{"product_id":"leibstandarte-ss","title":"Leibstandarte-SS","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 14 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Leibstandarte-SS. 14 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 14 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThese fourteen supplied filenames range from oath-like and political titles to marches and songs. Leibstandarte-SS is retained as the collection label; it is not an authenticated ensemble credit. The notes address propaganda, repression and war crimes while leaving the musical identity and provenance of the files open.\u003c\/p\u003e\n\u003cp\u003eThe Waffen-SS participated in the Holocaust and other war crimes. A critical account of the Leibstandarte includes political repression, the murder of prisoners and violence against civilians rather than treating ceremonial music as a complete account of the institution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSource label:\u003c\/strong\u003e Leibstandarte-SS\u003c\/p\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 14 source files passed full technical decoding. Total measured source audio: 39:10, rounded to the nearest second. The complete archive, Leibstandarte-SS-MP3.zip (73,004,794 bytes), contains 14 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eThe supplied filenames, spelling, punctuation, capital letters, underscores and sequence are preserved. Unit names in titles are collection metadata; they are not verified performance credits.\u003c\/p\u003e\n\u003cp\u003eInstitutional context: \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/waffen-ss\"\u003eUnited States Holocaust Memorial Museum: Waffen-SS\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Oath Of Allegiance.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Oath Of Allegiance.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:59, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe English label does not identify an oath, speaker, ceremony or date, and does not establish whether speech is present.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Is there speech, music or both, and what is the exact source and event? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Horst Wessel Lied.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Horst Wessel Lied.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:16, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA work-level candidate only. The 1929 date in a scholarly edition concerns the text; that edition’s separate audio source is undated.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which text version, arrangement and performance are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Die Landpartie.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Die Landpartie.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:17, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA museum’s 1938 illustrated postcard attributes a same-titled work to Herms Niel. It is a printed-work comparison, not a recording match.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does the audio match this work, and which arrangement or version is present? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Edelweis.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 Edelweis.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:25, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eEdelweis is retained exactly. The spelling and short title do not identify one of the possible songs, marches or other compositions.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which exact work, spelling and arrangement are supported by the sound and documentation? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 In Den Ostwind Hebt Die Fahnen.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 In Den Ostwind Hebt Die Fahnen.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:08, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe phrase is retained without a composer or recording attribution. A title resemblance alone cannot identify the setting, text version or ensemble.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which setting and text version, if any, are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Bruder In Zechen Und Gruben.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Bruder In Zechen Und Gruben.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:54, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe title’s reference to industrial workers does not establish a political affiliation, composer, setting, performers or sung text.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which composition, text version and arrangement are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Es Pfeift Von Allen Dachern.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Es Pfeift Von Allen Dachern.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:16, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe supplied spelling and phrase do not establish a specific composition, version or vocal performance.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which work and any text version are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Deutschland, Deutschland Uber Alles.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Deutschland, Deutschland Uber Alles.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA title-level candidate. No stanza, vocal language, arrangement or recording personnel are inferred from the opening words.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which arrangement and, if vocals exist, which stanza or text version are present? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Lisa.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Lisa.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eLisa is too broad to identify a unique work or performer, and no longer title is substituted.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which exact work and arrangement are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Der Blomberger Badenweiler Marsch.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Der Blomberger Badenweiler Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:52, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe combined Blomberger Badenweiler wording remains unresolved: one title, medley or transcription error is possible. No split or correction is applied.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does this contain one work or multiple works, and what documentary title is justified? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Wenn Wir Marschieren.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Wenn Wir Marschieren.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:05, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe broad title remains unresolved. It is insufficient to identify a particular marching song or establish equivalence with longer, similarly phrased titles.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which exact work, text version and arrangement are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Prinz Eugen Marsch.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Prinz Eugen Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:39, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003ePrinz Eugen Marsch does not establish a unique song or march. The longer divisional title elsewhere in the collection is an unverified comparison lead.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which composition and arrangement are present, and is any unit association documented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Lore, Lore.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Lore, Lore.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eLore, Lore is retained without expanding the title or inferring a traditional-song version, language or singer.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which composition and any text version are represented? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Ich Hatt Einen Kameraden.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Ich Hatt Einen Kameraden.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:45, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eUhland and Silcher are comparison-work credits only; this file’s arrangement, performance, date and rights remain unverified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Does the file match this work, and which arrangement and performance are present? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eThe institutional meaning of the collection label\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e The Leibstandarte was part of the development of the armed SS. The Deutsches Historisches Museum documents the racial and ideological selection of SS personnel. This institutional history gives the collection label a political meaning, but it cannot establish who performed any of the supplied files. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/waffen-ss\"\u003eDeutsches Historisches Museum: Die Waffen-SS\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePolitical repression before the war\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e The Leibstandarte occupied the Berlin-Lichterfelde barracks from April 1933. The Bundesarchiv records executions there by SS squads during the 1934 purge commonly called the Night of the Long Knives. Ceremonial associations belong alongside this history of repression; the collection label does not connect an unidentified recording to that event. \u003ca href=\"https:\/\/www.bundesarchiv.de\/das-bundesarchiv\/standorte\/berlin-lichterfelde\/\"\u003eBundesarchiv: Berlin-Lichterfelde, history of the site\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePrisoners and civilians murdered in the Ardennes\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection context.\u003c\/strong\u003e On 17 December 1944, members of the Leibstandarte division murdered American prisoners of war at Malmedy. The Bundesarchiv also documents the subsequent killing of more than 100 people at Stavelot by its soldiers. These crimes are essential institutional context, not evidence about this collection’s recording sessions. \u003ca href=\"https:\/\/www.bundesarchiv.de\/themen-entdecken\/online-entdecken\/themenbeitraege\/die-ardennenoffensive-1944-45\/\"\u003eBundesarchiv: Die Ardennenoffensive 1944\/45\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA party anthem and the manufacture of a martyr\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 2.\u003c\/strong\u003e The filename points toward the Horst-Wessel-Lied, the Nazi Party anthem. USHMM explains how propaganda transformed Wessel into a martyr and used his story to encourage political violence and self-sacrifice. This is context for a candidate work, without identifying the file’s performers, version, date or audible content. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/timeline-event\/holocaust\/before-1933\/sa-member-horst-wessel-dies\"\u003eUnited States Holocaust Memorial Museum: SA Member Horst Wessel Dies\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn older anthem appropriated by Nazism\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 8.\u003c\/strong\u003e The Bundestag traces the Lied der Deutschen to Hoffmann von Fallersleben’s 1841 text and Haydn’s 1797 melody. It also describes Nazi appropriation of the first stanza and its pairing with the Horst-Wessel-Lied. The supplied filename suggests this work but does not verify any stanza, arrangement or performance. \u003ca href=\"https:\/\/www.bundestag.de\/parlament\/symbole\/hymne\/\"\u003eDeutscher Bundestag: Die Nationalhymne\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eText and melody are separate credits\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 14.\u003c\/strong\u003e The Bundeswehr identifies Das Lied vom guten Kameraden with text by Ludwig Uhland and melody by Friedrich Silcher. Those separate credits provide a comparison for Ich Hatt Einen Kameraden. They do not identify this file’s arrangement, singers, instrumental forces, recording date or ceremonial occasion. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/meldungen\/mehr-als-maersche-die-militaermusik-der-bundeswehr\"\u003eBundeswehr: Mehr als Märsche, die Militärmusik der Bundeswehr\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. A collection label, work title or date of a historical event does not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track uncertainties\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eOath Of Allegiance\u003c\/strong\u003e: The English label does not identify an oath, speaker, ceremony or date, and does not establish whether speech is present. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorst Wessel Lied\u003c\/strong\u003e: A work-level candidate only. The 1929 date in a scholarly edition concerns the text; that edition’s separate audio source is undated. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDie Landpartie\u003c\/strong\u003e: A museum’s 1938 illustrated postcard attributes a same-titled work to Herms Niel. It is a printed-work comparison, not a recording match. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdelweis\u003c\/strong\u003e: Edelweis is retained exactly. The spelling and short title do not identify one of the possible songs, marches or other compositions. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn Den Ostwind Hebt Die Fahnen\u003c\/strong\u003e: The phrase is retained without a composer or recording attribution. A title resemblance alone cannot identify the setting, text version or ensemble. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBruder In Zechen Und Gruben\u003c\/strong\u003e: The title’s reference to industrial workers does not establish a political affiliation, composer, setting, performers or sung text. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEs Pfeift Von Allen Dachern\u003c\/strong\u003e: The supplied spelling and phrase do not establish a specific composition, version or vocal performance. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeutschland, Deutschland Uber Alles\u003c\/strong\u003e: A title-level candidate. No stanza, vocal language, arrangement or recording personnel are inferred from the opening words. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLisa\u003c\/strong\u003e: Lisa is too broad to identify a unique work or performer, and no longer title is substituted. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDer Blomberger Badenweiler Marsch\u003c\/strong\u003e: The combined Blomberger Badenweiler wording remains unresolved: one title, medley or transcription error is possible. No split or correction is applied. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWenn Wir Marschieren\u003c\/strong\u003e: The broad title remains unresolved. It is insufficient to identify a particular marching song or establish equivalence with longer, similarly phrased titles. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinz Eugen Marsch\u003c\/strong\u003e: Prinz Eugen Marsch does not establish a unique song or march. The longer divisional title elsewhere in the collection is an unverified comparison lead. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLore, Lore\u003c\/strong\u003e: Lore, Lore is retained without expanding the title or inferring a traditional-song version, language or singer. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIch Hatt Einen Kameraden\u003c\/strong\u003e: Uhland and Silcher are comparison-work credits only; this file’s arrangement, performance, date and rights remain unverified. Rights unresolved.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eComparison and evidence limits\u003c\/h3\u003e\n\u003cp\u003e11 exact normalized title-only candidate(s). Every supplied entry remains at its original album position; audio equivalence is untested.\u003c\/p\u003e\n\u003cp\u003ePrinz Eugen Marsch compared with the longer title carrying a 7th SS division designation: Title-level question only; work and performance equivalence unverified. Both album positions retained.\u003c\/p\u003e\n\u003cp\u003eInstitutional catalogue entries and historical dates describe their own subjects. They do not authenticate these files. Some sources were readable only through indexed catalogue passages; those access limits are recorded in the research record.\u003c\/p\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for every track. No public-domain, royalty-free or redistribution permission is asserted. Pricing does not establish sale or distribution clearance.\u003c\/p\u003e\n\u003cp\u003eAge, physical ownership, educational framing and later commercial availability do not establish permission to distribute.\u003c\/p\u003e\n\u003cp\u003eCritical historical study of music, propaganda, dictatorship, persecution and war crimes. No endorsement of Nazi ideology. No lyrics, speeches or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709852377377,"sku":"HIS-CD360-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/leibstandarte-ss","provider":"Nadelton Recordings","version":"1.0","type":"link"}