{"product_id":"iche-hatt-einen-kameraden","title":"Ich hatt’ einen Kameraden","description":"\u003cp\u003eIch hatt’ einen Kameraden brings together nineteen supplied titles concerning mourning, military ceremony and Nazi organizations and leaders. The sequence invites critical study of the changing uses of older repertory, unit dedications and political songs. Its compilation title does not establish when the recordings were made or whether they share an origin.\u003c\/p\u003e\n\u003cp\u003e19 MP3 access files • 256 kbps • stereo • approximately 54 minutes 39 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 19-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 19 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 19 tracks.\u003c\/p\u003e\n\u003cp\u003eTitles and sequence follow the supplied filenames, including their spelling and punctuation. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Ich Hatt Eienen Kameraden.wav\"\u003eIch Hatt Eienen Kameraden \u003cspan\u003e(2:54)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Volks Ans Gewehr.wav\"\u003eVolks Ans Gewehr \u003cspan\u003e(2:46)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Regiments Gruss.wav\"\u003eRegiments Gruss \u003cspan\u003e(2:10)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Zapfenstriech Marsch.wav\"\u003eZapfenstriech Marsch \u003cspan\u003e(2:13)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Prinz Eugen Marsch.wav\"\u003ePrinz Eugen Marsch \u003cspan\u003e(2:00)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Leibstandarten Marsch Adolf Hitler.wav\"\u003eLeibstandarten Marsch Adolf Hitler \u003cspan\u003e(2:34)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Nur Der Freiheit.wav\"\u003eNur Der Freiheit \u003cspan\u003e(3:06)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Als Die Goldne Abendsonne.wav\"\u003eAls Die Goldne Abendsonne \u003cspan\u003e(2:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Lore, Lore.wav\"\u003eLore, Lore \u003cspan\u003e(3:32)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Ergerlander Marsch.wav\"\u003eErgerlander Marsch \u003cspan\u003e(2:40)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Horst Wessel Lied 1.wav\"\u003eHorst Wessel Lied 1 \u003cspan\u003e(3:11)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Legion Condor.wav\"\u003eLegion Condor \u003cspan\u003e(3:12)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Prasentiermarsch.wav\"\u003ePrasentiermarsch \u003cspan\u003e(1:48)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Klar Zum Gefecht.wav\"\u003eKlar Zum Gefecht \u003cspan\u003e(2:26)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Pariser Einzugmarsch.wav\"\u003ePariser Einzugmarsch \u003cspan\u003e(4:02)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Der Fuhrer Ruft.wav\"\u003eDer Fuhrer Ruft \u003cspan\u003e(2:27)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Badenweiler Marsch.wav\"\u003eBadenweiler Marsch \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Rot Scheine Die Sonne 1.wav\"\u003eRot Scheine Die Sonne 1 \u003cspan\u003e(4:06)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Es Ist So Schon Soldat Zu Sein.wav\"\u003eEs Ist So Schon Soldat Zu Sein \u003cspan\u003e(3:57)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eA lament and its changing commemorative use\u003c\/h3\u003e\n\u003cp\u003eThe likely comparison work for the supplied title is Ich hatt’ einen Kameraden, associated with Friedrich Silcher’s setting of Ludwig Uhland’s text. A museum account of the Silcher memorial in Tübingen explains how its 1941 design foregrounded this soldiers’ lament. The example shows how a work can acquire new political and commemorative settings. It does not establish that this file records a funeral, the memorial ceremony or a performance from 1941. \u003ca href=\"https:\/\/www.museen-brandenburg.de\/seitenvorlagen\/objekte\/friedrich-silcher\"\u003eMuseumsverband des Landes Brandenburg: Friedrich Silcher, object from Kreismuseum Finsterwalde\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn evening signal and a later ceremony\u003c\/h3\u003e\n\u003cp\u003eZapfenstreich refers to a military evening signal; the larger ceremonial form developed separately. The Bundeswehr dates Wilhelm Wieprecht’s musical presentation of the Großer Zapfenstreich to 1838. The supplied spelling Zapfenstriech Marsch is retained. It is too broad to identify a particular composer or to establish that the file contains the full ceremony. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/selbstverstaendnis\/brauchtum-bundeswehr\/grosser-zapfenstreich-zeremonie\"\u003eBundeswehr: Großer Zapfenstreich, history of the ceremony\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Leibstandarte and political persecution\u003c\/h3\u003e\n\u003cp\u003eThe title names Hitler’s SS bodyguard formation. The United States Holocaust Memorial Museum documents that the Leibstandarte supplied guards at Columbia-Haus until the turn of 1934–1935, where political detainees suffered abuse. That institutional history is essential context for a dedication invoking the formation. A unit named in a title is not proof that its musicians perform on this recording. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/columbia-haus-1\"\u003eUnited States Holocaust Memorial Museum: Columbia-Haus\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eHorst Wessel and the manufacture of a Nazi martyr\u003c\/h3\u003e\n\u003cp\u003eThe German Historical Museum records the publication of Wessel’s poem in the Nazi newspaper Der Angriff in 1929 and Goebbels’s propaganda campaign following his death in 1930. The later song title belongs to that cultivation of political martyrdom. The filename’s suffix 1 is preserved as supplied and has not been interpreted as a take, version or recording date. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/biografie\/horst-wessel\"\u003eDeutsches Historisches Museum: Horst Wessel biography\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLegion Condor and the war in Spain\u003c\/h3\u003e\n\u003cp\u003eThe Legion Condor supported Franco’s forces against the Spanish Republic. The German Historical Museum places the bombing of Guernica on 26 April 1937 and civilian suffering alongside the Nazi propaganda that promoted the unit’s image. This provides context for the supplied title. It does not identify a specific march, performance, air unit or date in the audio. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/ns-regime\/aussenpolitik\/legion-condor\"\u003eDeutsches Historisches Museum: Die Legion Condor\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBadenweiler: compare the music before assigning a work\u003c\/h3\u003e\n\u003cp\u003eThe Library of Congress lists Badenweiler Marsch-Lied and Badonviller Marsch under Georg Fürst, but also a Badenweiler Marsch under Heinz Krostewitz. These catalogue entries make the short supplied title an insufficient basis for a definitive work credit. They are comparison documents, not evidence that this recording belongs to either entry. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eThe readable collection title uses the documented spelling \u003cem\u003eIch hatt’ einen Kameraden\u003c\/em\u003e. The supplied folder is named \u003cem\u003eIche Hatt Einen Kameraden\u003c\/em\u003e; source filenames remain unchanged. This editorial spelling correction does not authenticate the identity of any recording.\u003c\/p\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track is retained in its original position. The issues below remain open even though the files passed technical decoding checks; successful decoding does not authenticate a performance or establish permission to distribute it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Ich Hatt Eienen Kameraden\u003c\/strong\u003e. The supplied folder title Iche Hatt Einen Kameraden and source filename title Ich Hatt Eienen Kameraden retain their different spellings in the provenance record. Ich hatt’ einen Kameraden \/ Der gute Kamerad is a comparison work; neither the spelling nor the work history authenticates this performance. \u003ca href=\"https:\/\/www.museen-brandenburg.de\/seitenvorlagen\/objekte\/friedrich-silcher\"\u003eMuseumsverband des Landes Brandenburg: Friedrich Silcher, object from Kreismuseum Finsterwalde\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Volks Ans Gewehr\u003c\/strong\u003e. The Library of Congress’s 1931 Pardun item, box-folder 27\/18, provides a work-level comparison for Volks Ans Gewehr. The equivalence of the supplied title and that printed work requires musical or documentary confirmation. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Regiments Gruss\u003c\/strong\u003e. CiNii credits Regimentsgruß, HM II-4, to Steinbeck on a separately catalogued recording. That entry has not been matched to this file, and its credits cannot yet be assigned here. \u003ca href=\"https:\/\/ge.nii.ac.jp\/ncid\/BA50601072\"\u003eNational Institute of Informatics, CiNii Books: Kameradengruß, NCID BA50601072\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Zapfenstriech Marsch\u003c\/strong\u003e. Zapfenstriech Marsch retains the supplied spelling. The evening-signal and ceremonial histories do not identify this particular composition or establish a complete Großer Zapfenstreich performance. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/selbstverstaendnis\/brauchtum-bundeswehr\/grosser-zapfenstreich-zeremonie\"\u003eBundeswehr: Großer Zapfenstreich, history of the ceremony\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Prinz Eugen Marsch\u003c\/strong\u003e. Prinz Eugen Marsch could describe a march or a song-based arrangement. The composition, edition and arrangement have not been established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Leibstandarten Marsch Adolf Hitler\u003c\/strong\u003e. The dedication invokes the Leibstandarte. The musical work and any affiliation of the performers with that formation remain unverified; the institutional reference also requires content review before release. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/columbia-haus-1\"\u003eUnited States Holocaust Memorial Museum: Columbia-Haus\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Nur Der Freiheit\u003c\/strong\u003e. Nur Der Freiheit is too abbreviated for a reliable work identification. Its wording has not been expanded into a presumed complete title. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: Als Die Goldne Abendsonne\u003c\/strong\u003e. Als Die Goldne Abendsonne has no established match to an authoritative work or recording record in the supplied research. Authorship, edition and performance require identification. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Lore, Lore\u003c\/strong\u003e. Lore, Lore remains unassigned. Similar titles cannot establish the composition, arrangement or particular performance. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Ergerlander Marsch\u003c\/strong\u003e. Ergerlander Marsch may contain a spelling variant of Egerländer. The supplied wording is preserved, and no composition or edition has been selected. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Horst Wessel Lied 1\u003c\/strong\u003e. Horst Wessel Lied 1 is a work-title lead associated with Nazi propaganda. The suffix 1 is retained as an unexplained source identifier, not a take or date. Recording identification and content review remain necessary. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/biografie\/horst-wessel\"\u003eDeutsches Historisches Museum: Horst Wessel biography\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Legion Condor\u003c\/strong\u003e. Legion Condor refers to an institution named in more than one musical title. The exact song or march, unit connection and performance remain unresolved. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/ns-regime\/aussenpolitik\/legion-condor\"\u003eDeutsches Historisches Museum: Die Legion Condor\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: Prasentiermarsch\u003c\/strong\u003e. Prasentiermarsch is a functional title shared by multiple works. A specific composition, arrangement and recording must be established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: Klar Zum Gefecht\u003c\/strong\u003e. Klar Zum Gefecht remains unassigned. Credits or ensembles from other compilation listings have not been transferred to this file. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 15: Pariser Einzugmarsch\u003c\/strong\u003e. Pariser Einzugmarsch retains its supplied wording. The precise work, edition and performance have not been established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 16: Der Fuhrer Ruft\u003c\/strong\u003e. Der Fuhrer Ruft remains an unverified title with a political reference. It has not been equated with differently titled printed songs or compilations; content review remains open. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 17: Badenweiler Marsch\u003c\/strong\u003e. The Library of Congress finding aid provides competing Fürst and Krostewitz entries relevant to Badenweiler Marsch. The music must be compared before a work or composer is assigned. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 18: Rot Scheine Die Sonne 1\u003c\/strong\u003e. Rot Scheine Die Sonne 1 keeps its source spelling and suffix. Neither a precise work nor an interpretation of 1 as a take or version has been established. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 19: Es Ist So Schon Soldat Zu Sein\u003c\/strong\u003e. Niel’s 1937 printed Es ist so schön Soldat zu sein is a comparison work. Its date and credits do not authenticate this recording. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eTrack 19, Es Ist So Schon Soldat Zu Sein, and “Das Heer - Soldaten der Wehrmacht” track 1, Es Ist So Schön Soldat Zu Sein, have closely corresponding titles but different measured durations and different complete-file and decoded-audio checksums. No timing-alignment test was performed for this pair. Whether they share a historical recording, alternate edit or transfer remains unresolved. Their separate filenames and album positions are retained.\u003c\/p\u003e\n\u003cp\u003eA \u003ca href=\"https:\/\/www.valka.cz\/Pisne-texty-t443\"\u003eforum catalogue list\u003c\/a\u003e corresponds to these nineteen titles and then adds a further title. It is an unverified compilation lead only. It does not establish the source of these files, an incomplete supplied album, copying, infringement or permission.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address the work, arrangement and particular recording in the relevant territories, including first publication and the chain of permission. The \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and German \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86.html\"\u003eStGB § 86\u003c\/a\u003e and \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86a.html\"\u003e§ 86a\u003c\/a\u003e are research starting points. No legal clearance is inferred from age, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda, militarization and the cultures surrounding dictatorship. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708327485729,"sku":"HIS-CD850-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/iche-hatt-einen-kameraden","provider":"Nadelton Recordings","version":"1.0","type":"link"}