{"product_id":"marches-of-the-spanish-falangists","title":"Marches Of The Spanish Falangists","description":"\u003cp\u003eMarches Of The Spanish Falangists brings together twenty-one titles associated with political anthems, youth mobilization and patriotic repertory. The programme is presented for historical study and critical listening, with notes on civil war, dictatorship and the use of music in political education.\u003c\/p\u003e\n\u003cp\u003e21 MP3 access files • 256 kbps • stereo • approximately 58 minutes 29 seconds.\u003c\/p\u003e\n\u003ch2\u003eYour download\u003c\/h2\u003e\n\u003cp\u003eA 21-track MP3 access edition has been prepared from the supplied WAV files, with no additional noise reduction, normalization or restoration. The source WAVs are 44.1 kHz, stereo, 16-bit PCM. All 21 source files and full-length MP3 derivatives passed complete technical decoding checks; the source files remain unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Recording identification and rights review remain open.\u003c\/p\u003e\n\u003cp\u003eTitles and sequence follow the supplied filenames. Durations are measured from the source WAVs and rounded to the nearest second. The English historical notes are written context and are not part of the audio.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col\u003e\n\u003cli data-source-filename=\"01 Cara Al Sol(By Jose Antonio Prima De Rivera).wav\"\u003eCara Al Sol(By Jose Antonio Prima De Rivera) \u003cspan\u003e(2:35)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Canciondel Falangista.wav\"\u003eCanciondel Falangista \u003cspan\u003e(3:30)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Himno Nacional.wav\"\u003eHimno Nacional \u003cspan\u003e(1:44)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Fuerza Nuevo.wav\"\u003eFuerza Nuevo \u003cspan\u003e(2:02)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Banderita_Corsarias_.wav\"\u003eBanderita_Corsarias_ \u003cspan\u003e(2:41)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Unico Capitan.wav\"\u003eUnico Capitan \u003cspan\u003e(3:18)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Juventud Espana.wav\"\u003eJuventud Espana \u003cspan\u003e(3:07)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Prietas Las Filas.wav\"\u003ePrietas Las Filas \u003cspan\u003e(3:10)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 En Pie Flechas De Espana.wav\"\u003eEn Pie Flechas De Espana \u003cspan\u003e(2:50)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Al Venir Del Campamanto.wav\"\u003eAl Venir Del Campamanto \u003cspan\u003e(2:29)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Isabel Y Fernando.wav\"\u003eIsabel Y Fernando \u003cspan\u003e(3:03)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Marchan Las Nuevas Juventud.wav\"\u003eMarchan Las Nuevas Juventud \u003cspan\u003e(2:39)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Llamane Camerada.wav\"\u003eLlamane Camerada \u003cspan\u003e(3:16)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Montanas Nevadas.wav\"\u003eMontanas Nevadas \u003cspan\u003e(3:19)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Cubre Tu Pecho De Azul.wav\"\u003eCubre Tu Pecho De Azul \u003cspan\u003e(3:10)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 El Novio De La Muerte.wav\"\u003eEl Novio De La Muerte \u003cspan\u003e(3:04)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Despierta Espana.wav\"\u003eDespierta Espana \u003cspan\u003e(2:54)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 Vale Quien Sirve.wav\"\u003eVale Quien Sirve \u003cspan\u003e(3:03)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 En Marcha Las Centurias.wav\"\u003eEn Marcha Las Centurias \u003cspan\u003e(2:18)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Nuestra Guia I Capitan.wav\"\u003eNuestra Guia I Capitan \u003cspan\u003e(2:47)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Cara Al Sol.wav\"\u003eCara Al Sol \u003cspan\u003e(1:29)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eWar, dictatorship and repression\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Civil War began with a military uprising against the Republic in July 1936. Fascist Falangists formed part of the coalition that brought Franco to victory in 1939. During the war, the April 1937 unification decree merged Falange and the Traditionalist movement into one organization. Repression continued afterward: the dictatorship established a special tribunal against Freemasonry and communism in 1940. This context is essential when examining songs that turn political obedience into communal ceremony. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/spanish-civil-war\"\u003eUnited States Holocaust Memorial Museum: Spanish Civil War\u003c\/a\u003e; \u003ca href=\"https:\/\/pares.cultura.gob.es\/ParesBusquedas20\/catalogo\/autoridad\/134140\"\u003ePARES: decree of 19 April 1937\u003c\/a\u003e; \u003ca href=\"https:\/\/www.cultura.gob.es\/cultura\/areas\/archivos\/mc\/archivos\/cdmh\/exposiciones-y-actividades\/fragmentos-de-memoria\/termc-partei.html\"\u003eCentro Documental de la Memoria Histórica: the repression tribunal established in 1940\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn anthem and an uncertain attribution\u003c\/h3\u003e\n\u003cp\u003eArchivo SGAE identifies Cara al sol as a Falange anthem and credits its music to Juan Tellería. The National Library describes the text as apparently the work of a group of Falangist poets. Track 1’s parenthetical attribution therefore remains an unverified source label. These score and archive records provide work-level context; neither supplied performance has been authenticated. \u003ca href=\"https:\/\/archivo.sgae.es\/heritageobject\/cara-al-sol--himno-de-la-falange-espanola--musica-de-juan-telleria\/\"\u003eArchivo SGAE: Cara al sol score, UME\/T-21233\u003c\/a\u003e; \u003ca href=\"https:\/\/www.bne.es\/AP_publico\/irVisualizarFondo.do?idFondo=80\u0026amp;volverBusqueda=irBuscarFondos.do\"\u003eBiblioteca Nacional de España: Juan Tellería musical archive\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eYouth, camps and political discipline\u003c\/h3\u003e\n\u003cp\u003eTitles referring to youth, camps and formations invite study alongside the Frente de Juventudes, created in December 1940. Spain’s archival authority records compulsory inclusion of primary- and secondary-school pupils and duties extending political instruction into education and work. This institutional history illuminates the coercive structures surrounding organized youth activity. The performers, their ages and any camp connection in these recordings remain unverified. \u003ca href=\"https:\/\/pares.cultura.gob.es\/ParesBusquedas20\/catalogo\/autoridad\/48902\"\u003ePARES: institutional history of the Frente de Juventudes\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAn anthem older than Falange\u003c\/h3\u003e\n\u003cp\u003eIf Himno Nacional refers to the Marcha Real, its history reaches well before the twentieth century. La Moncloa traces the melody to the Marcha Granadera documented in 1761 and its adoption as a march of honour in 1770. Franco restored it by decree during the Civil War in 1937. This is a possible work identification only: the title does not establish which anthem, text, arrangement or performance is present in track 3. \u003ca href=\"https:\/\/www.lamoncloa.gob.es\/lang\/ca\/espana\/simbolosdelestado\/paginas\/elhimno.aspx\/\"\u003eLa Moncloa: history of the national anthem\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eFrom the musical stage to patriotic repertory\u003c\/h3\u003e\n\u003cp\u003eThe Alonso family archive places La banderita in Las Corsarias, dated 1919, with text by Enrique Paradas and Joaquín Jiménez. Research by Enrique Encabo Fernández also situates Banderita in the Spanish musical revue. Its theatrical origins show why the compilation’s political label cannot describe every work’s original purpose. The supplied Banderita_Corsarias_ is a strong title lead, but the performers and date of the actual file remain unknown. \u003ca href=\"https:\/\/www.maestroalonso.com\/romanzas\/\"\u003eFrancisco Alonso family archive: Las Corsarias and La banderita\u003c\/a\u003e; \u003ca href=\"https:\/\/portalinvestigacion.um.es\/documentos\/6849c65cf3b79a2039d19ea3\"\u003eUniversity of Murcia: Enrique Encabo Fernández, study of patriotic revue numbers\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA song changed by later ceremony\u003c\/h3\u003e\n\u003cp\u003eA Spanish Army historical article describes El novio de la muerte as originally a cuplé, a popular stage-song form. It records a slow-tempo adaptation by Emilio García Ruiz for Holy Week in 1952. The change illustrates how military repertory acquires new ceremonial uses over time. Neither that arrangement nor a date before or after 1952 can be assigned to track 16 without examining its recording and documentation. \u003ca href=\"https:\/\/ejercito.defensa.gob.es\/eu\/Galerias\/Descarga_pdf\/Unidades\/Madrid\/diae\/Memoriales\/16.Memorial-Intendencia-2020.pdf\"\u003eSpanish Army, Memorial de Intendencia 2020, printed page 61\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, audible language and vocal or instrumental content remain unverified. The historical sources cited concern institutions or comparison works; they do not authenticate these particular recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrack 1’s “By Jose Antonio Prima De Rivera” wording is retained from the filename and is not an authenticated composer, performer or speaker credit. The two Cara Al Sol files have different durations and decoded-audio checksums; their performance or editing relationship remains unresolved.\u003c\/li\u003e\n\u003cli\u003eHimno Nacional remains a generic title; Marcha Real is a work candidate. Banderita_Corsarias_ is a lead to La banderita from Las Corsarias. The documented 1952 adaptation of El novio de la muerte has not been assigned to track 16.\u003c\/li\u003e\n\u003cli\u003eFuerza Nuevo (track 4) remains unidentified. Its spelling and possible chronology require research before any period or political-organization attribution.\u003c\/li\u003e\n\u003cli\u003eUnusual source spellings, including Canciondel Falangista, Al Venir Del Campamanto, Marchan Las Nuevas Juventud, Llamane Camerada, Montanas Nevadas and Nuestra Guia I Capitan, are retained without silent correction. The album label and youth-related titles do not establish recording dates, singers’ ages or camp origins.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording identity and distribution rights remain under review. All supplied tracks are retained, including questioned entries, and remain subject to further research. No public-domain, royalty-free or redistribution permission is asserted.\u003c\/p\u003e\n\u003cp\u003ePresented as critical historical documentation of propaganda, political coercion and the cultures surrounding dictatorship. No endorsement of Nazi or fascist ideology is intended, and no lyrics are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53708306809121,"sku":"HIS-CD710-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/marches-of-the-spanish-falangists","provider":"Nadelton Recordings","version":"1.0","type":"link"}