{"product_id":"il-duce-victoria","title":"Il Duce Victoria","description":"\u003cp\u003eIl Duce Victoria presents 24 supplied titles, including two dated speech labels and references to empire, fascist youth organizations and military culture. These notes explain selected historical settings and the harms of colonial propaganda while keeping the identity and contents of the actual recordings open.\u003c\/p\u003e\n\u003cp\u003e24 MP3 access files • 256 kbps • stereo • approximately 63 minutes 11 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 24-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 24 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 24 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence and supplied track wording are preserved; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio. Listening previews contain up to 25 seconds of source audio, or the complete source when it is shorter.\u003c\/p\u003e\n\u003cp\u003eDownload archive: Il-Duce-Victoria-MP3.zip (119,347,502 bytes). It contains 24 full-length MP3 files and Recording-notes.txt. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Mussolini speech May 9, 1936.wav\"\u003eMussolini speech May 9, 1936 \u003cspan\u003e(2:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 L'Impero.wav\"\u003eL'Impero \u003cspan\u003e(2:05)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Giovinezza.wav\"\u003eGiovinezza \u003cspan\u003e(3:55)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Canto Della Victoria.wav\"\u003eCanto Della Victoria \u003cspan\u003e(1:39)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Camerata Richard.wav\"\u003eCamerata Richard \u003cspan\u003e(3:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Inno A Roma.wav\"\u003eInno A Roma \u003cspan\u003e(3:22)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Figli Della Lupa.wav\"\u003eFigli Della Lupa \u003cspan\u003e(2:30)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 All' Armi Inno Del Fascisti.wav\"\u003eAll' Armi Inno Del Fascisti \u003cspan\u003e(2:53)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Balilla.wav\"\u003eBalilla \u003cspan\u003e(2:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Fischia Il Sasso.wav\"\u003eFischia Il Sasso \u003cspan\u003e(2:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Inno Degli Studenti Universitari Fascisti.wav\"\u003eInno Degli Studenti Universitari Fascisti \u003cspan\u003e(2:45)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Battaglioni M.wav\"\u003eBattaglioni M \u003cspan\u003e(3:04)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 La Marcia Delle Legioni.wav\"\u003eLa Marcia Delle Legioni \u003cspan\u003e(2:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 San Marco.wav\"\u003eSan Marco \u003cspan\u003e(2:14)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Il Canto Degli Arditi.wav\"\u003eIl Canto Degli Arditi \u003cspan\u003e(1:48)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Giovani Fascisti.wav\"\u003eGiovani Fascisti \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Il Passaggio Battaglioni.wav\"\u003eIl Passaggio Battaglioni \u003cspan\u003e(2:22)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Ala Imperiale.wav\"\u003eAla Imperiale \u003cspan\u003e(2:59)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Fanfara Dei Bersaglieri.wav\"\u003eFanfara Dei Bersaglieri \u003cspan\u003e(2:37)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Ciao Blondina.wav\"\u003eCiao Blondina \u003cspan\u003e(2:31)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Vincere.wav\"\u003eVincere \u003cspan\u003e(3:35)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 Mussolini speech March 26, 1939.wav\"\u003eMussolini speech March 26, 1939 \u003cspan\u003e(0:56)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 Mediterraneo.wav\"\u003eMediterraneo \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 Lilli Marlene.wav\"\u003eLilli Marlene \u003cspan\u003e(3:23)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003e9 May 1936: the proclamation of empire\u003c\/h3\u003e\n\u003cp\u003eIstituto Luce identifies 9 May 1936 as Mussolini’s proclamation of empire in Rome’s Piazza Venezia. Track 1 carries that date as a filename claim. The archive’s film context does not establish the speaker, edit or source medium of this WAV; L’Impero is likewise an unverified work title. \u003ca href=\"https:\/\/www.archivioluce.com\/la-proclamazione-dellimpero\/\"\u003eArchivio Storico Istituto Luce: La proclamazione dell’Impero\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eColonial propaganda and its human consequences\u003c\/h3\u003e\n\u003cp\u003eINDIRE documents gas warfare, village bombing and forced displacement during Italy’s invasion of Ethiopia, alongside racial propaganda addressed to children. These harms are essential context for examining the programme’s colonial vocabulary and its claims about conquest. \u003ca href=\"https:\/\/mostrevirtuali.indire.it\/mostra\/a-ottanta-anni-dalle-leggi-razziali-del-fascismo-1938-2018-un-percorso-didattico\/sezione-4-la-guerra-detiopia-e-la-fondazione-dellimpero-fascista\/\"\u003eINDIRE Historical Archive: the Ethiopian war and fascist empire\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA melody with changing political uses\u003c\/h3\u003e\n\u003cp\u003eTurin’s university archive traces Giovinezza to Blanc and Oxilia’s 1909 student song Il Commiato, followed by military and fascist adaptations, including Gotta’s party-anthem text. The supplied title cannot identify a particular version. \u003ca href=\"https:\/\/www.atom.unito.it\/index.php\/da-il-commiato-ad-addio-giovinezza\"\u003eUniversity of Turin Historical Archive: Da Il Commiato ad Addio giovinezza!\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eInno a Roma predates the dictatorship\u003c\/h3\u003e\n\u003cp\u003ePuccini’s work catalogue dates Inno a Roma to March 1919, with its first performance in Rome on 1 June. Those dates concern the composition’s history; they do not identify or date this supplied recording. \u003ca href=\"https:\/\/catalog.puccini.it\/public\/works\/inno-a-roma\"\u003eCentro Studi Giacomo Puccini: Inno a Roma, work catalogue no. 90\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eYouth organized for the regime\u003c\/h3\u003e\n\u003cp\u003eFigli Della Lupa, Balilla and Giovani Fascisti refer to terms in fascist youth organization. Lombardia’s institutional archive describes age-graded membership, political indoctrination and premilitary instruction. These names place childhood within a system of regime formation; they do not show that children performed on these files or identify particular compositions. \u003ca href=\"https:\/\/www.lombardiabeniculturali.it\/archivi\/profili-istituzionali\/MIDL000246\/\"\u003eLombardia Beni Culturali: institutional history of the Opera nazionale Balilla\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eLilli Marlene: a title across wartime boundaries\u003c\/h3\u003e\n\u003cp\u003eThe supplied spelling suggests comparison with Lili Marleen. The Haus der Geschichte exhibition documents the song’s popularity on both sides of the Second World War and its later international circulation. Its inclusion therefore needs work- and version-level checking. This file is not assigned a language, singer, wartime date or political purpose from its title. \u003ca href=\"https:\/\/www.hdg.de\/haus-der-geschichte\/ausstellungen\/lili-marleen-ein-schlager-macht-geschichte\/\"\u003eHaus der Geschichte: Lili Marleen, Ein Schlager macht Geschichte\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003eSpeakers, performers, ensembles, arrangers, recording sessions, original labels and issues, catalogue and matrix numbers, original carrier medium and track-level transfer history remain unverified. Audible language and vocal or instrumental content have not been authenticated. Historical event, composition, publication, reissue and transfer dates must remain separate.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eThe supplied collection title is II Duce Victoria. Il Duce Victoria is the readable display title, correcting the likely uppercase-I\/lowercase-l transcription confusion in II. The dictionary form il Duce and a later commercial title concordance support this editorial normalization. Victoria is preserved, without substitution of Vittoria. The exact source label, every source filename and source audio remain unchanged. The display correction does not authenticate an original release, sleeve or recording. \u003ca href=\"https:\/\/dizionari.corriere.it\/dizionario_italiano\/D\/duce.shtml\"\u003eIl Sabatini Coletti, duce, definition 2\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eEvery track title is retained exactly as supplied, including Canto Della Victoria, All' Armi Inno Del Fascisti, Il Passaggio Battaglioni, Ciao Blondina and Lilli Marlene. Proposed readings are research aids only. Dates and speaker names in filenames are source claims, not verified recording credits.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The individual questions below remain open; technical decoding and checksum comparisons cannot authenticate a historical performance or establish distribution permission.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Mussolini speech May 9, 1936\u003c\/strong\u003e. The filename claims Mussolini and 9 May 1936. Istituto Luce distinguishes the empire proclamation on that date from the 5 May address named in “Il Duce Avanti” track 23. Establish the audible speaker, exact excerpt, edits, original medium and transfer source; the filename does not authenticate an event recording or recording date. \u003ca href=\"https:\/\/www.archivioluce.com\/la-proclamazione-dellimpero\/\"\u003eArchivio Storico Istituto Luce: La proclamazione dell’Impero\u003c\/a\u003e; \u003ca href=\"https:\/\/coll.patrimonio.archivioluce.com\/luce-web\/detail\/IL3000052643\/1\/adunate-generali-del-popolo-italiano-5-e-9-maggio-xiv.html?startPage=0\"\u003eIstituto Luce: the separate 5 and 9 May 1936 addresses\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: L'Impero\u003c\/strong\u003e. L’Impero is retained as a supplied title. Its imperial vocabulary provides a contextual question, without identifying a composition, text, performer or recording date. The neighbouring speech label does not date this track. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Giovinezza\u003c\/strong\u003e. Giovinezza has student, military and Fascist adaptations. Identify the particular work, text version, arrangement and performance; a shared title with “Il Duce Avanti” track 2 supplies only a comparison lead. \u003ca href=\"https:\/\/www.atom.unito.it\/index.php\/da-il-commiato-ad-addio-giovinezza\"\u003eUniversity of Turin Historical Archive: Da Il Commiato ad Addio giovinezza!\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Canto Della Victoria\u003c\/strong\u003e. Canto Della Victoria is retained exactly. Vittoria is not substituted: a plausible spelling change would not establish the intended composition, text version or recording. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Camerata Richard\u003c\/strong\u003e. Camerata Richard is retained without assigning the name to a specific person, political episode, performer or composer. Establish the exact work and performance before adopting any later compilation credit. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Inno A Roma\u003c\/strong\u003e. Puccini’s documented Inno a Roma supplies work-level context only. Its 1919 composition and first-performance dates do not date this recording; authorship, version and performers remain unverified. “Il Duce Avanti” track 7 is a title-comparison lead. \u003ca href=\"https:\/\/catalog.puccini.it\/public\/works\/inno-a-roma\"\u003eCentro Studi Giacomo Puccini: Inno a Roma, work catalogue no. 90\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Figli Della Lupa\u003c\/strong\u003e. Figli Della Lupa refers to a fascist youth-organization term. The title does not establish the exact composition, the singers’ ages or whether children or any singers are heard. \u003ca href=\"https:\/\/www.lombardiabeniculturali.it\/archivi\/profili-istituzionali\/MIDL000246\/\"\u003eLombardia Beni Culturali: institutional history of the Opera nazionale Balilla\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: All' Armi Inno Del Fascisti\u003c\/strong\u003e. Official registration entry 57884 uses All’armi: Inno dei fascisti, a work-title alias for investigation against “Il Duce Avanti” track 3 and “Era fascista, Vol. 3” track 1. Preserve All' Armi Inno Del Fascisti and its apostrophe spacing; the register does not authenticate this work or performance. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eItalian Ministry of Culture: errata to the January–March 1973 copyright-register bulletin, entry 57884\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Balilla\u003c\/strong\u003e. Balilla remains a separate supplied position. Its relationship to track 10, Fischia Il Sasso, must be established at work, version and recording levels; proximity in the list or similar size supplies no identification. \u003ca href=\"https:\/\/www.lombardiabeniculturali.it\/archivi\/profili-istituzionali\/MIDL000246\/\"\u003eLombardia Beni Culturali: institutional history of the Opera nazionale Balilla\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Fischia Il Sasso\u003c\/strong\u003e. Fischia Il Sasso is retained separately from Balilla. Determine the exact work, text version and performance before equating the two entries or correcting the supplied title. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Inno Degli Studenti Universitari Fascisti\u003c\/strong\u003e. Inno Degli Studenti Universitari Fascisti is retained without assigning a specific university, organization, ensemble or composer. “Era fascista, Vol. 3” track 8, Inno dei giovani universitari, is a related-wording lead rather than a confirmed work match. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Battaglioni M\u003c\/strong\u003e. The meaning of M, military unit, work identity and chronology remain unresolved. The album’s 1936 and 1939 speech labels do not date the music. “Il Duce Avanti” track 12 is a title-comparison lead only. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: La Marcia Delle Legioni\u003c\/strong\u003e. La Marcia Delle Legioni remains the source title. “Il Duce Avanti” track 6, Marcia Della Legioni, is a near-title lead; establish the exact work, arrangement and recording before equating the entries or assigning any legion or campaign. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: San Marco\u003c\/strong\u003e. San Marco alone does not identify a particular military unit, engagement, composition or performing band. “Canzoniere Fascista (Vol 6)” track 3, Marcia brigata San Marco, is a weak related-title lead; the dealer’s historical narrative is not adopted. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 15: Il Canto Degli Arditi\u003c\/strong\u003e. Il Canto Degli Arditi is retained with its original wording. “Era fascista, Vol. 3” track 4, Canto degli arditi, is a comparison candidate, without an authenticated composition, text version, performers or recording relationship. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 16: Giovani Fascisti\u003c\/strong\u003e. Giovani Fascisti refers to a regime youth-organization term. The title does not identify the singers, their ages, a particular unit or the work and arrangement heard in the supplied file. \u003ca href=\"https:\/\/www.lombardiabeniculturali.it\/archivi\/profili-istituzionali\/MIDL000246\/\"\u003eLombardia Beni Culturali: institutional history of the Opera nazionale Balilla\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 17: Il Passaggio Battaglioni\u003c\/strong\u003e. Il Passaggio Battaglioni is preserved without an added translation or silent replacement by Passano i battaglioni. “Canzoniere Fascista (Vol 6)” track 5, Passan i battaglioni, is a related-wording lead only; exact work and performance remain open. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 18: Ala Imperiale\u003c\/strong\u003e. Ala Imperiale is a supplied title requiring work and version identification. The words do not establish an air-force unit, campaign, composer, instrumentation or recording date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 19: Fanfara Dei Bersaglieri\u003c\/strong\u003e. Fanfara Dei Bersaglieri does not identify a particular composition or ensemble from its title alone. The claimed military association, instrumentation, performers and original issue require separate evidence. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 20: Ciao Blondina\u003c\/strong\u003e. Ciao Blondina is retained. Ciao biondina appears in a separate official compilation register as a spelling-comparison candidate; no correction, work identity, language or performance credit is adopted from that entry. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eItalian Ministry of Culture: errata to the January–March 1973 copyright-register bulletin, entry 57884\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 21: Vincere\u003c\/strong\u003e. Vincere is a broad exhortative title. Identify the exact composition, text version, arrangement and recording without assigning a wartime date or political use solely from this album sequence. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 22: Mussolini speech March 26, 1939\u003c\/strong\u003e. The filename claims Mussolini and 26 March 1939. A scholarly editorial note indexed in the University of Siena repository identifies an address on that date at the Foro Mussolini to the regime’s old guard. Direct PDF access was unsuccessful, so this is a limited event-level lead. The audible speaker, excerpt, edits, recording date and source medium remain unauthenticated. \u003ca href=\"https:\/\/usiena-air.unisi.it\/retrieve\/handle\/11365\/1114766\/313580\/Bracci%20Carte%20sparse%20Testo.pdf\"\u003eUniversity of Siena repository: Mario Bracci, Carte sparse, historical editorial note\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 23: Mediterraneo\u003c\/strong\u003e. Mediterraneo is a broad geographic title. Establish the precise work, text version and performance before assigning a campaign, composer, ensemble or recording date. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 24: Lilli Marlene\u003c\/strong\u003e. Lilli Marlene is retained as supplied. Lili Marleen is a work-title comparison candidate, also relevant to “Era fascista, Vol. 3” track 7 and “Das Heer - Soldaten der Wehrmacht” track 10. No language, singer, wartime date or political purpose is inferred from the title. \u003ca href=\"https:\/\/www.hdg.de\/haus-der-geschichte\/ausstellungen\/lili-marleen-ein-schlager-macht-geschichte\/\"\u003eHaus der Geschichte: Lili Marleen, Ein Schlager macht Geschichte\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eThe later official register supplies a possible All’armi \/ Inno dei fascisti work-title alias. The completed technical report compares “Il Duce Victoria” track 8 with “Il Duce Avanti” track 3 and “Era fascista, Vol. 3” track 1. Exact digital equality and work-title similarity remain separate questions; neither authenticates these historical recordings. \u003ca href=\"https:\/\/biblioteche.cultura.gov.it\/it\/documenti\/Servizio_III\/E.C._1973_I_trim..pdf\"\u003eItalian Ministry of Culture: errata to the January–March 1973 copyright-register bulletin, entry 57884\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFurther title leads involve Giovinezza, Inno A Roma, Battaglioni M, La Marcia Delle Legioni, Il Canto Degli Arditi and Lilli Marlene across the supplied albums. The Balilla and Fischia Il Sasso entries also require separate review. Every original position is retained, including any repeated recording; no performance relationship is inferred from a shared title or approximate file size.\u003c\/p\u003e\n\u003cp\u003eNo exact complete decoded-audio match involving this album was found in the available verified comparison set. This negative exact-match check does not prove that the performances are unique or distinct from other recordings.\u003c\/p\u003e\n\u003cp\u003eThe tested comparison leads with unequal complete decoded-audio checksums are: “Il Duce Victoria” track 9, Balilla \/ “Il Duce Victoria” track 10, Fischia Il Sasso; “Il Duce Avanti” track 3, All Armi \/ “Il Duce Victoria” track 8, All' Armi Inno Del Fascisti; “Il Duce Victoria” track 8, All' Armi Inno Del Fascisti \/ “Era fascista, Vol. 3” track 1, Inno dei fascisti; “Il Duce Avanti” track 2, Giovinezza \/ “Il Duce Victoria” track 3, Giovinezza; “Il Duce Avanti” track 7, Inno A Roma \/ “Il Duce Victoria” track 6, Inno A Roma; “Il Duce Avanti” track 12, Battaglioni M \/ “Il Duce Victoria” track 12, Battaglioni M; “Il Duce Avanti” track 6, Marcia Della Legioni \/ “Il Duce Victoria” track 13, La Marcia Delle Legioni; “Il Duce Victoria” track 15, Il Canto Degli Arditi \/ “Era fascista, Vol. 3” track 4, Canto degli arditi; “Il Duce Victoria” track 24, Lilli Marlene \/ “Era fascista, Vol. 3” track 7, Lili Marlene; “Il Duce Victoria” track 24, Lilli Marlene \/ “Das Heer - Soldaten der Wehrmacht” track 10, Lili Marleen; “Il Duce Victoria” track 11, Inno Degli Studenti Universitari Fascisti \/ “Era fascista, Vol. 3” track 8, Inno dei giovani universitari; “Il Duce Victoria” track 17, Il Passaggio Battaglioni \/ “Canzoniere Fascista (Vol 6)” track 5, Passan i battaglioni; “Il Duce Victoria” track 14, San Marco \/ “Canzoniere Fascista (Vol 6)” track 3, Marcia brigata San Marco. The results exclude exact normalized digital equality only. They do not establish different performances; alternate edits, transfers or other processing of a shared recording remain possible.\u003c\/p\u003e\n\u003cp\u003eThe technical comparison uses SHA-256 of the complete decoded audio converted only for comparison to signed 16-bit little-endian PCM at 44.1 kHz in stereo. A matching title, similar duration or later compilation sequence alone cannot establish recording identity. Source-file or decoded-audio hash inequality is not proof of a different historical performance.\u003c\/p\u003e\n\u003cp\u003eA later commercial Il Duce Victoria listing follows the same 24-title order, with variants including Fischia II Sasso and II Canto Degli Arditi, and an added parenthetical translation for Il Passaggio Battaglioni. This is a qualified compilation lead only. Its reference to an English translation does not establish English audio. Seller durations, recording dates, performers, language, packaging and sound-quality claims are not adopted. The concordance does not establish an original source, transfer history, recording identity, ownership, copying, infringement or permission to distribute.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address each work, text version, arrangement and particular recording, including publication evidence and permission in the intended territories. Content restrictions also require separate review. No legal clearance is inferred from age, ownership of physical records, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003eCritical historical documentation of fascist propaganda, dictatorship, militarization and colonial racism without endorsement. These materials must be considered alongside the people harmed by those policies. No lyrics, speech excerpts or fabricated archival imagery are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708514525473,"sku":"HIS-CD320-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/il-duce-victoria","provider":"Nadelton Recordings","version":"1.0","type":"link"}