{"product_id":"ss-schwarzekorps","title":"SS Schwarzekorps","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 26 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e SS Schwarzekorps. 26 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 26 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThis twenty-six-entry collection retains the supplied SS Schwarzekorps label and its sequence of march, song and possible broadcast titles. The repeated Wir Treten Zum Beten entries remain separate. The title does not authenticate an SS ensemble or a connection with the newspaper Das Schwarze Korps.\u003c\/p\u003e\n\u003cp\u003eThe SS was central to Nazi racial persecution, terror and mass murder. Its armed branch, the Waffen-SS, participated in the Holocaust, mass shootings, concentration-camp guarding and other war crimes. This institutional history must accompany the collection’s labels without being mistaken for evidence identifying the recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSource label:\u003c\/strong\u003e SS Schwarzekorps\u003c\/p\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 26 source files passed full technical decoding. Total measured source audio: 69:09, rounded to the nearest second. The complete archive, SS-Schwarzekorps-MP3.zip (128,067,704 bytes), contains 26 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eThe supplied filenames, spelling, punctuation, capital letters and sequence are preserved. Names, dates and unit labels are collection metadata, not verified performance credits.\u003c\/p\u003e\n\u003cp\u003eInstitutional context: \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/ss\"\u003eUnited States Holocaust Memorial Museum: The SS (Schutzstaffel)\u003c\/a\u003e; \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/waffen-ss\"\u003eUnited States Holocaust Memorial Museum: Waffen-SS\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eSchwarzekorps is retained as supplied. Comparison with the separately documented SS newspaper Das Schwarze Korps is a research lead only; no production, publication or repertoire connection is established.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Praesentiermarsch Mit SS Treuschwur Nov 9,1935.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Praesentiermarsch Mit SS Treuschwur Nov 9,1935.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:47, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe filename combines an unnamed presentation march, an alleged SS oath and Nov 9,1935. The date is a source claim, not a verified recording date.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Wir Treten Zum Beten.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Wir Treten Zum Beten.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWir Treten Zum Beten is retained at position 2 and again at 26. Similar wording does not prove the same work, performance, transfer or file contents.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Das Schwarze Korps.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Das Schwarze Korps.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:27, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA separate SS newspaper shares the wording, but a connection to this musical title is only a research lead, not an identification.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Wenn Alle Untrue Warden.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 Wenn Alle Untrue Warden.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:38, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eUntrue Warden remains the supplied spelling. A comparison with the documented song does not identify the melody, text or recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Himmler Bundesmarsch.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Himmler Bundesmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:44, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eHimmler Bundesmarsch remains an unresolved title. The named SS leader is not evidence of authorship, dedication or an authenticated SS performance.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Radio Oslo Hirdsangen.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Radio Oslo Hirdsangen.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:43, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eRadio Oslo Hirdsangen does not authenticate an Oslo broadcast, station, event date, composition or performers.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Germanentreue.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Germanentreue.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eGermanentreue remains an unassigned title; ideological wording does not establish a unit, composer or recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Maerkische Heide.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Maerkische Heide.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:15, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe regional song is a comparison lead only; neither Büchsenschütz authorship for this file nor a Nazi text version is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Au Revoir, Petite Monique.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Au Revoir, Petite Monique.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe French-language-looking title is not evidence of the audio’s language. Work, composer and performance remain unidentified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Bravour Marsch.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Bravour Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:31, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eBravour Marsch is too broad to select a unique composition or arranger without further file-specific evidence.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Lied Der Estnischen Batallion.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Lied Der Estnischen Batallion.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:56, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe Estnischen Batallion label does not identify a particular battalion, song, singer or language; spelling is unchanged.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Marsch Der Ordensritter.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Marsch Der Ordensritter.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:16, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eOrdensritter is a title element, not reliable evidence for a named military formation, date or composer.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Imnul Biruinti.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Imnul Biruinti.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:28, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eImnul Biruinti is preserved exactly. No expanded title, national attribution, language or work credit is asserted.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Budstikken Gikk.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Budstikken Gikk.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:44, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eBudstikken Gikk remains an unverified title; no reconstruction of its wording, text or source performance is applied.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Friheten Leve.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 Friheten Leve.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:20, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eFriheten Leve is not assigned to a movement, language or musical work solely from its wording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 Marsch Der 7 SS Prinz Eugen Div.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 Marsch Der 7 SS Prinz Eugen Div.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe 7 SS Prinz Eugen Div designation gives a historical subject, not proof of a divisional march or band performance.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 Vir Er Danske Legionaeren.wav\" data-source-position=\"17\"\u003e\n\u003cstrong\u003e17 Vir Er Danske Legionaeren.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:11, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eVir Er Danske Legionaeren remains uncorrected; the apparent national or legion reference cannot authenticate participants or language.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 In Treue Fest.wav\" data-source-position=\"18\"\u003e\n\u003cstrong\u003e18 In Treue Fest.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:57, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eIn Treue Fest is shared by different musical and commemorative uses; no specific composition or performance is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 Cantate Dei Legionari.wav\" data-source-position=\"19\"\u003e\n\u003cstrong\u003e19 Cantate Dei Legionari.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:35, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eCantate Dei Legionari may require a spelling and work-identity review; no Italian ensemble or audible language is inferred.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 Treue Um Treue.wav\" data-source-position=\"20\"\u003e\n\u003cstrong\u003e20 Treue Um Treue.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:15, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eTreue Um Treue also appears elsewhere in the collection; a repeated title does not prove the same music or recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 Cara Al Dol.wav\" data-source-position=\"21\"\u003e\n\u003cstrong\u003e21 Cara Al Dol.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:10, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSGAE catalogues a Falange anthem credited to Juan Tellería. Cara Al Dol may be a transcription error, but no correction or work match is established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 SS Kavalierie Lieder.wav\" data-source-position=\"22\"\u003e\n\u003cstrong\u003e22 SS Kavalierie Lieder.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 5:39, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eSS Kavalierie Lieder may denote several songs or a compilation segment. Its boundaries, unit association and contents are unknown.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 Fliegermarsch Von Richtofen.wav\" data-source-position=\"23\"\u003e\n\u003cstrong\u003e23 Fliegermarsch Von Richtofen.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:22, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe supplied Richtofen spelling and broad march label remain unresolved; no composer, dedication or air-force performance is assigned.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 Fahnen Wehen Stoltz In Wind.wav\" data-source-position=\"24\"\u003e\n\u003cstrong\u003e24 Fahnen Wehen Stoltz In Wind.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:29, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eFahnen Wehen Stoltz In Wind remains uncorrected. The phrase does not establish a particular work or text version.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"25 Badenweiler Marsch.wav\" data-source-position=\"25\"\u003e\n\u003cstrong\u003e25 Badenweiler Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:07, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eLOC offers Fürst and Krostewitz printed-title leads; neither identifies this work, arrangement or recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"26 Wir Treten Zum Beten.wav\" data-source-position=\"26\"\u003e\n\u003cstrong\u003e26 Wir Treten Zum Beten.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:55, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eThe repeated Wir Treten Zum Beten title remains at position 26. It is not merged with position 2; audio equivalence is untested.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Which documented work, text version and arrangement, if any, match this file? Which performance, original issue, transfer history and permissions apply to this file?\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eA dated label and a Nazi political ritual\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 1.\u003c\/strong\u003e On 9 November 1935 the NSDAP inaugurated its cult buildings on Munich’s Königsplatz and reinterred men killed in the 1923 putsch, staging a propaganda spectacle. This documents the commemorative setting of the date in the filename. It does not authenticate the alleged SS oath, event location, march or recording session. \u003ca href=\"https:\/\/www.nsdoku.de\/en\/exhibitions\/archive\/rubble-and-honour\"\u003eMunich Documentation Center for the History of National Socialism: Rubble and Honour\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe newspaper connection remains a research lead\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 3.\u003c\/strong\u003e The Deutsches Historisches Museum holds a 1939 issue of the SS weekly Das Schwarze Korps. The shared wording makes the newspaper a contextual research lead only. Neither the folder label SS Schwarzekorps nor this track title establishes that the music was produced for, issued by or otherwise connected with that publication. \u003ca href=\"https:\/\/www.deutsche-digitale-bibliothek.de\/item\/GKIOWPPYKKMDYC5UDB24QK3AQEHO452O\"\u003eDeutsches Historisches Museum \/ Deutsche Digitale Bibliothek: Das Schwarze Korps, 11 May 1939\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eHimmler’s institution of repression\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 5.\u003c\/strong\u003e Under Heinrich Himmler, the SS made racial ideology and loyalty to Hitler foundations of its organization. Its powers enabled political repression, indefinite concentration-camp imprisonment and mass murder. The name in Himmler Bundesmarsch therefore requires critical context; it does not establish a verified dedication, composer, band or original recording. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/ss\"\u003eUnited States Holocaust Memorial Museum: The SS (Schutzstaffel)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRegional song, Nazi adaptation and later revival\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 8.\u003c\/strong\u003e Brandenburg’s civic-education history links Märkische Heide with Gustav Büchsenschütz while noting uncertainty about its origins. It describes Nazi-added lyrics, the song’s rejection in the GDR and its revival after 1989. These changing uses caution against assigning an SS origin or a particular text version to the supplied Maerkische Heide file. \u003ca href=\"https:\/\/www.politische-bildung-brandenburg.de\/themen\/so-ist-brandenburg\/wappentier-und-landeshymne\"\u003eBrandenburg State Center for Political Education: Wappentier und Landeshymne\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePrinz Eugen and the civilian victims\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 16.\u003c\/strong\u003e An Austrian Academy of Sciences study documents the killing of villagers near Split by units of the SS division Prinz Eugen on 28 March 1944. Those crimes are essential context for the divisional name in the filename. The label alone cannot identify a march, its performers or a connection to that event. \u003ca href=\"https:\/\/hw.oeaw.ac.at\/0xc1aa500e_0x002f0ea3.pdf\"\u003eAustrian Academy of Sciences: Arnold Suppan, Nationalsozialistische Herrschaft in Jugoslawien 1941–1945\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBadenweiler is not a unique recording identifier\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 25.\u003c\/strong\u003e The Library of Congress finding aid lists Badenweiler Marsch-Lied and Badonviller Marsch under Georg Fürst, and a separate Badenweiler Marsch entry under Heinz Krostewitz. These printed holdings are comparison leads for distinguishing work and arrangement. Their titles and dates do not establish which composition or recording this file contains. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. A collection label, work title or date of a historical event does not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track uncertainties\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003ePraesentiermarsch Mit SS Treuschwur Nov 9,1935\u003c\/strong\u003e: The filename combines an unnamed presentation march, an alleged SS oath and Nov 9,1935. The date is a source claim, not a verified recording date. Rights unresolved. \u003ca href=\"https:\/\/www.nsdoku.de\/en\/exhibitions\/archive\/rubble-and-honour\"\u003eMunich Documentation Center for the History of National Socialism: Rubble and Honour\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWir Treten Zum Beten\u003c\/strong\u003e: Wir Treten Zum Beten is retained at position 2 and again at 26. Similar wording does not prove the same work, performance, transfer or file contents. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDas Schwarze Korps\u003c\/strong\u003e: A separate SS newspaper shares the wording, but a connection to this musical title is only a research lead, not an identification. Rights unresolved. \u003ca href=\"https:\/\/www.deutsche-digitale-bibliothek.de\/item\/GKIOWPPYKKMDYC5UDB24QK3AQEHO452O\"\u003eDeutsches Historisches Museum \/ Deutsche Digitale Bibliothek: Das Schwarze Korps, 11 May 1939\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWenn Alle Untrue Warden\u003c\/strong\u003e: Untrue Warden remains the supplied spelling. A comparison with the documented song does not identify the melody, text or recording. Rights unresolved. \u003ca href=\"https:\/\/ejournals.uni-muenster.de\/nn\/article\/download\/8694\/8768\"\u003eEberhard Nehlsen: Das Wilhelmuslied in den Niederlanden und in Deutschland (2021), pp. 58–59\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHimmler Bundesmarsch\u003c\/strong\u003e: Himmler Bundesmarsch remains an unresolved title. The named SS leader is not evidence of authorship, dedication or an authenticated SS performance. Rights unresolved. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/ss\"\u003eUnited States Holocaust Memorial Museum: The SS (Schutzstaffel)\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRadio Oslo Hirdsangen\u003c\/strong\u003e: Radio Oslo Hirdsangen does not authenticate an Oslo broadcast, station, event date, composition or performers. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGermanentreue\u003c\/strong\u003e: Germanentreue remains an unassigned title; ideological wording does not establish a unit, composer or recording. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaerkische Heide\u003c\/strong\u003e: The regional song is a comparison lead only; neither Büchsenschütz authorship for this file nor a Nazi text version is established. Rights unresolved. \u003ca href=\"https:\/\/www.politische-bildung-brandenburg.de\/themen\/so-ist-brandenburg\/wappentier-und-landeshymne\"\u003eBrandenburg State Center for Political Education: Wappentier und Landeshymne\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAu Revoir, Petite Monique\u003c\/strong\u003e: The French-language-looking title is not evidence of the audio’s language. Work, composer and performance remain unidentified. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBravour Marsch\u003c\/strong\u003e: Bravour Marsch is too broad to select a unique composition or arranger without further file-specific evidence. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLied Der Estnischen Batallion\u003c\/strong\u003e: The Estnischen Batallion label does not identify a particular battalion, song, singer or language; spelling is unchanged. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMarsch Der Ordensritter\u003c\/strong\u003e: Ordensritter is a title element, not reliable evidence for a named military formation, date or composer. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImnul Biruinti\u003c\/strong\u003e: Imnul Biruinti is preserved exactly. No expanded title, national attribution, language or work credit is asserted. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBudstikken Gikk\u003c\/strong\u003e: Budstikken Gikk remains an unverified title; no reconstruction of its wording, text or source performance is applied. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFriheten Leve\u003c\/strong\u003e: Friheten Leve is not assigned to a movement, language or musical work solely from its wording. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMarsch Der 7 SS Prinz Eugen Div\u003c\/strong\u003e: The 7 SS Prinz Eugen Div designation gives a historical subject, not proof of a divisional march or band performance. Rights unresolved. \u003ca href=\"https:\/\/hw.oeaw.ac.at\/0xc1aa500e_0x002f0ea3.pdf\"\u003eAustrian Academy of Sciences: Arnold Suppan, Nationalsozialistische Herrschaft in Jugoslawien 1941–1945\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVir Er Danske Legionaeren\u003c\/strong\u003e: Vir Er Danske Legionaeren remains uncorrected; the apparent national or legion reference cannot authenticate participants or language. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn Treue Fest\u003c\/strong\u003e: In Treue Fest is shared by different musical and commemorative uses; no specific composition or performance is established. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantate Dei Legionari\u003c\/strong\u003e: Cantate Dei Legionari may require a spelling and work-identity review; no Italian ensemble or audible language is inferred. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTreue Um Treue\u003c\/strong\u003e: Treue Um Treue also appears elsewhere in the collection; a repeated title does not prove the same music or recording. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCara Al Dol\u003c\/strong\u003e: SGAE catalogues a Falange anthem credited to Juan Tellería. Cara Al Dol may be a transcription error, but no correction or work match is established. Rights unresolved. \u003ca href=\"https:\/\/archivo.sgae.es\/heritageobject\/cara-al-sol--himno-de-la-falange-espanola--musica-de-juan-telleria\/\"\u003eSGAE Historical Archive: Cara al sol, score UME\/T-21233\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSS Kavalierie Lieder\u003c\/strong\u003e: SS Kavalierie Lieder may denote several songs or a compilation segment. Its boundaries, unit association and contents are unknown. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFliegermarsch Von Richtofen\u003c\/strong\u003e: The supplied Richtofen spelling and broad march label remain unresolved; no composer, dedication or air-force performance is assigned. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFahnen Wehen Stoltz In Wind\u003c\/strong\u003e: Fahnen Wehen Stoltz In Wind remains uncorrected. The phrase does not establish a particular work or text version. Rights unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBadenweiler Marsch\u003c\/strong\u003e: LOC offers Fürst and Krostewitz printed-title leads; neither identifies this work, arrangement or recording. Rights unresolved. \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWir Treten Zum Beten\u003c\/strong\u003e: The repeated Wir Treten Zum Beten title remains at position 26. It is not merged with position 2; audio equivalence is untested. Rights unresolved.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eComparison and evidence limits\u003c\/h3\u003e\n\u003cp\u003e9 exact normalized title-only candidate(s). Every supplied entry remains at its original album position; audio equivalence is untested. Repeated titles and modern catalogues do not prove identical recordings or copying.\u003c\/p\u003e\n\u003cp\u003eThe differently spelled Wenn Alle Untrue Warden and Wenn Alle Untreu Warden may refer to a shared work; version and recording equivalence remain unverified. Both original album positions remain.\u003c\/p\u003e\n\u003cp\u003eCara Al Dol and a title containing Cara Al Sol are a tentative correction\/comparison lead only. Both original album positions remain.\u003c\/p\u003e\n\u003cp\u003eWir Treten Zum Beten: positions 2, 26. Both supplied files and positions retained; neither work nor audio equivalence is established.\u003c\/p\u003e\n\u003cp\u003eInstitutional catalogues and historical dates describe their own subjects. They do not authenticate these sound files. Catalogue metadata is distinguished from unexamined scores, label images and audio.\u003c\/p\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for every track. No public-domain, royalty-free or redistribution permission is asserted. Pricing does not establish sale or distribution clearance.\u003c\/p\u003e\n\u003cp\u003eAge, physical ownership, educational framing and later commercial availability do not establish permission to distribute.\u003c\/p\u003e\n\u003cp\u003eCritical historical study of music, propaganda, dictatorship, persecution and war crimes. No endorsement of Nazi ideology. No lyrics, speeches or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709851066657,"sku":"HIS-CD290-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/ss-schwarzekorps","provider":"Nadelton Recordings","version":"1.0","type":"link"}