{"product_id":"il-duce-avanti","title":"Il Duce Avanti","description":"\u003cp\u003eIl Duce Avanti brings together 24 supplied titles, including two dated speech labels and songs of national identity, military mobilization and colonial expansion. These notes examine the historical settings suggested by those titles, especially Fascist Italy’s invasion and occupation of Ethiopia, while keeping the identity of the actual recordings open.\u003c\/p\u003e\n\u003cp\u003e24 MP3 access files • 256 kbps • stereo • approximately 61 minutes 47 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 24-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 24 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 24 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence and supplied track wording are preserved; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio. Listening previews contain up to 25 seconds of source audio, or the complete source when it is shorter.\u003c\/p\u003e\n\u003cp\u003eDownload archive: Il-Duce-Avanti-MP3.zip (116,429,757 bytes). It contains 24 full-length MP3 files and Recording-notes.txt. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Mussolini speech October 2, 1935.wav\"\u003eMussolini speech October 2, 1935 \u003cspan\u003e(2:06)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Giovinezza.wav\"\u003eGiovinezza \u003cspan\u003e(3:23)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 All Armi.wav\"\u003eAll Armi \u003cspan\u003e(2:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Il Canto Del Volontari D' Africa.wav\"\u003eIl Canto Del Volontari D' Africa \u003cspan\u003e(2:27)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Figli Della Italiane.wav\"\u003eFigli Della Italiane \u003cspan\u003e(2:21)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Marcia Della Legioni.wav\"\u003eMarcia Della Legioni \u003cspan\u003e(3:54)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Inno A Roma.wav\"\u003eInno A Roma \u003cspan\u003e(3:23)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 A Tripoli.wav\"\u003eA Tripoli \u003cspan\u003e(1:20)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Adua.wav\"\u003eAdua \u003cspan\u003e(2:27)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Africa Nostra.wav\"\u003eAfrica Nostra \u003cspan\u003e(3:03)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 In Africa Si Va.wav\"\u003eIn Africa Si Va \u003cspan\u003e(2:28)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Battaglioni M.wav\"\u003eBattaglioni M \u003cspan\u003e(2:28)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Africanella.wav\"\u003eAfricanella \u003cspan\u003e(2:33)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 O Morettina.wav\"\u003eO Morettina \u003cspan\u003e(3:05)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 C'era Una Volta Il Negus.wav\"\u003eC'era Una Volta Il Negus \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Povero Selassie.wav\"\u003ePovero Selassie \u003cspan\u003e(4:36)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Ti Saluto E Vado in Abessinia.wav\"\u003eTi Saluto E Vado in Abessinia \u003cspan\u003e(2:36)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Il Passo Della Corsa.wav\"\u003eIl Passo Della Corsa \u003cspan\u003e(1:17)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Faccetta Nera.wav\"\u003eFaccetta Nera \u003cspan\u003e(1:51)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 La Bandiera Tricolore.wav\"\u003eLa Bandiera Tricolore \u003cspan\u003e(2:19)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Il Rittorno Del Legionario.wav\"\u003eIl Rittorno Del Legionario \u003cspan\u003e(2:05)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 Cantate Del Legionari.wav\"\u003eCantate Del Legionari \u003cspan\u003e(2:32)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 Mussolini speech May 5, 1936.wav\"\u003eMussolini speech May 5, 1936 \u003cspan\u003e(1:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 Marcia Su Roma.wav\"\u003eMarcia Su Roma \u003cspan\u003e(2:12)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eMobilization before the invasion\u003c\/h3\u003e\n\u003cp\u003eThe date in track 1 points to Mussolini’s 2 October 1935 mobilization address in Rome. Italy invaded Ethiopia the next day. ICRC archive research documents mustard-gas warfare and repeated attacks on medical facilities during the campaign. These harms are essential context for the programme’s colonial rhetoric. The filename identifies a claimed speech date, not an authenticated speaker, excerpt or recording. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0734.html\"\u003eUniversity of Bonn, REDIRE: October 1935 speech record\u003c\/a\u003e; \u003ca href=\"https:\/\/blogs.icrc.org\/cross-files\/the-cross-in-the-crosshairs-a-photographic-record-of-the-bombing-of-red-cross-field-hospitals-during-the-second-italo-ethiopian-war\/\"\u003eICRC Archives: the invasion and attacks on field hospitals\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003e5 May is not 9 May\u003c\/h3\u003e\n\u003cp\u003eIstituto Luce distinguishes Mussolini’s 5 May 1936 announcement of Italian troops entering Addis Ababa from his 9 May proclamation of empire. Track 23 is labelled with the earlier date and must not be retitled as the empire proclamation without evidence. The occupation continued beyond these ceremonies: Museo delle Civiltà dates it to 1936–1941 and documents the removal of an Ethiopian parliamentary painting to Italy. \u003ca href=\"https:\/\/coll.patrimonio.archivioluce.com\/luce-web\/detail\/IL3000052643\/1\/adunate-generali-del-popolo-italiano-5-e-9-maggio-xiv.html?startPage=0\"\u003eIstituto Luce: the separate 5 and 9 May 1936 addresses\u003c\/a\u003e; \u003ca href=\"https:\/\/www.museodellecivilta.it\/en\/oggetti\/etiopia-en\/seated-emperor-with-four-standing-men-flanking-him\/\"\u003eMuseo delle Civiltà: an object taken during the occupation\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA melody with changing political uses\u003c\/h3\u003e\n\u003cp\u003eThe University of Turin’s archive traces the melody’s movement from the 1909 student song Il Commiato through military and fascist adaptations. The Bibliothèque nationale de France catalogues a Giovinezza score explicitly identified as a National Fascist Party anthem, with music by Giuseppe Blanc and words by Salvator Gotta. A shared title does not determine which text or arrangement occurs in this file. \u003ca href=\"https:\/\/asut.unito.it\/mostre\/items\/show\/553\"\u003eUniversity of Turin Historical Archive: the afterlife of Il Commiato\u003c\/a\u003e; \u003ca href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb428552227\"\u003eBibliothèque nationale de France: Giovinezza score\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRome in an earlier composition\u003c\/h3\u003e\n\u003cp\u003eThe Centro Studi Giacomo Puccini dates Inno a Roma to March 1919 and its first performance to 1 June that year at Rome’s Stadio Nazionale. This documented work predates the Ethiopian invasion by sixteen years. Its presence as a title in a later programme illustrates why a compilation’s political framing cannot date each composition or recorded performance. \u003ca href=\"https:\/\/catalog.puccini.it\/public\/works\/inno-a-roma\"\u003eCentro Studi Giacomo Puccini: work catalogue, no. 90\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn earlier colonial song\u003c\/h3\u003e\n\u003cp\u003eLibrinlinea catalogues A Tripoli! as a patriotic song-march by Colombino Arona with words by Giovanni Corvetto. Its score description records distribution to troops in Tripoli and a publication date bracketed as after 1911. A Helsinki library record independently documents the work. This provides an earlier colonial-repertory comparison; it does not establish that track 8 is this composition or date its recording. \u003ca href=\"https:\/\/www.librinlinea.it\/titolo\/a-tripoli-canzone-marcia-patriottica\/LO11430765\"\u003eLibrinlinea: A Tripoli! score, catalogue LO11430765\u003c\/a\u003e; \u003ca href=\"https:\/\/www.finna.fi\/Record\/uniarts_print.993837124206249\"\u003eUniversity of the Arts Helsinki \/ Finna: A Tripoli! score\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eColonial propaganda and racial power\u003c\/h3\u003e\n\u003cp\u003eThe University of Bonn’s REDIRE project places Faccetta nera within propaganda surrounding the invasion of Ethiopia. Its analysis identifies racial hierarchy, sexual domination and the portrayal of conquest as liberation. These are political devices requiring critical examination. A separately catalogued Odeon issue supplies a research lead, but neither its performers nor its 1935 date can be assigned to the supplied WAV. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_1139.html\"\u003eUniversity of Bonn, REDIRE: Faccetta nera\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003eSpeakers, performers, ensembles, arrangers, recording sessions, original labels and issues, catalogue and matrix numbers, original carrier medium and track-level transfer history remain unverified. Audible language and vocal or instrumental content have not been authenticated. Historical event, composition, publication, reissue and transfer dates must remain separate.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eThe supplied collection title is II Duce Avanti. Il Duce Avanti is the readable display title, correcting the likely uppercase-I\/lowercase-l transcription confusion in II. The dictionary form il Duce and a later commercial title concordance support this editorial normalization. The exact source label, every source filename and source audio remain unchanged. The display correction does not authenticate an original release, sleeve or recording. \u003ca href=\"https:\/\/dizionari.corriere.it\/dizionario_italiano\/D\/duce.shtml\"\u003eIl Sabatini Coletti: duce\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eEvery track title is retained exactly as supplied, including All Armi, Figli Della Italiane, Marcia Della Legioni, Abessinia, Il Rittorno Del Legionario and Cantate Del Legionari. Proposed readings are research aids only. Dates and speaker names in filenames are source claims, not verified recording credits.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The individual questions below remain open; technical decoding and checksum comparisons cannot authenticate a historical performance or establish distribution permission.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Mussolini speech October 2, 1935\u003c\/strong\u003e. The filename attributes a speech to Mussolini on 2 October 1935. The separately catalogued Discoteca di Stato DS 003 entry uses a 1937 issue date. Establish the speaker, exact excerpt, edits and original source; event and issue dates must remain separate. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_0734.html\"\u003eUniversity of Bonn, REDIRE: October 1935 speech record\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Giovinezza\u003c\/strong\u003e. The melody has student, military and Fascist adaptations. Identify the particular work, text version, arrangement and performance; do not assume that the file contains the party-anthem text. “Il Duce Victoria” track 3 is a title-comparison lead only. \u003ca href=\"https:\/\/asut.unito.it\/mostre\/items\/show\/553\"\u003eUniversity of Turin Historical Archive: the afterlife of Il Commiato\u003c\/a\u003e; \u003ca href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb428552227\"\u003eBibliothèque nationale de France: Giovinezza score\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: All Armi\u003c\/strong\u003e. The supplied All Armi spelling is retained. Official registration entry 57884 uses the composite title All’armi: Inno dei fascisti, supporting a work-title alias for investigation against “Era fascista, Vol. 3” track 1 and “Il Duce Victoria” track 8. This does not establish the work or performance in any supplied file. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Il Canto Del Volontari D' Africa\u003c\/strong\u003e. Il canto dei volontari d’Africa is a proposed grammatical title reading only. Preserve Del and the supplied apostrophe spacing until the precise work is identified; no volunteer formation, performer or recording date is assigned. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Figli Della Italiane\u003c\/strong\u003e. The wording Figli Della Italiane is grammatically uncertain. No corrected title, text, composer or recording identity is adopted from a later commercial listing. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Marcia Della Legioni\u003c\/strong\u003e. La marcia delle legioni is a possible title reading, with “Il Duce Victoria” track 13 a near-title comparison lead. Establish the specific composition, arrangement and recording before equating the tracks or correcting the source wording. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Inno A Roma\u003c\/strong\u003e. Puccini’s documented Inno a Roma is a work-level comparison. Its 1919 composition and first-performance dates do not date this file; authorship and performance remain unverified. “Il Duce Victoria” track 6 is a separate title-comparison lead. \u003ca href=\"https:\/\/catalog.puccini.it\/public\/works\/inno-a-roma\"\u003eCentro Studi Giacomo Puccini: work catalogue, no. 90\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: A Tripoli\u003c\/strong\u003e. The Arona–Corvetto A Tripoli! score is a comparison lead, not an authenticated identification of this performance. Determine the exact composition, version and recording without transferring the score’s publication context to the WAV. \u003ca href=\"https:\/\/www.librinlinea.it\/titolo\/a-tripoli-canzone-marcia-patriottica\/LO11430765\"\u003eLibrinlinea: A Tripoli! score, catalogue LO11430765\u003c\/a\u003e; \u003ca href=\"https:\/\/www.finna.fi\/Record\/uniarts_print.993837124206249\"\u003eUniversity of the Arts Helsinki \/ Finna: A Tripoli! score\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Adua\u003c\/strong\u003e. Adua is a place-name title. The filename alone does not identify a particular battle, song, author or performance, and its position in the programme supplies no recording date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Africa Nostra\u003c\/strong\u003e. The title Africa Nostra suggests a claim over Africa, but the precise work, wording and use require identification. No colonial campaign, author, ensemble or recording is assigned from the title alone. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: In Africa Si Va\u003c\/strong\u003e. In Africa Si Va remains a supplied title. Establish the composition and version before attaching a campaign, institution or performer; later compilation metadata supplies no verified recording credit. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Battaglioni M\u003c\/strong\u003e. The meaning of M, the military unit, work identity and chronology remain unresolved. Do not date the source to 1935–1936 from the surrounding speech labels. “Il Duce Victoria” track 12 is a title-comparison lead only. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: Africanella\u003c\/strong\u003e. Africanella requires work and version identification. The diminutive title and colonial programme context do not establish the subject, lyrics, language, composer or performer heard in this file. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: O Morettina\u003c\/strong\u003e. O Morettina requires identification of its particular work and text version. Do not infer a singer, language, racialized text or a relationship to another similarly titled song without direct evidence. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 15: C'era Una Volta Il Negus\u003c\/strong\u003e. The Negus reference warrants contextual research into anti-Ethiopian propaganda, but the title does not authenticate a specific text, speaker, song version or performance. No lyrics or narrator identity are supplied. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 16: Povero Selassie\u003c\/strong\u003e. The source says Povero Selassie; the commercial sequence lead instead prints Povero Selassle’. Preserve the source spelling. Neither variant authenticates the composition, performers or recording date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 17: Ti Saluto E Vado in Abessinia\u003c\/strong\u003e. Ti saluto e vado in Abissinia is a proposed place-name spelling reading only. Abessinia and the original capitalization remain unchanged; exact work, language, performer and transfer source are unverified. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 18: Il Passo Della Corsa\u003c\/strong\u003e. Il Passo Della Corsa is retained without expanding it into an identified military march. Establish the precise work and performance; the filename supplies no unit, composer or recording date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 19: Faccetta Nera\u003c\/strong\u003e. REDIRE’s Odeon 12341 GO issue is separately catalogued with Aldo Masseglia and Orchestra Mario Mariotti. These comparison-record credits and its 1935 date are not assigned to this WAV; exact text, version and performance remain open. \u003ca href=\"https:\/\/redire.uni-bonn.de\/items\/demo_1139.html\"\u003eUniversity of Bonn, REDIRE: Faccetta nera\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 20: La Bandiera Tricolore\u003c\/strong\u003e. La Bandiera Tricolore is a broad patriotic title. The exact composition, text, political use and recording must be established before attributing it to a particular movement, period or performer. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 21: Il Rittorno Del Legionario\u003c\/strong\u003e. Il ritorno del legionario is a proposed spelling and grammar reading only. Keep Il Rittorno Del Legionario in source metadata; no legion, campaign, composer or performer is identified. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 22: Cantate Del Legionari\u003c\/strong\u003e. Cantate Del Legionari is uncertain and may refer to a different work from a plausible grammatical correction. Preserve the filename and resolve the title and version before adopting any work or recording credits. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 23: Mussolini speech May 5, 1936\u003c\/strong\u003e. The filename claims Mussolini and 5 May 1936. This must remain separate from the 9 May empire proclamation named in “Il Duce Victoria” track 1. A dealer alleges an added English broadcast; language, broadcaster, reporter, location, live origin and speaker are unverified and require direct review. \u003ca href=\"https:\/\/coll.patrimonio.archivioluce.com\/luce-web\/detail\/IL3000052643\/1\/adunate-generali-del-popolo-italiano-5-e-9-maggio-xiv.html?startPage=0\"\u003eIstituto Luce: the separate 5 and 9 May 1936 addresses\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 24: Marcia Su Roma\u003c\/strong\u003e. Marcia Su Roma remains the closing supplied title. Establish whether the phrase names a composition, commemorative version or other content; it does not authenticate an event recording or a 1922 performance. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eThe later official register supplies a possible All’armi \/ Inno dei fascisti work-title alias. The completed technical report compares “Il Duce Avanti” track 3 with “Era fascista, Vol. 3” track 1. “Il Duce Victoria” track 8 remains a further title lead outside this album’s verified audio set. Work-title similarity does not authenticate any of these recordings. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eMinistero della Cultura: Errata corrige al Bollettino dell’Ufficio della Proprietà Letteraria Artistica e Scientifica, gennaio–marzo 1973\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFurther “Il Duce Avanti”\/“Il Duce Victoria” title leads involve Giovinezza, Inno A Roma, Battaglioni M and Marcia Della Legioni \/ La Marcia Delle Legioni. These remain separate supplied positions. No duplicate is removed and no performance relationship is inferred from a shared title or approximate file size.\u003c\/p\u003e\n\u003cp\u003eNo exact complete decoded-audio match involving this album was found in the available verified comparison set. This negative exact-match check does not prove that the performances are unique or distinct from other recordings.\u003c\/p\u003e\n\u003cp\u003eThe tested comparison leads with unequal complete decoded-audio checksums are: “Il Duce Avanti” track 3, All Armi \/ “Era fascista, Vol. 3” track 1, Inno dei fascisti. The results exclude exact normalized digital equality only. They do not establish different performances; alternate edits, transfers or other processing of a shared recording remain possible.\u003c\/p\u003e\n\u003cp\u003eThese title or topic leads could not be fully compared because at least one source was outside the available verified set: “Il Duce Avanti” track 3, All Armi \/ “Il Duce Victoria” track 8, All' Armi Inno Del Fascisti; “Il Duce Avanti” track 2, Giovinezza \/ “Il Duce Victoria” track 3, Giovinezza; “Il Duce Avanti” track 7, Inno A Roma \/ “Il Duce Victoria” track 6, Inno A Roma; “Il Duce Avanti” track 12, Battaglioni M \/ “Il Duce Victoria” track 12, Battaglioni M; “Il Duce Avanti” track 6, Marcia Della Legioni \/ “Il Duce Victoria” track 13, La Marcia Delle Legioni. Their audio relationship remains untested, and no equivalence or distinct-performance finding is assigned.\u003c\/p\u003e\n\u003cp\u003eThe technical comparison uses SHA-256 of the complete decoded audio converted only for comparison to signed 16-bit little-endian PCM at 44.1 kHz in stereo. A matching title, similar duration or later compilation sequence alone cannot establish recording identity. Source-file or decoded-audio hash inequality is not proof of a different historical performance.\u003c\/p\u003e\n\u003cp\u003eA later commercial Il Duce Avanti listing follows the same 24-title sequence, with a different spelling of Povero Selassie and an added English-broadcast claim for track 23. This is a qualified identification lead only. Its listed track times sum to 60:48, while its stated total is 61:46; neither is a measured duration for this source. Performer, date, language, broadcaster, packaging and sound-quality claims are not adopted. The concordance does not establish an original source, transfer history, recording identity, ownership, copying, infringement or permission to distribute.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address each work, text version, arrangement and particular recording, including publication evidence and permission in the intended territories. Content restrictions also require separate review. No legal clearance is inferred from age, ownership of physical records, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003eHistorical documentation of fascist propaganda and colonial violence without endorsement of dictatorship, racism, imperial expansion or war. No lyrics or speech passages are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708482904353,"sku":"HIS-CD310-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/il-duce-avanti","provider":"Nadelton Recordings","version":"1.0","type":"link"}