{"product_id":"ilalian-ss-and-r-s-i","title":"Ilalian SS And R.S.I","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 30 tracks. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Ilalian SS And R.S.I. 30 source-file listings, retained in their original order. The actual source encoding is verified as WAV containing signed 16-bit PCM at 44,100 Hz with two channels. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThis thirty-entry collection retains the supplied title Ilalian SS And R.S.I, including its spelling. The filenames combine broad military references, political hymns, an unnamed speech and possible popular-song titles. They do not establish that the recordings were made by Italian SS or RSI personnel, or that every work originated in 1943–1945.\u003c\/p\u003e\n\u003cp\u003eThe Italian Social Republic was a pro-German Fascist regime established after Mussolini’s removal and the September 1943 armistice. It must be distinguished from earlier Italian state institutions and from specifically Waffen-SS formations. Institutional histories provide context for the title but no recording identification. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/italy\"\u003eUnited States Holocaust Memorial Museum: Italy\u003c\/a\u003e; \u003ca href=\"https:\/\/www.straginazifasciste.it\/?page_id=297\u0026amp;ricerca=271\u0026amp;lang=en\"\u003eAtlas of Nazi and Fascist Massacres in Italy: Italian Waffen-SS formation\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete; recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eAll 30 source WAV files passed complete decoding and have complete-file and normalized source PCM SHA-256 receipts. All 30 MP3 files and 30 previews were independently decoded in full. The ZIP passed CRC and member-hash checks. MP3 files: 256 kbps, 44,100 Hz, two channels. Preview excerpts: 25 seconds, 128 kbps, 44,100 Hz, two channels. Total measured source duration: 70:41.000 (4241.000000 seconds); exact source payload: 748,113,720 bytes. MP3 playback durations may include encoder padding. The complete MP3 ZIP is included with this digital download. Technical verification does not authenticate recording identity or grant distribution rights.\u003c\/p\u003e\n\u003cp\u003eAll 30 supplied WAV listings retain their original order and filename prefixes 01–30. Translated-looking titles, spelling anomalies, underscores and trailing numbers are preserved without silently substituting Italian titles.\u003c\/p\u003e\n\u003cp\u003eSource spelling, capitalization, punctuation and order are retained. Country, unit, speaker and date references inside filenames are unverified source text. Historical notes concern works, editions and institutions, not established audible content.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Mussolini Speech.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Mussolini Speech.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:00.000 (180.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich speech, speaker, date, venue and source are represented? No identification of Mussolini or an RSI occasion is authenticated.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which speech, speaker, date, venue and source are represented? No identification of Mussolini or an RSI occasion is authenticated. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Hymn Of The University Fascists.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Hymn Of The University Fascists.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:18.000 (138.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Hymn Of The University Fascists? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Hymn Of The University Fascists? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Flag Of Three Colours.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Flag Of Three Colours.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:28.000 (148.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich original title and musical work underlie Flag Of Three Colours? A generic patriotic translation is insufficient for an identification.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which original title and musical work underlie Flag Of Three Colours? A generic patriotic translation is insufficient for an identification. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Fanfare Of The Bersaglieri.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 Fanfare Of The Bersaglieri.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:47.000 (167.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Bersaglieri fanfare is meant? A corps reference does not identify composition, performers or period.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Bersaglieri fanfare is meant? A corps reference does not identify composition, performers or period. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Ordinance Honor March.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Ordinance Honor March.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:53.000 (53.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich particular ordinance or honor march is meant? The generic translated title is not a unique work identifier.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which particular ordinance or honor march is meant? The generic translated title is not a unique work identifier. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Step Of The Race.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Step Of The Race.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:32.000 (92.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhat is the source-language title behind Step Of The Race? No reverse translation or ideological text is inferred.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What is the source-language title behind Step Of The Race? No reverse translation or ideological text is inferred. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Veritas.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Veritas.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:07.000 (67.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work is meant by Veritas? This generic word does not support unique identification.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work is meant by Veritas? This generic word does not support unique identification. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Imperial Wings.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Imperial Wings.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:01.000 (181.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Imperial Wings? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Imperial Wings? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Montegrappa.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Montegrappa.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:27.000 (147.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Montegrappa? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Montegrappa? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Hymn To Garibaldi.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Hymn To Garibaldi.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:29.000 (89.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich hymn to Garibaldi is meant? The familiar Inno di Garibaldi is a possible future search topic, not a verified work match.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which hymn to Garibaldi is meant? The familiar Inno di Garibaldi is a possible future search topic, not a verified work match. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Hymn To Fate.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Hymn To Fate.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:59.000 (179.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work is meant by Hymn To Fate? The translated-looking title remains unidentified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work is meant by Hymn To Fate? The translated-looking title remains unidentified. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 The Third Party.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 The Third Party.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:18.000 (78.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhat original title underlies The Third Party? No correction or work identification is defensible from this wording alone.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What original title underlies The Third Party? No correction or work identification is defensible from this wording alone. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Regiment Of Hope.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Regiment Of Hope.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:25.000 (85.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Regiment Of Hope? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Regiment Of Hope? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Soldier Ninetta.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Soldier Ninetta.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:40.000 (100.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Soldier Ninetta? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Soldier Ninetta? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Soldier Ignoto.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 Soldier Ignoto.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:47.000 (227.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhat work or spoken item is meant by Soldier Ignoto? A possible unknown-soldier theme is not evidence of audible content.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What work or spoken item is meant by Soldier Ignoto? A possible unknown-soldier theme is not evidence of audible content. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Hymn To The Sardinians.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 Hymn To The Sardinians.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:44.000 (164.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Hymn To The Sardinians? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Hymn To The Sardinians? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Roman Step March.wav\" data-source-position=\"17\"\u003e\n\u003cstrong\u003e17 Roman Step March.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:17.000 (137.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Roman Step March? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Roman Step March? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 The Empire.wav\" data-source-position=\"18\"\u003e\n\u003cstrong\u003e18 The Empire.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:10.000 (130.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by The Empire? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by The Empire? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Mechanized.wav\" data-source-position=\"19\"\u003e\n\u003cstrong\u003e19 Mechanized.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:57.000 (117.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Mechanized? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Mechanized? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Always Bersaglieri.wav\" data-source-position=\"20\"\u003e\n\u003cstrong\u003e20 Always Bersaglieri.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:57.000 (117.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Bersaglieri work and arrangement are meant? No ensemble, recording period or political affiliation is inferred.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Bersaglieri work and arrangement are meant? No ensemble, recording period or political affiliation is inferred. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Capitan Lino.wav\" data-source-position=\"21\"\u003e\n\u003cstrong\u003e21 Capitan Lino.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:07.000 (67.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Capitan Lino? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Capitan Lino? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 Africanella.wav\" data-source-position=\"22\"\u003e\n\u003cstrong\u003e22 Africanella.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:37.000 (157.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Africanella? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Africanella? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 battalion_M_.wav\" data-source-position=\"23\"\u003e\n\u003cstrong\u003e23 battalion_M_.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:33.000 (153.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhat does battalion_M_ denote, and which work or unit is actually represented? The underscores and case remain unchanged.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What does battalion_M_ denote, and which work or unit is actually represented? The underscores and case remain unchanged. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 X Flotilla Mass.wav\" data-source-position=\"24\"\u003e\n\u003cstrong\u003e24 X Flotilla Mass.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:15.000 (195.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes X Flotilla Mass refer to X MAS, and if so which song and historical phase? No unit performance is authenticated.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does X Flotilla Mass refer to X MAS, and if so which song and historical phase? No unit performance is authenticated. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"25 Vittoria 1.wav\" data-source-position=\"25\"\u003e\n\u003cstrong\u003e25 Vittoria 1.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:48.000 (168.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhat does the trailing 1 in Vittoria 1 mean? It is not treated as a take number or distinct version without evidence.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: What does the trailing 1 in Vittoria 1 mean? It is not treated as a take number or distinct version without evidence. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"26 Hello,Hello,Beautiful Soldier.wav\" data-source-position=\"26\"\u003e\n\u003cstrong\u003e26 Hello,Hello,Beautiful Soldier.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:29.000 (209.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by Hello,Hello,Beautiful Soldier? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by Hello,Hello,Beautiful Soldier? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"27 The Battalions Pass.wav\" data-source-position=\"27\"\u003e\n\u003cstrong\u003e27 The Battalions Pass.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:28.000 (148.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich work, text version and arrangement are meant by The Battalions Pass? The supplied title does not establish performers, recording period, audible language or unit affiliation.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work, text version and arrangement are meant by The Battalions Pass? The supplied title does not establish performers, recording period, audible language or unit affiliation. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"28 Stepa Romano.wav\" data-source-position=\"28\"\u003e\n\u003cstrong\u003e28 Stepa Romano.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:15.000 (135.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eIs Stepa Romano related to Roman Step March at position 17, or to a different work? Both entries remain separate and uncorrected.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Is Stepa Romano related to Roman Step March at position 17, or to a different work? Both entries remain separate and uncorrected. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"29 Lille Marlene.wav\" data-source-position=\"29\"\u003e\n\u003cstrong\u003e29 Lille Marlene.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:30.000 (210.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDoes Lille Marlene correspond to Lili Marleen? The spelling alone cannot establish adaptation, language or recording identity.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does Lille Marlene correspond to Lili Marleen? The spelling alone cannot establish adaptation, language or recording identity. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"30 Giovinezza 2.wav\" data-source-position=\"30\"\u003e\n\u003cstrong\u003e30 Giovinezza 2.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:23.000 (203.000000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eWhich Giovinezza text and arrangement are present, and what does the trailing 2 denote? No take, year or performer is inferred.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which Giovinezza text and arrangement are present, and what does the trailing 2 denote? No take, year or performer is inferred. Who controls any relevant composition, text adaptation, arrangement, performance and recording rights for the intended territories, and what permissions cover this particular transfer?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eThe political break of 1943\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 1.\u003c\/strong\u003e The Holocaust Museum dates Mussolini’s dismissal to July 1943 and Italy’s armistice announcement to 8 September. German occupation of northern and central Italy was followed by Mussolini’s pro-German RSI. A file labelled Mussolini Speech could relate to many different moments in his career; neither an RSI date nor the speaker’s identity is established by that label. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/italy\"\u003eUnited States Holocaust Memorial Museum: Italy\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eItalian SS designations and civilian deaths\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e The Atlas of Nazi and Fascist Massacres distinguishes the Italian Waffen-Grenadier-Brigade from its later 29th Waffen-Grenadier-Division designation. It attributes the Ceretto killings of 5 January 1944, with 27 victims, to the sixth battalion in that formation’s lineage. The later division title must not be backdated. This history does not identify any musician or recording in the collection. \u003ca href=\"https:\/\/www.straginazifasciste.it\/?page_id=297\u0026amp;ricerca=271\u0026amp;lang=en\"\u003eAtlas of Nazi and Fascist Massacres in Italy: Italian Waffen-SS formation\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBersaglieri before Fascism\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing positions 4, 20.\u003c\/strong\u003e The Italian Army dates the Bersaglieri’s foundation to 18 June 1836, following Alessandro La Marmora’s proposal. That institutional history long predates both Fascist rule and the RSI. The two Bersaglieri labels therefore cannot by themselves establish an SS repertoire, a wartime ensemble or a recording date. The exact compositions and arrangements remain unresolved. \u003ca href=\"https:\/\/www.esercito.difesa.it\/organizzazione\/armi-e-corpi\/fanteria\/le-specialita\/i-bersaglieri\/i-bersaglieri\/125331.html\"\u003eItalian Army: I Bersaglieri\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRSI policy and the Holocaust\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e CDEC documents the RSI police ordinance of 30 November 1943 ordering the arrest and concentration of people classified as Jewish and the seizure of their property. It explains the ordinance’s part in the persecution that led to deportation to Auschwitz-Birkenau. Critical presentation of RSI-related music must keep this state violence visible without attributing unproven actions to unidentified performers. \u003ca href=\"https:\/\/www.cdec.it\/wp-content\/uploads\/2023\/11\/CS_Convegno-3.12.pdf\"\u003eCDEC: 30 novembre 1943, il fascismo ordina l’arresto degli ebrei\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eX MAS is a separate organizational question\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 24.\u003c\/strong\u003e The Atlas classifies the Barbarigo battalion within X MAS as a Fascist formation and separately classifies the Italian Waffen-SS unit. These are not interchangeable institutional labels. The wording X Flotilla Mass may be an imprecise reference to X MAS, but the title alone identifies neither a song nor a performer, and it cannot establish which historical phase is represented. \u003ca href=\"https:\/\/www.straginazifasciste.it\/?page_id=297\u0026amp;ricerca=1072\u0026amp;lang=en\"\u003eAtlas of Nazi and Fascist Massacres in Italy: Battaglione Barbarigo \/ X Mas\u003c\/a\u003e; \u003ca href=\"https:\/\/www.straginazifasciste.it\/?page_id=297\u0026amp;ricerca=271\u0026amp;lang=en\"\u003eAtlas of Nazi and Fascist Massacres in Italy: Italian Waffen-SS formation\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eGiovinezza’s changing texts\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eListing position 30.\u003c\/strong\u003e The University of Turin archive traces Giovinezza to Blanc and Oxilia’s 1909 student farewell Il Commiato, followed by military and Fascist rewritings and a 1926 version with Salvator Gotta’s words. The trailing 2 in the supplied filename is retained as an unexplained catalogue token. It does not identify the text, arrangement, take or date of this recording. \u003ca href=\"https:\/\/atom.unito.it\/index.php\/da-il-commiato-ad-addio-giovinezza\"\u003eUniversity of Turin Historical Archives: Da Il Commiato ad Addio giovinezza!\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eRecording identification and provenance\u003c\/h2\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work histories, source-publication dates and names or date strings embedded in filenames do not authenticate a recording.\u003c\/p\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003ch2\u003eRepeated titles and unresolved identifications\u003c\/h2\u003e\n\u003cp\u003eEvery supplied entry remains in its original position. Matching titles are research leads, not proof of the same performance or recording; no entries have been merged or deleted.\u003c\/p\u003e\n\u003cp\u003eRoman Step March and Stepa Romano remain separate, unidentified entries. The trailing numbers in Vittoria 1 and Giovinezza 2 are retained without interpreting them as take or version numbers.\u003c\/p\u003e\n\u003ch2\u003eRights and availability\u003c\/h2\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all tracks. No public-domain, royalty-free or redistribution permission is asserted. The USD 9.99 price does not establish rights clearance for sale.\u003c\/p\u003e\n\u003cp\u003eA musical work and its sound recording have separate copyright considerations. Ownership of a physical record does not by itself transfer copyright. Intended uses and territories require a separate rights review. \u003ca href=\"https:\/\/www.copyright.gov\/register\/pa-sr.html\"\u003eU.S. Copyright Office: Musical Compositions and Sound Recordings\u003c\/a\u003e; \u003ca href=\"https:\/\/www.copyright.gov\/title17\/92chap2.html#202\"\u003eU.S. Copyright Office: 17 USC section 202\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda and collaboration. Nazi and fascist ideology, persecution and violence are not endorsed. Supplied historical titles are retained as evidence, not advocacy. No lyrics, lyric translations or imagery are reproduced.\u003c\/p\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709871284513,"sku":"HIS-CD690-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/ilalian-ss-and-r-s-i","provider":"Nadelton Recordings","version":"1.0","type":"link"}