{"product_id":"grune-teufel-lieder-der-deutschen-fallschirmtruppe","title":"Grüne Teufel - Lieder der deutschen Fallschirmtruppe","description":"\u003cp\u003eGrüne Teufel - Lieder der deutschen Fallschirmtruppe brings together twenty-seven supplied selections around paratrooper imagery, Crete and Cassino. Three titles are labelled as reports, but their audible form and original broadcast identity remain unverified. The historical notes examine Nazi military propaganda, civilian victims and the construction of military reputation. The compilation title and report labels do not establish a common recording date, performer or original release.\u003c\/p\u003e\n\u003cp\u003e27 MP3 access files • 256 kbps • stereo • approximately 71 minutes 56 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 27-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 27 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 27 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence and supplied track wording are preserved; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Cassino-Meldung.wav\"\u003eCassino-Meldung \u003cspan\u003e(0:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Fallschirmschützen, tretet an!.wav\"\u003eFallschirmschützen, tretet an! \u003cspan\u003e(2:24)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Die Fallschirm-MG.-Kompanie.wav\"\u003eDie Fallschirm-MG.-Kompanie \u003cspan\u003e(2:46)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Grün ist unser Fallschirm.wav\"\u003eGrün ist unser Fallschirm \u003cspan\u003e(2:40)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Hinter den Bergen.wav\"\u003eHinter den Bergen \u003cspan\u003e(3:45)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Ein Sprung ins Nichts.wav\"\u003eEin Sprung ins Nichts \u003cspan\u003e(1:27)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Komm mit, Kamerad.wav\"\u003eKomm mit, Kamerad \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Hört ihr unseren Schritt.wav\"\u003eHört ihr unseren Schritt \u003cspan\u003e(2:49)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Seht die roten Garben.wav\"\u003eSeht die roten Garben \u003cspan\u003e(3:36)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Soldaten im grauen Kleid.wav\"\u003eSoldaten im grauen Kleid \u003cspan\u003e(3:42)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Es donnern die Motoren.wav\"\u003eEs donnern die Motoren \u003cspan\u003e(2:45)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Kreta-Meldung.wav\"\u003eKreta-Meldung \u003cspan\u003e(0:22)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Auf Kreta.wav\"\u003eAuf Kreta \u003cspan\u003e(4:38)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Adlerleben.wav\"\u003eAdlerleben \u003cspan\u003e(2:21)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Himmel, Wolken und Sterne.wav\"\u003eHimmel, Wolken und Sterne \u003cspan\u003e(2:37)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Grüne Teufel.wav\"\u003eGrüne Teufel \u003cspan\u003e(3:03)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Einsam auf steinigen Wegen.wav\"\u003eEinsam auf steinigen Wegen \u003cspan\u003e(2:53)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Nass und kalt die Nächte.wav\"\u003eNass und kalt die Nächte \u003cspan\u003e(2:23)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Fallschirmjäger sind wilde Gesellen.wav\"\u003eFallschirmjäger sind wilde Gesellen \u003cspan\u003e(2:13)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Donnernd ziehn auf Wolkenbahnen.wav\"\u003eDonnernd ziehn auf Wolkenbahnen \u003cspan\u003e(4:09)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Wir sind die Grünen Teufel.wav\"\u003eWir sind die Grünen Teufel \u003cspan\u003e(2:58)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 Grüss deinen Fallschirmjäger.wav\"\u003eGrüss deinen Fallschirmjäger \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 Uns gehört der blaue Himmel.wav\"\u003eUns gehört der blaue Himmel \u003cspan\u003e(2:15)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 Glück ab, Kamerad.wav\"\u003eGlück ab, Kamerad \u003cspan\u003e(3:12)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"25 Rot scheint die Sonne.wav\"\u003eRot scheint die Sonne \u003cspan\u003e(3:36)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"26 Der fliegende Adler.wav\"\u003eDer fliegende Adler \u003cspan\u003e(2:35)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"27 Schlussmeldung.wav\"\u003eSchlussmeldung \u003cspan\u003e(0:27)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eCassino: battle chronology is not a broadcast date\u003c\/h3\u003e\n\u003cp\u003eFighting around Monte Cassino extended from January to May 1944. The German Historical Museum describes the abbey’s destruction on 15 February and deaths among sheltering civilians. Cassino-Meldung is too broad to establish which event, speaker or transmission the file contains. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/schlacht-um-monte-cassino-1944\"\u003eDeutsches Historisches Museum: Die Schlacht um Monte Cassino 1944\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe green-devil image and Nazi propaganda\u003c\/h3\u003e\n\u003cp\u003eMuseum curator Magnus Pahl explains how Nazi propaganda inflated paratrooper combat into a green-devil myth, coupled with claims of German racial superiority. These titles require critical treatment of that image. They do not establish the identity or politics of an unknown performer. \u003ca href=\"https:\/\/www.bundeswehr.de\/resource\/blob\/5097870\/66afe2867832ce2bda52fd70ba86dd7e\/03-6-if-zeitschrift-fuer-innere-fuehrung-03-2021-data.pdf\"\u003eMagnus Pahl, Militärhistorisches Museum: Hitlers Elitetruppe?, IF 3\/2021, pp. 56–61\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eCrete in battle and song\u003c\/h3\u003e\n\u003cp\u003eThe German Historical Museum dates the invasion of Crete to 20 May 1941 and identifies Auf Kreta im Sturm und im Regen as a song composed after the operation to glorify the paratroopers. It is a comparison lead for Auf Kreta, not an authenticated identification. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/landung-auf-kreta-1941\"\u003eDeutsches Historisches Museum: Die Landung auf Kreta 1941\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eCivilian victims belong in this history\u003c\/h3\u003e\n\u003cp\u003eThe Bundesarchiv’s description of photograph Bild 101I-166-0525-25 records German paratroopers murdering Greek civilians at Kondomari on 2 June 1941. This archival evidence prevents a celebratory account of the Crete campaign. It is historical context, not a claim about what the two files audibly report. \u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_Bild_101I-166-0525-25,_Kreta,_Kondomari,_Erschie%C3%9Fung_von_Zivilisten.jpg\"\u003eBundesarchiv, Bild 101I-166-0525-25 \/ Franz Peter Weixler: Kondomari, 2 June 1941\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eReports were also instruments of propaganda\u003c\/h3\u003e\n\u003cp\u003eThe Deutsches Rundfunkarchiv documents official military reports and special announcements as central to Nazi wartime radio propaganda. A filename ending in Meldung is not proof of an original broadcast: editing, later narration, speaker, transmission date and source carrier all remain unresolved here. \u003ca href=\"https:\/\/www.dra.de\/de\/entdecken\/schlaglichter-aus-100-jahren-rundfunk\/deutsche-nachrichten-und-propaganda-im-zweiten-weltkrieg\"\u003eDeutsches Rundfunkarchiv: Deutsche Nachrichten und Propaganda im Zweiten Weltkrieg\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRot scheint die Sonne: versions must be distinguished\u003c\/h3\u003e\n\u003cp\u003eA 1998 Bundestag investigation records testimony distinguishing permitted verses from a prohibited third verse in Bundeswehr use. That historical distinction makes the actual version important. The filename reveals neither verses nor performance date; the report establishes no present distribution permission. \u003ca href=\"https:\/\/dserver.bundestag.de\/btd\/13\/110\/1311005.pdf\"\u003eDeutscher Bundestag, Drucksache 13\/11005, 18 June 1998, pp. 99, 106 and 129\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eThe supplied track titles remain unchanged, including Nass, Grüss, ziehn and Die Fallschirm-MG.-Kompanie. Short titles such as Auf Kreta and Hinter den Bergen have not been expanded from longer comparison titles. Similar green-devil or eagle imagery does not, by itself, identify a work or recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The issues below remain open even though the files passed technical decoding checks; successful decoding does not authenticate a performance or establish permission to distribute it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Cassino-Meldung\u003c\/strong\u003e. Cassino-Meldung may describe a report, but its exact event, speaker, station, date, edit and speech\/music content are unknown; a 1944 event does not date the file. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/schlacht-um-monte-cassino-1944\"\u003eDeutsches Historisches Museum: Die Schlacht um Monte Cassino 1944\u003c\/a\u003e; \u003ca href=\"https:\/\/www.dra.de\/de\/entdecken\/schlaglichter-aus-100-jahren-rundfunk\/deutsche-nachrichten-und-propaganda-im-zweiten-weltkrieg\"\u003eDeutsches Rundfunkarchiv: Deutsche Nachrichten und Propaganda im Zweiten Weltkrieg\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Fallschirmschützen, tretet an!\u003c\/strong\u003e. Fallschirmschützen, tretet an! is a punctuation and inflection title lead against “Lieder unser Fallschirmjäger” track 11. The precise composition, text and historical performance remain unverified. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Die Fallschirm-MG.-Kompanie\u003c\/strong\u003e. The MG.-Kompanie wording is retained exactly. It does not authenticate a military unit, composer, original dedication or performing ensemble. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Grün ist unser Fallschirm\u003c\/strong\u003e. Grün ist unser Fallschirm is kept separate from Grüne Teufel and Wir sind die Grünen Teufel; shared color imagery cannot identify one work. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Hinter den Bergen\u003c\/strong\u003e. Hinter den Bergen is shorter than “Lieder unser Fallschirmjäger” track 2, Hinter den Bergen strahlet die Sonne. The short source title is preserved; no title expansion is treated as an authenticated work credit. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Ein Sprung ins Nichts\u003c\/strong\u003e. Ein Sprung ins Nichts remains an unresolved title; no composer, setting or recording matched from an authoritative musical source. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Komm mit, Kamerad\u003c\/strong\u003e. Komm mit, Kamerad is too general for a safe unique work credit; no ensemble or version assigned. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: Hört ihr unseren Schritt\u003c\/strong\u003e. Hört ihr unseren Schritt is retained without expanding an incipit or assigning a composer from modern compilation listings. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Seht die roten Garben\u003c\/strong\u003e. Seht die roten Garben remains unassigned; metaphorical wording does not establish sung text, language or historical date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Soldaten im grauen Kleid\u003c\/strong\u003e. Soldaten im grauen Kleid remains unassigned; uniform imagery does not establish service, branch, period or performer. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Es donnern die Motoren\u003c\/strong\u003e. The supplied title also occurs at “Lieder unser Fallschirmjäger” track 6. A matching title alone does not identify a composition, setting or historical recording. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Kreta-Meldung\u003c\/strong\u003e. Kreta-Meldung is a thematic report lead against “Fallschirmjäger \u0026amp; Flieger Marches” MP3 track 23; no exact broadcast, speech content, edit or recording equivalence established. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/landung-auf-kreta-1941\"\u003eDeutsches Historisches Museum: Die Landung auf Kreta 1941\u003c\/a\u003e; \u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_Bild_101I-166-0525-25,_Kreta,_Kondomari,_Erschie%C3%9Fung_von_Zivilisten.jpg\"\u003eBundesarchiv, Bild 101I-166-0525-25 \/ Franz Peter Weixler: Kondomari, 2 June 1941\u003c\/a\u003e; \u003ca href=\"https:\/\/www.dra.de\/de\/entdecken\/schlaglichter-aus-100-jahren-rundfunk\/deutsche-nachrichten-und-propaganda-im-zweiten-weltkrieg\"\u003eDeutsches Rundfunkarchiv: Deutsche Nachrichten und Propaganda im Zweiten Weltkrieg\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: Auf Kreta\u003c\/strong\u003e. The museum-documented Auf Kreta im Sturm und im Regen is a plausible work comparison, and “Lieder unser Fallschirmjäger” track 3 bears that longer title. The short supplied title is retained; historical work and performance attribution remain unverified. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/landung-auf-kreta-1941\"\u003eDeutsches Historisches Museum: Die Landung auf Kreta 1941\u003c\/a\u003e; \u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_Bild_101I-166-0525-25,_Kreta,_Kondomari,_Erschie%C3%9Fung_von_Zivilisten.jpg\"\u003eBundesarchiv, Bild 101I-166-0525-25 \/ Franz Peter Weixler: Kondomari, 2 June 1941\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: Adlerleben\u003c\/strong\u003e. Adlerleben remains unresolved. Shared eagle imagery with other tracks does not establish a common work or military affiliation. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 15: Himmel, Wolken und Sterne\u003c\/strong\u003e. Himmel, Wolken und Sterne remains unresolved; no authoritative composition or performance attribution established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 16: Grüne Teufel\u003c\/strong\u003e. Grüne Teufel and track 21 are separate supplied entries. Repeated wording and military imagery alone do not identify one work or performance. \u003ca href=\"https:\/\/www.bundeswehr.de\/resource\/blob\/5097870\/66afe2867832ce2bda52fd70ba86dd7e\/03-6-if-zeitschrift-fuer-innere-fuehrung-03-2021-data.pdf\"\u003eMagnus Pahl, Militärhistorisches Museum: Hitlers Elitetruppe?, IF 3\/2021, pp. 56–61\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 17: Einsam auf steinigen Wegen\u003c\/strong\u003e. Einsam auf steinigen Wegen remains unidentified; no title expansion, place or recording occasion assumed. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 18: Nass und kalt die Nächte\u003c\/strong\u003e. Nass und kalt die Nächte retains Nass exactly; no work or recording match established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 19: Fallschirmjäger sind wilde Gesellen\u003c\/strong\u003e. “Lieder unser Fallschirmjäger” track 8 substitutes mutige for wilde. Both supplied wordings are retained; neither is treated as a correction or an authenticated lyric version. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 20: Donnernd ziehn auf Wolkenbahnen\u003c\/strong\u003e. Donnernd ziehn auf Wolkenbahnen is retained without inserting an apostrophe or adopting differently worded online titles; exact work remains unresolved. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 21: Wir sind die Grünen Teufel\u003c\/strong\u003e. “Lieder unser Fallschirmjäger” track 10 has the related wording Wir sind die grünen Teufels. The supplied wordings are retained without assigning a composer, performer or historical recording date. \u003ca href=\"https:\/\/www.bundeswehr.de\/resource\/blob\/5097870\/66afe2867832ce2bda52fd70ba86dd7e\/03-6-if-zeitschrift-fuer-innere-fuehrung-03-2021-data.pdf\"\u003eMagnus Pahl, Militärhistorisches Museum: Hitlers Elitetruppe?, IF 3\/2021, pp. 56–61\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 22: Grüss deinen Fallschirmjäger\u003c\/strong\u003e. Grüss deinen Fallschirmjäger retains Grüss; no singer, dedicatee or recording date assigned from the title. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 23: Uns gehört der blaue Himmel\u003c\/strong\u003e. The supplied title also occurs at “Lieder unser Fallschirmjäger” track 7. A shared title alone does not establish the work setting, arrangement or historical performance. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 24: Glück ab, Kamerad\u003c\/strong\u003e. “Lieder unser Fallschirmjäger” track 12, Glück abg, is an uncertain abbreviated or differently worded title lead. No expanded title, grammatical correction or historical work credit is assigned. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 25: Rot scheint die Sonne\u003c\/strong\u003e. Rot scheint die Sonne is a work-title lead shared with “Lieder unser Fallschirmjäger” track 1 and “Fallschirmjäger \u0026amp; Flieger Marches” MP3 track 22. The actual verses, setting, performer and historical recording identity remain unverified. \u003ca href=\"https:\/\/dserver.bundestag.de\/btd\/13\/110\/1311005.pdf\"\u003eDeutscher Bundestag, Drucksache 13\/11005, 18 June 1998, pp. 99, 106 and 129\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 26: Der fliegende Adler\u003c\/strong\u003e. Der fliegende Adler remains unidentified and is not equated with Adlerleben or other eagle-related titles. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 27: Schlussmeldung\u003c\/strong\u003e. Schlussmeldung is an uninformative report label. Do not assume a wartime sign-off, date, speaker, final communiqué or continuous broadcast with tracks 1 and 12. \u003ca href=\"https:\/\/www.dra.de\/de\/entdecken\/schlaglichter-aus-100-jahren-rundfunk\/deutsche-nachrichten-und-propaganda-im-zweiten-weltkrieg\"\u003eDeutsches Rundfunkarchiv: Deutsche Nachrichten und Propaganda im Zweiten Weltkrieg\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eNo exact complete decoded-audio match involving this album was found in the available verified comparison set. This negative exact-match check does not prove that the performances are unique or distinct from other recordings.\u003c\/p\u003e\n\u003cp\u003eThe tested comparison leads with unequal complete decoded-audio checksums are: “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 2, Fallschirmschützen, tretet an! \/ “Lieder unser Fallschirmjäger” track 11, Fallschirmschützen treten an; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 5, Hinter den Bergen \/ “Lieder unser Fallschirmjäger” track 2, Hinter den Bergen strahlet die Sonne; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 11, Es donnern die Motoren \/ “Lieder unser Fallschirmjäger” track 6, Es donnern die Motoren; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 13, Auf Kreta \/ “Lieder unser Fallschirmjäger” track 3, Auf Kreta im Sturm und im Regen; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 19, Fallschirmjäger sind wilde Gesellen \/ “Lieder unser Fallschirmjäger” track 8, Fallschirmjäger sind mutige Gesellen; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 21, Wir sind die Grünen Teufel \/ “Lieder unser Fallschirmjäger” track 10, Wir sind die grünen Teufels; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 23, Uns gehört der blaue Himmel \/ “Lieder unser Fallschirmjäger” track 7, Uns gehört der blaue Himmel; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 24, Glück ab, Kamerad \/ “Lieder unser Fallschirmjäger” track 12, Glück abg; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 25, Rot scheint die Sonne \/ “Lieder unser Fallschirmjäger” track 1, Rot scheint die Sonne. The results exclude exact normalized digital equality only. They do not establish different performances; alternate edits, transfers or other processing of a shared recording remain possible.\u003c\/p\u003e\n\u003cp\u003eThese title or topic leads could not be fully compared because at least one source was outside the available verified set: “Fallschirmjäger \u0026amp; Flieger Marches” track 22, Rot Scheint Die Sonne \/ “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 25, Rot scheint die Sonne; “Fallschirmjäger \u0026amp; Flieger Marches” track 23, Combat Report Of FJ Assault On Crete \/ “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 12, Kreta-Meldung. Their audio relationship remains untested, and no equivalence or distinct-performance finding is assigned.\u003c\/p\u003e\n\u003cp\u003eThe technical comparison uses SHA-256 of the complete decoded audio converted only for comparison to signed 16-bit little-endian PCM at 44.1 kHz in stereo. A matching title, similar duration or later compilation sequence alone cannot establish recording identity. Source-file or decoded-audio hash inequality is not proof of a different historical performance.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.last.fm\/music\/Gr%C3%BCne%2BTeufel\/Gr%C3%BCne%2BTeufel%2B-%2BLieder%2Bder%2Bdeutschen%2BFallschirmtruppe\"\u003eLast.fm: Grüne Teufel – Lieder der deutschen Fallschirmtruppe\u003c\/a\u003e lists a closely corresponding twenty-seven-position sequence. It is a user-contributed later catalogue lead only. It does not establish that these files came from that release, or authenticate its performer, date, original carrier, copying history or distribution rights.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address the work, arrangement, any broadcast material and the particular recording in the relevant territories, including first publication and the chain of permission. The \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and German \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86a.html\"\u003eStGB § 86a\u003c\/a\u003e are research starting points. No legal clearance is inferred from age, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, Nazi military propaganda, persecution, war crimes and later remembrance. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708407341345,"sku":"HIS-CD430-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/grune-teufel-lieder-der-deutschen-fallschirmtruppe","provider":"Nadelton Recordings","version":"1.0","type":"link"}