{"product_id":"finnische-ss-bataillon","title":"Finnische SS Bataillon","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 43 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Finnische SS Bataillon. 43 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 43 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThe supplied collection contains forty-three filenames across two numbered volumes, with 23 entries in the first and 20 in the second. Its German-language heading Finnische SS Bataillon is retained as collection wording. The identifiable title references include older Finnish military and popular-song traditions; the heading does not establish a battalion ensemble, a single recording period or exclusively SS repertoire.\u003c\/p\u003e\n\u003cp\u003eThe Finnish government’s 2019 summary of National Archives research concerns Finnish volunteers serving with Wiking in 1941–1943. That wartime formation must be distinguished from the earlier Finnish Jäger battalion associated with Sibelius’s 1917 march and from Finnish musical life more generally. Neither history authenticates the supplied recordings. \u003ca href=\"https:\/\/valtioneuvosto.fi\/en\/article\/-\/asset_publisher\/10616\/selvitys-suomalaisten-ss-miesten-osallisuudesta-juutalaisten-siviilien-ja-sotavankien-surmaamiseen-vuosina-1941-1943-on-luovutettu-valtioneuvoston-kan\"\u003eFinnish Government: Report on Finnish SS volunteers and atrocities, 8 February 2019\u003c\/a\u003e; \u003ca href=\"https:\/\/muhi.uniarts.fi\/kuorolaulu\/\"\u003eUniversity of the Arts Helsinki, Sibelius Academy: Kuorolaulun voimaa\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 43 source files passed full technical decoding. Total measured source audio: 124:33, rounded to the nearest second. The complete archive, Finnische-SS-Bataillon-MP3.zip (235,550,779 bytes), contains 43 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eAll 43 supplied WAV listings retain their original order: (Vol 1) 01–23 followed by (Vol 2) 01–20. The volume markers and restarted numbers are preserved separately from global listing positions. Kaarina remains at both positions 23 and 26.\u003c\/p\u003e\n\u003cp\u003eSource spelling, capitalization, punctuation and order are retained. Country, unit, speaker and date references inside filenames are unverified source text. Historical notes concern works, editions and institutions, not established audible content.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"(Vol 1) 01 Sotapojat Marssivat.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e(Vol 1) 01 Sotapojat Marssivat.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:24, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sotapojat Marssivat? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sotapojat Marssivat? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 02 Vala.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e(Vol 1) 02 Vala.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:01, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work or spoken item is meant by Vala? No oath ceremony, speaker, lyrics or date can be inferred from this generic title.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work or spoken item is meant by Vala? No oath ceremony, speaker, lyrics or date can be inferred from this generic title. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 03 Jääkärien Marssi.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e(Vol 1) 03 Jääkärien Marssi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:21, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Jääkärien Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Jääkärien Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 04 Mustapaitojen Marssi.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e(Vol 1) 04 Mustapaitojen Marssi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work and version are meant by Mustapaitojen Marssi? No Blackshirts ensemble, political event or SS affiliation is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work and version are meant by Mustapaitojen Marssi? No Blackshirts ensemble, political event or SS affiliation is established. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 05 Sota-Ajan Tyttöjä.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e(Vol 1) 05 Sota-Ajan Tyttöjä.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 5:29, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sota-Ajan Tyttöjä? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sota-Ajan Tyttöjä? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 06 Elämää Juoksuhaudoissa.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e(Vol 1) 06 Elämää Juoksuhaudoissa.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:10, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Elämää Juoksuhaudoissa? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Elämää Juoksuhaudoissa? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 07 Äänislinnan Kirjeenkantaja.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e(Vol 1) 07 Äänislinnan Kirjeenkantaja.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Äänislinnan Kirjeenkantaja? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Äänislinnan Kirjeenkantaja? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 08 Meripojan Preivi.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e(Vol 1) 08 Meripojan Preivi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:59, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Meripojan Preivi? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Meripojan Preivi? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 09 Kirje Sieltä Jostakin.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e(Vol 1) 09 Kirje Sieltä Jostakin.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:59, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Kirje Sieltä Jostakin? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Kirje Sieltä Jostakin? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 10 Iso-Iita.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e(Vol 1) 10 Iso-Iita.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:01, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Iso-Iita? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Iso-Iita? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 11 Liisa Pien'.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e(Vol 1) 11 Liisa Pien'.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:00, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Liisa Pien'? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Liisa Pien'? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 12 Äänisen Aallot.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e(Vol 1) 12 Äänisen Aallot.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:12, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Äänisen Aallot? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Äänisen Aallot? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 13 Katupoikien Laulu.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e(Vol 1) 13 Katupoikien Laulu.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:15, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Katupoikien Laulu? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Katupoikien Laulu? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 14 Armas Anneli.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e(Vol 1) 14 Armas Anneli.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Armas Anneli? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Armas Anneli? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 15 Karjalan Katjuusa.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e(Vol 1) 15 Karjalan Katjuusa.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:09, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Karjalan Katjuusa? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Karjalan Katjuusa? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 16 Älä Sure Tyttö Kulta.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e(Vol 1) 16 Älä Sure Tyttö Kulta.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:04, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Älä Sure Tyttö Kulta? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Älä Sure Tyttö Kulta? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 17 Kenttäpostia.wav\" data-source-position=\"17\"\u003e\n\u003cstrong\u003e(Vol 1) 17 Kenttäpostia.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Kenttäpostia? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Kenttäpostia? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 18 Eldankajärven Jää.wav\" data-source-position=\"18\"\u003e\n\u003cstrong\u003e(Vol 1) 18 Eldankajärven Jää.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:53, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Eldankajärven Jää? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Eldankajärven Jää? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 19 Sillanpään Marssilaulu.wav\" data-source-position=\"19\"\u003e\n\u003cstrong\u003e(Vol 1) 19 Sillanpään Marssilaulu.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sillanpään Marssilaulu? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sillanpään Marssilaulu? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 20 Sinitakkien Marssi.wav\" data-source-position=\"20\"\u003e\n\u003cstrong\u003e(Vol 1) 20 Sinitakkien Marssi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sinitakkien Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sinitakkien Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 21 Sellainen Oli Viipuri.wav\" data-source-position=\"21\"\u003e\n\u003cstrong\u003e(Vol 1) 21 Sellainen Oli Viipuri.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:49, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sellainen Oli Viipuri? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sellainen Oli Viipuri? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 22 Pikku Irmeli.wav\" data-source-position=\"22\"\u003e\n\u003cstrong\u003e(Vol 1) 22 Pikku Irmeli.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Pikku Irmeli? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Pikku Irmeli? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 1) 23 Kaarina.wav\" data-source-position=\"23\"\u003e\n\u003cstrong\u003e(Vol 1) 23 Kaarina.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich Kaarina work and performance is present? Compare position 26 only after identification and audio verification; retain both positions.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Kaarina work and performance is present? Compare position 26 only after identification and audio verification; retain both positions. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 01 Suomi Marssii.wav\" data-source-position=\"24\"\u003e\n\u003cstrong\u003e(Vol 2) 01 Suomi Marssii.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work and version are meant by Suomi Marssii? The similarly titled Suomi Marssi in other albums is an unverified comparison question.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work and version are meant by Suomi Marssii? The similarly titled Suomi Marssi in other albums is an unverified comparison question. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 02 Anna-Maija.wav\" data-source-position=\"25\"\u003e\n\u003cstrong\u003e(Vol 2) 02 Anna-Maija.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Anna-Maija? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Anna-Maija? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 03 Kaarina.wav\" data-source-position=\"26\"\u003e\n\u003cstrong\u003e(Vol 2) 03 Kaarina.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich Kaarina work and performance is present? Compare position 23 only after identification and audio verification; retain both positions.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Kaarina work and performance is present? Compare position 23 only after identification and audio verification; retain both positions. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 04 Mottimatit Marssilla.wav\" data-source-position=\"27\"\u003e\n\u003cstrong\u003e(Vol 2) 04 Mottimatit Marssilla.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:00, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich component, part or combination is meant by Mottimatit Marssilla? Do not infer a specific historical disc side or medley structure.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which component, part or combination is meant by Mottimatit Marssilla? Do not infer a specific historical disc side or medley structure. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 05 Palaatko Isä_.wav\" data-source-position=\"28\"\u003e\n\u003cstrong\u003e(Vol 2) 05 Palaatko Isä_.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:00, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhat title and version are meant by Palaatko Isä_? The trailing underscore is preserved, not silently converted to punctuation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What title and version are meant by Palaatko Isä_? The trailing underscore is preserved, not silently converted to punctuation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 06 Sinne Jonnekkin.wav\" data-source-position=\"29\"\u003e\n\u003cstrong\u003e(Vol 2) 06 Sinne Jonnekkin.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:05, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhat work and version are meant by Sinne Jonnekkin? The supplied spelling is not normalized.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What work and version are meant by Sinne Jonnekkin? The supplied spelling is not normalized. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 07 Kotirintaman Elämää.wav\" data-source-position=\"30\"\u003e\n\u003cstrong\u003e(Vol 2) 07 Kotirintaman Elämää.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:57, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Kotirintaman Elämää? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Kotirintaman Elämää? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 08 Sotapoikien Lähtölaulu.wav\" data-source-position=\"31\"\u003e\n\u003cstrong\u003e(Vol 2) 08 Sotapoikien Lähtölaulu.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Sotapoikien Lähtölaulu? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Sotapoikien Lähtölaulu? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 09 Lemmen Motti.wav\" data-source-position=\"32\"\u003e\n\u003cstrong\u003e(Vol 2) 09 Lemmen Motti.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:43, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Lemmen Motti? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Lemmen Motti? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 10 Maanpuolustajat.wav\" data-source-position=\"33\"\u003e\n\u003cstrong\u003e(Vol 2) 10 Maanpuolustajat.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:59, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Maanpuolustajat? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Maanpuolustajat? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 11 Korpraali Pommi.wav\" data-source-position=\"34\"\u003e\n\u003cstrong\u003e(Vol 2) 11 Korpraali Pommi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Korpraali Pommi? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Korpraali Pommi? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 12 Pien' Lotta Ystäväin.wav\" data-source-position=\"35\"\u003e\n\u003cstrong\u003e(Vol 2) 12 Pien' Lotta Ystäväin.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:55, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work and version are meant by Pien' Lotta Ystäväin? The name does not establish any performer’s membership in an organization.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work and version are meant by Pien' Lotta Ystäväin? The name does not establish any performer’s membership in an organization. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 13 Kirje Rintamalta.wav\" data-source-position=\"36\"\u003e\n\u003cstrong\u003e(Vol 2) 13 Kirje Rintamalta.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:55, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Kirje Rintamalta? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Kirje Rintamalta? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 14 Laivaston Marssi.wav\" data-source-position=\"37\"\u003e\n\u003cstrong\u003e(Vol 2) 14 Laivaston Marssi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Laivaston Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Laivaston Marssi? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 15 Sotainvalidien Marssi.wav\" data-source-position=\"38\"\u003e\n\u003cstrong\u003e(Vol 2) 15 Sotainvalidien Marssi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:44, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work and arrangement are meant by Sotainvalidien Marssi? No particular performers, veterans’ group or occasion is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work and arrangement are meant by Sotainvalidien Marssi? No particular performers, veterans’ group or occasion is established. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 16 Kaunis Valhe.wav\" data-source-position=\"39\"\u003e\n\u003cstrong\u003e(Vol 2) 16 Kaunis Valhe.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:57, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Kaunis Valhe? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Kaunis Valhe? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 17 Tellervo.wav\" data-source-position=\"40\"\u003e\n\u003cstrong\u003e(Vol 2) 17 Tellervo.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:07, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Tellervo? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Tellervo? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 18 Särkyneitä Toiveita.wav\" data-source-position=\"41\"\u003e\n\u003cstrong\u003e(Vol 2) 18 Särkyneitä Toiveita.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:05, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Särkyneitä Toiveita? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Särkyneitä Toiveita? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 19 Pienet Kukkivat Kummut.wav\" data-source-position=\"42\"\u003e\n\u003cstrong\u003e(Vol 2) 19 Pienet Kukkivat Kummut.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:04, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Pienet Kukkivat Kummut? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Pienet Kukkivat Kummut? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"(Vol 2) 20 Aseveikko.wav\" data-source-position=\"43\"\u003e\n\u003cstrong\u003e(Vol 2) 20 Aseveikko.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:53, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDoes Aseveikko correspond to the work family suggested by the similarly annotated “Festung Europa” entry? That remains a title-level comparison, not audio or recording identification.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does Aseveikko correspond to the work family suggested by the similarly annotated “Festung Europa” entry? That remains a title-level comparison, not audio or recording identification. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eFinnish SS service and the limits of attribution\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e The government’s 2019 release reports 1,408 Finnish volunteers serving with Wiking in 1941–1943. The National Archives director described participation in killings of Jews, other civilians and prisoners of war as very likely. This is necessary context for the collection heading, without assigning guilt to every volunteer or claiming that any supplied performance was made by SS personnel. \u003ca href=\"https:\/\/valtioneuvosto.fi\/en\/article\/-\/asset_publisher\/10616\/selvitys-suomalaisten-ss-miesten-osallisuudesta-juutalaisten-siviilien-ja-sotavankien-surmaamiseen-vuosina-1941-1943-on-luovutettu-valtioneuvoston-kan\"\u003eFinnish Government: Report on Finnish SS volunteers and atrocities, 8 February 2019\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA First World War march, not a recording date\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 3.\u003c\/strong\u003e The Sibelius Academy’s history dates Jääkärien marssi, op. 91a, to 1917, with Heikki Nurmio’s words for the Finnish Jäger battalion training in Germany. It also notes a 1918 orchestral version. This is a different formation and period from Finnish Waffen-SS service. The work history identifies neither the supplied arrangement nor a 1917 or 1918 recording. \u003ca href=\"https:\/\/muhi.uniarts.fi\/kuorolaulu\/\"\u003eUniversity of the Arts Helsinki, Sibelius Academy: Kuorolaulun voimaa\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA German tune in Finnish song culture\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 1.\u003c\/strong\u003e The National Library of Finland catalogues Sotapojat marssivat as a German soldiers’ song, linking it to Wenn die Soldaten and crediting Palle’s lyrics. Its score is a useful work-comparison lead. Catalogue language fields and the score’s credits cannot be transferred to the supplied sound file without identifying its version and performance. \u003ca href=\"https:\/\/kansalliskirjasto.finna.fi\/Record\/fikka.4333346?lng=en-gb\"\u003eNational Library of Finland: Sotapojat marssivat\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLiisa pien and international circulation\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 11.\u003c\/strong\u003e Yle identifies Liisa pien as a Finnish adaptation of Lili Marleen, which circulated on both Axis and Allied sides. This challenges any automatic classification of the song as exclusive SS repertoire. The supplied filename does not establish the audible language, singer, arrangement or date, and Yle’s example recording is not adopted as its identity. \u003ca href=\"https:\/\/yle.fi\/a\/20-89165\"\u003eYle Elävä arkisto: Iskelmät sodassa\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eMobilization music before Finnish SS service\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 19.\u003c\/strong\u003e Teosto records that F. E. Sillanpää wrote the Marssilaulu text in 1939 and associates the song with Aimo Mustonen’s setting. Its origins therefore precede Finnish volunteers’ 1941–1943 SS service. A work’s mobilizing role in Finnish wartime culture does not establish who performed this file or when it was recorded. \u003ca href=\"https:\/\/www.teosto.fi\/teostory\/teoston-vaiheita-1940-luvulla\/\"\u003eTeosto: Teoston vaiheita 1940-luvulla\u003c\/a\u003e; \u003ca href=\"https:\/\/valtioneuvosto.fi\/en\/article\/-\/asset_publisher\/10616\/selvitys-suomalaisten-ss-miesten-osallisuudesta-juutalaisten-siviilien-ja-sotavankien-surmaamiseen-vuosina-1941-1943-on-luovutettu-valtioneuvoston-kan\"\u003eFinnish Government: Report on Finnish SS volunteers and atrocities, 8 February 2019\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eMourning within wartime popular music\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 42.\u003c\/strong\u003e Yle relates Pienet kukkivat kummut to Ragnar Nyholm’s visit to Winter War graves and notes that playing the song was restricted during the Continuation War because it recalled painful losses. This is a context of bereavement within wartime song culture. It supplies no performer or recording-date identification for the collection’s file. \u003ca href=\"https:\/\/yle.fi\/a\/20-89165\"\u003eYle Elävä arkisto: Iskelmät sodassa\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eRecording identification and provenance\u003c\/h2\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work histories, source-publication dates and names or date strings embedded in filenames do not authenticate a recording.\u003c\/p\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003ch2\u003eRepeated titles and unresolved identifications\u003c\/h2\u003e\n\u003cp\u003eEvery supplied entry remains in its original position. Matching titles are research leads, not proof of the same performance or recording; no entries have been merged or deleted.\u003c\/p\u003e\n\u003cp\u003eKaarina occurs at global listing positions 23 and 26, respectively (Vol 1) 23 and (Vol 2) 03. Both entries are retained. The volume markers remain source metadata rather than authenticated release information.\u003c\/p\u003e\n\u003ch2\u003eRights and availability\u003c\/h2\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all tracks. No public-domain, royalty-free or redistribution permission is asserted. The USD 9.99 price does not establish rights clearance for sale.\u003c\/p\u003e\n\u003cp\u003eA musical work and its sound recording have separate copyright considerations. Ownership of a physical record does not by itself transfer copyright. Intended uses and territories require a separate rights review. \u003ca href=\"https:\/\/www.copyright.gov\/register\/pa-sr.html\"\u003eU.S. Copyright Office: Musical Compositions and Sound Recordings\u003c\/a\u003e; \u003ca href=\"https:\/\/www.copyright.gov\/title17\/92chap2.html#202\"\u003eU.S. Copyright Office: 17 USC section 202\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda and collaboration. Nazi and fascist ideology, persecution and violence are not endorsed. Supplied historical titles are retained as evidence, not advocacy. No lyrics, lyric translations or imagery are reproduced.\u003c\/p\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709874364705,"sku":"HIS-CD810-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/finnische-ss-bataillon","provider":"Nadelton Recordings","version":"1.0","type":"link"}