyrics are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708306710817,"sku":"HIS-CD640-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/edeltraut-the-german-ns-girl","provider":"Nadelton Recordings","version":"1.0","type":"link"}