{"product_id":"lieder-unser-fallschirmjager","title":"Lieder unser Fallschirmjäger","description":"\u003cp\u003eLieder unser Fallschirmjäger brings together sixteen supplied selections combining paratrooper titles with older patriotic and commemorative repertory. Its historical setting requires attention to Nazi war propaganda, civilian victims and later military remembrance. The works’ longer histories and postwar circulation make an all-wartime recording date unsafe to assume. The original sequence and supplied wording are preserved.\u003c\/p\u003e\n\u003cp\u003e16 MP3 access files • 256 kbps • stereo • approximately 37 minutes 13 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 16-track MP3 access edition has been prepared from the supplied WAV files. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 16 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open for all 16 tracks.\u003c\/p\u003e\n\u003cp\u003eThe original source sequence and supplied track wording are preserved; exact source filenames remain in the provenance. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Rot scheint die Sonne.wav\"\u003eRot scheint die Sonne \u003cspan\u003e(3:39)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Hinter den Bergen strahlet die Sonne.wav\"\u003eHinter den Bergen strahlet die Sonne \u003cspan\u003e(2:00)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Auf Kreta im Sturm und im Regen.wav\"\u003eAuf Kreta im Sturm und im Regen \u003cspan\u003e(4:00)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Wir tragen den stürzenden Adler am Rock.wav\"\u003eWir tragen den stürzenden Adler am Rock \u003cspan\u003e(1:22)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Wir sind die Männer vom Schirmer.wav\"\u003eWir sind die Männer vom Schirmer \u003cspan\u003e(1:30)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Es donnern die Motoren.wav\"\u003eEs donnern die Motoren \u003cspan\u003e(2:43)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Uns gehört der blaue Himmel.wav\"\u003eUns gehört der blaue Himmel \u003cspan\u003e(1:37)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Fallschirmjäger sind mutige Gesellen.wav\"\u003eFallschirmjäger sind mutige Gesellen \u003cspan\u003e(2:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Wir tragen nicht Schmuck und Orden schwer.wav\"\u003eWir tragen nicht Schmuck und Orden schwer \u003cspan\u003e(2:00)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Wir sind die grünen Teufels.wav\"\u003eWir sind die grünen Teufels \u003cspan\u003e(2:01)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Fallschirmschützen treten an.wav\"\u003eFallschirmschützen treten an \u003cspan\u003e(2:25)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Glück abg.wav\"\u003eGlück abg \u003cspan\u003e(1:33)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Wir sind Pioniere.wav\"\u003eWir sind Pioniere \u003cspan\u003e(1:45)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Abgeschmiert aus 100 Metern.wav\"\u003eAbgeschmiert aus 100 Metern \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Ich hab mich ergeben.wav\"\u003eIch hab mich ergeben \u003cspan\u003e(2:57)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Ich hatt_einen Kameraden.wav\"\u003eIch hatt_einen Kameraden \u003cspan\u003e(2:17)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eRot scheint die Sonne: a documented later controversy\u003c\/h3\u003e\n\u003cp\u003eThe Bundestag’s 1998 investigation records disputes over which verses could be sung in the Bundeswehr. This demonstrates that the title circulated after the Nazi period. It does not date this file or establish its verses, performer, legality or relationship to another recording. \u003ca href=\"https:\/\/dserver.bundestag.de\/btd\/13\/110\/1311005.pdf\"\u003eDeutscher Bundestag, Drucksache 13\/11005, 18 June 1998, pp. 99, 106 and 129\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA Crete song and the manufacture of military fame\u003c\/h3\u003e\n\u003cp\u003eThe German Historical Museum identifies Auf Kreta im Sturm und im Regen as a song created after the 1941 invasion to help glorify the paratroopers. The exact title is a strong work-level comparison lead. This file’s musical setting and performance remain unidentified. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/landung-auf-kreta-1941\"\u003eDeutsches Historisches Museum: Die Landung auf Kreta 1941\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe occupation’s victims cannot be omitted\u003c\/h3\u003e\n\u003cp\u003eThe Bundesarchiv documents German paratroopers’ murder of Greek civilians at Kondomari on 2 June 1941. This evidence is essential to interpreting a song title associated with the conquest of Crete. Nothing in the filename establishes that the recording acknowledges those victims. \u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_Bild_101I-166-0525-25,_Kreta,_Kondomari,_Erschie%C3%9Fung_von_Zivilisten.jpg\"\u003eBundesarchiv, Bild 101I-166-0525-25 \/ Franz Peter Weixler: Kondomari, 2 June 1941\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eGrüne Teufel as a constructed military image\u003c\/h3\u003e\n\u003cp\u003eMagnus Pahl’s museum account links the green-devil image at Cassino to Nazi propaganda and racial superiority claims. The supplied Teufels spelling is retained. The technical comparison findings for the related “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” titles appear in the research notes; they do not establish a composer, lyric version or historical performance credit. \u003ca href=\"https:\/\/www.bundeswehr.de\/resource\/blob\/5097870\/66afe2867832ce2bda52fd70ba86dd7e\/03-6-if-zeitschrift-fuer-innere-fuehrung-03-2021-data.pdf\"\u003eMagnus Pahl, Militärhistorisches Museum: Hitlers Elitetruppe?, IF 3\/2021, pp. 56–61\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn older patriotic song in changing political settings\u003c\/h3\u003e\n\u003cp\u003eThe Deutsches Volksliedarchiv dates Maßmann’s Ich hab mich ergeben to 1820 and its first printing to 1823. It also documents the song at the Parliamentary Council in May 1949. That long history cautions against dating a recording from its title or present album placement. \u003ca href=\"https:\/\/www.liederlexikon.de\/lieder\/ich_habe_mich_ergeben\/\"\u003eTobias Widmaier: Ich hab mich ergeben, Historisch-kritisches Liederlexikon \/ Deutsches Volksliedarchiv\u003c\/a\u003e; \u003ca href=\"https:\/\/www.liederlexikon.de\/lieder\/ich_habe_mich_ergeben\/editiona\"\u003eDeutsches Volksliedarchiv: Ich hab mich ergeben, Edition A: Erstdruck 1823\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA lament and its commemorative uses\u003c\/h3\u003e\n\u003cp\u003eThe Bundeswehr dates Uhland’s Der gute Kamerad text to 1809 and Silcher’s setting to 1825. A museum account shows how a 1941 memorial foregrounded the song. These are work and reception histories; neither authenticates this recording, its arrangement or a particular ceremony. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/meldungen\/mehr-als-maersche-die-militaermusik-der-bundeswehr\/jobportraet-trompeter-musikkorps-45012\"\u003eBundeswehr: Jobporträt: Trompeter im Musikkorps\u003c\/a\u003e; \u003ca href=\"https:\/\/www.museen-brandenburg.de\/seitenvorlagen\/objekte\/friedrich-silcher\"\u003eMuseumsverband des Landes Brandenburg: Friedrich Silcher, Kreismuseum Finsterwalde object\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eDisplay spelling and source provenance\u003c\/h3\u003e\n\u003cp\u003eThe supplied album title retains unser. Track titles retain Teufels, Glück abg, Ich hatt_einen Kameraden, und Orden schwer and Wir sind Pioniere. The later publisher listing uses some different spellings and wording, but it is not an authenticated source carrier. No silent grammatical correction, title expansion or lyric substitution has been made.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track recording and rights notes\u003c\/h3\u003e\n\u003cp\u003eEvery supplied track remains in its original position. The issues below remain open even though the files passed technical decoding checks; successful decoding does not authenticate a performance or establish permission to distribute it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 1: Rot scheint die Sonne\u003c\/strong\u003e. Rot scheint die Sonne is a work-title lead shared with “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 25 and “Fallschirmjäger \u0026amp; Flieger Marches” MP3 track 22. The actual verses, setting, performer and historical recording identity remain unverified. \u003ca href=\"https:\/\/dserver.bundestag.de\/btd\/13\/110\/1311005.pdf\"\u003eDeutscher Bundestag, Drucksache 13\/11005, 18 June 1998, pp. 99, 106 and 129\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 2: Hinter den Bergen strahlet die Sonne\u003c\/strong\u003e. The shorter “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 5, Hinter den Bergen, is a possible title-expansion lead. The longer supplied wording is retained without treating that correspondence as a verified composition or performance credit. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 3: Auf Kreta im Sturm und im Regen\u003c\/strong\u003e. Exact title correspondence with the museum-documented Crete song is a strong work lead, but arrangement and recording remain unverified; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 13 is a shorter-title lead. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/landung-auf-kreta-1941\"\u003eDeutsches Historisches Museum: Die Landung auf Kreta 1941\u003c\/a\u003e; \u003ca href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_Bild_101I-166-0525-25,_Kreta,_Kondomari,_Erschie%C3%9Fung_von_Zivilisten.jpg\"\u003eBundesarchiv, Bild 101I-166-0525-25 \/ Franz Peter Weixler: Kondomari, 2 June 1941\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 4: Wir tragen den stürzenden Adler am Rock\u003c\/strong\u003e. Wir tragen den stürzenden Adler am Rock remains unresolved. Eagle imagery alone cannot identify a unit, composer or performing formation. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 5: Wir sind die Männer vom Schirmer\u003c\/strong\u003e. Schirmer is retained as supplied. No personal identity, command affiliation, dedication or performer is assigned from that name alone. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 6: Es donnern die Motoren\u003c\/strong\u003e. The supplied title also occurs at “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 11. A matching title alone does not identify a composition, setting or historical recording. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 7: Uns gehört der blaue Himmel\u003c\/strong\u003e. The supplied title also occurs at “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 23. A shared title alone does not establish the work setting, arrangement or historical performance. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 8: Fallschirmjäger sind mutige Gesellen\u003c\/strong\u003e. “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 19 uses wilde instead of mutige. Both supplied wordings are preserved; neither is treated as a correction or an authenticated lyric version. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 9: Wir tragen nicht Schmuck und Orden schwer\u003c\/strong\u003e. The source says und Orden schwer; the publisher catalogue lead uses noch Orden schwer. Neither wording is silently substituted, and sung text is unknown. \u003ca href=\"https:\/\/winkelried-verlag.de\/tontraeger\/2110\/lieder-unserer-fallschirmjaeger\"\u003eWinkelried-Verlag: Lieder unserer Fallschirmjäger, article 30038\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 10: Wir sind die grünen Teufels\u003c\/strong\u003e. The source ends Teufels; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 21 and the publisher catalogue lead use Teufel. The source spelling is retained without assigning a composer, performer or historical recording date. \u003ca href=\"https:\/\/www.bundeswehr.de\/resource\/blob\/5097870\/66afe2867832ce2bda52fd70ba86dd7e\/03-6-if-zeitschrift-fuer-innere-fuehrung-03-2021-data.pdf\"\u003eMagnus Pahl, Militärhistorisches Museum: Hitlers Elitetruppe?, IF 3\/2021, pp. 56–61\u003c\/a\u003e; \u003ca href=\"https:\/\/winkelried-verlag.de\/tontraeger\/2110\/lieder-unserer-fallschirmjaeger\"\u003eWinkelried-Verlag: Lieder unserer Fallschirmjäger, article 30038\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 11: Fallschirmschützen treten an\u003c\/strong\u003e. The source says treten an; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 2 says tretet an! No grammatical correction is used to establish a common work or recording. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 12: Glück abg\u003c\/strong\u003e. Glück abg is preserved exactly. It might abbreviate or mistype another title, but neither Glück ab nor Glück ab, Kamerad is adopted as a verified correction. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 13: Wir sind Pioniere\u003c\/strong\u003e. Wir sind Pioniere is a generic unit-related title. The publisher lead adds die, but no branch, work, historical service or ensemble is established. \u003ca href=\"https:\/\/winkelried-verlag.de\/tontraeger\/2110\/lieder-unserer-fallschirmjaeger\"\u003eWinkelried-Verlag: Lieder unserer Fallschirmjäger, article 30038\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 14: Abgeschmiert aus 100 Metern\u003c\/strong\u003e. Abgeschmiert aus 100 Metern retains the numeral and wording. No accident, real person, date, lyric content or musical source is inferred. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 15: Ich hab mich ergeben\u003c\/strong\u003e. Ich hab mich ergeben is a work-title lead to Maßmann’s nineteenth-century song; arrangement, language, performers and recording date remain unknown. \u003ca href=\"https:\/\/www.liederlexikon.de\/lieder\/ich_habe_mich_ergeben\/\"\u003eTobias Widmaier: Ich hab mich ergeben, Historisch-kritisches Liederlexikon \/ Deutsches Volksliedarchiv\u003c\/a\u003e; \u003ca href=\"https:\/\/www.liederlexikon.de\/lieder\/ich_habe_mich_ergeben\/editiona\"\u003eDeutsches Volksliedarchiv: Ich hab mich ergeben, Edition A: Erstdruck 1823\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrack 16: Ich hatt_einen Kameraden\u003c\/strong\u003e. Ich hatt_einen Kameraden preserves its underscore. Uhland\/Silcher’s Der gute Kamerad is a work-level lead only; “Ich hatt’ einen Kameraden” track 1 has a corresponding but misspelled title. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/meldungen\/mehr-als-maersche-die-militaermusik-der-bundeswehr\/jobportraet-trompeter-musikkorps-45012\"\u003eBundeswehr: Jobporträt: Trompeter im Musikkorps\u003c\/a\u003e; \u003ca href=\"https:\/\/www.museen-brandenburg.de\/seitenvorlagen\/objekte\/friedrich-silcher\"\u003eMuseumsverband des Landes Brandenburg: Friedrich Silcher, Kreismuseum Finsterwalde object\u003c\/a\u003e. \u003cstrong\u003eRecording identification and rights review remain open.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComparison leads and limits\u003c\/h3\u003e\n\u003cp\u003eNo exact complete decoded-audio match involving this album was found in the available verified comparison set. This negative exact-match check does not prove that the performances are unique or distinct from other recordings.\u003c\/p\u003e\n\u003cp\u003eThe tested comparison leads with unequal complete decoded-audio checksums are: “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 2, Fallschirmschützen, tretet an! \/ “Lieder unser Fallschirmjäger” track 11, Fallschirmschützen treten an; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 5, Hinter den Bergen \/ “Lieder unser Fallschirmjäger” track 2, Hinter den Bergen strahlet die Sonne; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 11, Es donnern die Motoren \/ “Lieder unser Fallschirmjäger” track 6, Es donnern die Motoren; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 13, Auf Kreta \/ “Lieder unser Fallschirmjäger” track 3, Auf Kreta im Sturm und im Regen; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 19, Fallschirmjäger sind wilde Gesellen \/ “Lieder unser Fallschirmjäger” track 8, Fallschirmjäger sind mutige Gesellen; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 21, Wir sind die Grünen Teufel \/ “Lieder unser Fallschirmjäger” track 10, Wir sind die grünen Teufels; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 23, Uns gehört der blaue Himmel \/ “Lieder unser Fallschirmjäger” track 7, Uns gehört der blaue Himmel; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 24, Glück ab, Kamerad \/ “Lieder unser Fallschirmjäger” track 12, Glück abg; “Grüne Teufel - Lieder der deutschen Fallschirmtruppe” track 25, Rot scheint die Sonne \/ “Lieder unser Fallschirmjäger” track 1, Rot scheint die Sonne; “Lieder unser Fallschirmjäger” track 16, Ich hatt_einen Kameraden \/ “Ich hatt’ einen Kameraden” track 1, Ich Hatt Eienen Kameraden. The results exclude exact normalized digital equality only. They do not establish different performances; alternate edits, transfers or other processing of a shared recording remain possible.\u003c\/p\u003e\n\u003cp\u003eThese title or topic leads could not be fully compared because at least one source was outside the available verified set: “Fallschirmjäger \u0026amp; Flieger Marches” track 22, Rot Scheint Die Sonne \/ “Lieder unser Fallschirmjäger” track 1, Rot scheint die Sonne. Their audio relationship remains untested, and no equivalence or distinct-performance finding is assigned.\u003c\/p\u003e\n\u003cp\u003eThe technical comparison uses SHA-256 of the complete decoded audio converted only for comparison to signed 16-bit little-endian PCM at 44.1 kHz in stereo. A matching title, similar duration or later compilation sequence alone cannot establish recording identity. Source-file or decoded-audio hash inequality is not proof of a different historical performance.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/winkelried-verlag.de\/tontraeger\/2110\/lieder-unserer-fallschirmjaeger\"\u003eWinkelried-Verlag: Lieder unserer Fallschirmjäger, article 30038\u003c\/a\u003e gives a closely corresponding sixteen-title sequence, with wording differences. The earlier research could read search-index catalogue text, but direct extraction did not succeed. This remains a later release lead only; it does not authenticate the source carrier, performers, recording dates, copying history or distribution rights.\u003c\/p\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks remain subject to recording identification and rights review. No public-domain, royalty-free or redistribution permission is asserted; the price does not establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eFurther review must address the work, arrangement, any broadcast material and the particular recording in the relevant territories, including first publication and the chain of permission. The \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and German \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86a.html\"\u003eStGB § 86a\u003c\/a\u003e are research starting points. No legal clearance is inferred from age, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, Nazi military propaganda, persecution, war crimes and later remembrance. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708407570721,"sku":"HIS-CD500-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/lieder-unser-fallschirmjager","provider":"Nadelton Recordings","version":"1.0","type":"link"}