{"product_id":"tul-a-karpatokon-1939-1944","title":"Túl A Kárpátokon 1939-1944","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 16 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Túl A Kárpátokon 1939-1944. 16 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 16 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eTúl A Kárpátokon 1939-1944 preserves sixteen supplied titles spanning loyalty, departure, popular song and military imagery. The notes place these title leads in the context of Hungarian revisionism, war, propaganda and persecution. The date range is collection metadata, and no recording identity is authenticated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 16 source files passed full technical decoding. Total measured source audio: 42:39, rounded to the nearest second. The complete archive, T-l-A-K-rp-tokon-1939-1944-MP3.zip (80,382,753 bytes), contains 16 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eThe supplied date range 1939-1944 is collection metadata, not authenticated recording dates. Titles and sequence preserve the supplied filenames. These English notes do not describe or translate unverified audible content. No period sleeve or artwork is claimed.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Horthy Miklós Induló.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Horthy Miklós Induló.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:59, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eHorthy Miklós Induló remains unresolved. A name-bearing march title is not sufficient to select among compositions or assign a composer, regimental band or state ceremony.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Horthy Miklós Katonája Vagyok.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Horthy Miklós Katonája Vagyok.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:49, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eHorthy Miklós Katonája Vagyok is a title lead only. Do not infer a singer, service unit, political affiliation of a performer or exact sung text from the filename.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 A Rózsám De Csinos.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 A Rózsám De Csinos.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:47, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA Rózsám De Csinos remains unidentified. The short title does not establish a folk-song variant, author, arrangement or performance.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 A Zászlaja Piros-Fehér-Zöld.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 A Zászlaja Piros-Fehér-Zöld.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 0:42, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA Zászlaja Piros-Fehér-Zöld is retained exactly. Its smaller listed size does not prove an excerpt or duration, and its flag reference supplies no unit, date or original title.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Túl A Kárpátokon.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Túl A Kárpátokon.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:53, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eTúl A Kárpátokon remains unidentified. Neither the geographic title nor the album’s 1939-1944 label establishes a specific campaign, place of recording or vocal language.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Búcsút Intünk.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Búcsút Intünk.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:41, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eBúcsút Intünk remains unidentified. Departure imagery alone does not establish a military song, a film source, a melody or an actual recorded farewell.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Győzni, Győzni, Győzni Kell Nekünk.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Győzni, Győzni, Győzni Kell Nekünk.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:57, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eGyőzni, Győzni, Győzni Kell Nekünk retains its repeated words and punctuation. No work author, propaganda commission or performance context is assigned without stronger identification.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Valahol Oroszországban.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Valahol Oroszországban.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:27, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWork-title candidate: Valahol Oroszországban. The Film Archive catalogue credits de Fries Károly with music and Kovách Kálmán with verse text. Its 1942 paper-object\/film context does not establish this WAV’s date or performers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Majd, Ha Visszajöttök Megint.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Majd, Ha Visszajöttök Megint.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:24, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eMajd, Ha Visszajöttök Megint remains unidentified. Do not turn the return-home wording into a claim about wartime reception, audience or performer.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Kis Kató.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Kis Kató.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:39, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eKis Kató remains unresolved. A personal name in a short title is not enough to distinguish similarly named songs, dances or arrangements.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Ne Bántsd A Magyart!.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Ne Bántsd A Magyart!.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:58, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eNe Bántsd A Magyart! remains unresolved. Preserve the exclamation mark; do not assume that the file is a setting of an earlier literary text or assign an author from the phrase alone.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Bajtárs Ma Még Tán.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Bajtárs Ma Még Tán.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:53, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWork-title candidate: Bajtárs, ma még tán. Editio Musica Budapest’s 1999 contents list credits Erdélyi Mihály. The supplied punctuation is retained; the modern edition’s instrumentation and date do not describe this WAV.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Én Édes Angyalom (Lili Marleen).wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Én Édes Angyalom (Lili Marleen).wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:17, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWork-title candidate: Lili Marleen. The supplied Én Édes Angyalom title is not independently authenticated as a specific Hungarian version. Compare “Era fascista, Vol. 3” track 7, “Festung Europa” track 13 and “Das Heer - Soldaten der Wehrmacht” track 10 only as title leads; no language, translator, arrangement or audio equivalence is assigned.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Rózsika (Erika).wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Rózsika (Erika).wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:28, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWork-title candidate: Erika by Herms Niel. The parenthetical filename supplies that lead, but Rózsika is not independently authenticated as a particular adaptation. “Das Heer - Soldaten der Wehrmacht” track 2 is a title-comparison lead only; keep both album entries.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 Csak Egy Nap A Világ.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 Csak Egy Nap A Világ.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:09, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eWork-title candidate: Csak egy nap a világ. Rózsavölgyi’s catalogue associates it with De Fries Károly and Vaszary János, but varies between Kovách Kálmán and Kovách Károly. Retain that attribution discrepancy; do not adopt a performer or infer a definitive lyricist from a modern compilation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 A _Hunyadi_ Hadosztály Indulója.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 A _Hunyadi_ Hadosztály Indulója.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:36, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eA _Hunyadi_ Hadosztály Indulója keeps both underscores. The modern 16-item catalogue instead labels its last item Marsch der 25. SS-Division Hunyadi, which is also a title lead against “Pralantier-Und Parademarlche Der Waffen-SS” track 6. Institutional unit history supplies context, not proof of the composition, a division-band performance or a 1944 recording.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eHorthy-era loyalty and territorial revision\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack-title references: 1, 2, 4, 5, 7, 11.\u003c\/strong\u003e Titles naming Horthy or national symbols invite examination of political loyalty. His authoritarian government pursued territorial expansion in 1938–1941 with German support. The National Archives also documents revisionism’s use of songs and ceremonies. These facts frame the titles; they do not authenticate their audible messages. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-holocaust-in-hungary\"\u003eUnited States Holocaust Memorial Museum: The Holocaust in Hungary\u003c\/a\u003e; \u003ca href=\"https:\/\/mnl.gov.hu\/mnl\/bkml\/multbanezo_1_1\"\u003eMagyar Nemzeti Levéltár: Irredenta kultusz az 1920-as években Kecskeméten a helyi sajtó tükrében\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eDeparture, morale and losses at the front\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack-title references: 6, 8, 9, 12.\u003c\/strong\u003e The National Archives documents a 1942 public send-off of troops and wartime morale propaganda. Its history of the 9th Light Division also records severe losses during the Eastern Front campaign and retreat. Farewell and return titles merit this context without assigning a particular battle to any performance. \u003ca href=\"https:\/\/mnl.gov.hu\/mnl\/bkml\/ii_vilaghaboru\"\u003eMagyar Nemzeti Levéltár, Bács-Kiskun: II. világháború\u003c\/a\u003e; \u003ca href=\"https:\/\/mnl.gov.hu\/mnl\/zml\/zalai_honvedek_a_donnal\"\u003eMagyar Nemzeti Levéltár: Zalai honvédek a Donnál\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePopular song and wartime cinema\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack-title references: 8.\u003c\/strong\u003e The Film Archive’s catalogue describes Valahol Oroszországban as a 1942 film in which a song reaches soldiers through radio and a hospital performance. It credits de Fries Károly and Kovách Kálmán. This is a work-level lead for track 8; neither the film’s actors nor its year identify the supplied audio. \u003ca href=\"https:\/\/mandadb.hu\/tetel\/294854\/Valahol_Oroszorszagban\"\u003eMaNDA \/ Nemzeti Filmintézet–Filmarchívum: Valahol Oroszországban\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eTitles across languages require version research\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack-title references: 13, 14.\u003c\/strong\u003e The parenthetical titles suggest comparisons with Lili Marleen and Erika. The Morgan catalogue credits the former to Norbert Schultze and Hans Leip; Schott credits the latter to Herms Niel. These work-level leads do not establish a Hungarian translation, adaptation author, audible language or particular performance. \u003ca href=\"https:\/\/www.themorgan.org\/music-manuscripts-and-printed-music\/159220\"\u003eThe Morgan Library \u0026amp; Museum: Lili Marleen, record 159220\u003c\/a\u003e; \u003ca href=\"https:\/\/www.schott-music.com\/en\/erika-noc224175.html\"\u003eSchott Music \/ Louis Oertel: Erika, OERT 7331\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003ePersecution and deportation cannot be left outside the frame\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCollection-level context; no track attribution.\u003c\/strong\u003e Hungarian anti-Jewish laws and forced labour preceded the German occupation of March 1944. German and Hungarian authorities then organized mass deportations, mainly to Auschwitz-Birkenau. Military and sentimental repertoire must be contextualized alongside that persecution, without claiming that any unexamined track directly describes it. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/the-holocaust-in-hungary\"\u003eUnited States Holocaust Memorial Museum: The Holocaust in Hungary\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Hunyadi title raises a specific SS research lead\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack-title references: 16.\u003c\/strong\u003e ArchívNet identifies the Hunyadi formation as the 25th, 1st Hungarian Waffen-Grenadier Division of the SS. The National Archives connects its later organizer Grassy to the Novi Sad massacre prosecutions. This makes the title a serious contextual lead, while the exact march and performance remain unidentified. \u003ca href=\"https:\/\/www.archivnet.hu\/naplo\/egy_honvedtiszt_a_vilaghaboruban__3._resz.html\"\u003eArchívNet \/ Magyar Nemzeti Levéltár: Egy honvédtiszt a világháborúban, 3. rész\u003c\/a\u003e; \u003ca href=\"https:\/\/mnl.gov.hu\/mnl\/ol\/hirek\/katyn_lidice_oradour_es_ujvidek\"\u003eMagyar Nemzeti Levéltár: Katyń, Lidice, Oradour… és Újvidék, 2. rész\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch2\u003eCollection provenance\u003c\/h2\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Historical events, work dates, film dates and modern catalogue metadata do not authenticate a recording.\u003c\/p\u003e\n\u003cp\u003ePrepared for critical historical study of Hungarian political culture, revisionism, military propaganda, war, antisemitic persecution and the Holocaust. No endorsement of fascism, Nazism, the Arrow Cross, the SS or persecution is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eResearch questions and catalogue checks\u003c\/summary\u003e\n\u003cp\u003eEvery listed item remains subject to recording identification and rights review. Shared recordings and different performances are retained separately within their original albums.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorthy Miklós Induló\u003c\/strong\u003e: Horthy Miklós Induló remains unresolved. A name-bearing march title is not sufficient to select among compositions or assign a composer, regimental band or state ceremony. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorthy Miklós Katonája Vagyok\u003c\/strong\u003e: Horthy Miklós Katonája Vagyok is a title lead only. Do not infer a singer, service unit, political affiliation of a performer or exact sung text from the filename. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Rózsám De Csinos\u003c\/strong\u003e: A Rózsám De Csinos remains unidentified. The short title does not establish a folk-song variant, author, arrangement or performance. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Zászlaja Piros-Fehér-Zöld\u003c\/strong\u003e: A Zászlaja Piros-Fehér-Zöld is retained exactly. Its smaller listed size does not prove an excerpt or duration, and its flag reference supplies no unit, date or original title. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTúl A Kárpátokon\u003c\/strong\u003e: Túl A Kárpátokon remains unidentified. Neither the geographic title nor the album’s 1939-1944 label establishes a specific campaign, place of recording or vocal language. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBúcsút Intünk\u003c\/strong\u003e: Búcsút Intünk remains unidentified. Departure imagery alone does not establish a military song, a film source, a melody or an actual recorded farewell. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGyőzni, Győzni, Győzni Kell Nekünk\u003c\/strong\u003e: Győzni, Győzni, Győzni Kell Nekünk retains its repeated words and punctuation. No work author, propaganda commission or performance context is assigned without stronger identification. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValahol Oroszországban\u003c\/strong\u003e: Work-title candidate: Valahol Oroszországban. The Film Archive catalogue credits de Fries Károly with music and Kovách Kálmán with verse text. Its 1942 paper-object\/film context does not establish this WAV’s date or performers. Recording identification and rights review remain open. \u003ca href=\"https:\/\/mandadb.hu\/tetel\/294854\/Valahol_Oroszorszagban\"\u003eMaNDA \/ Nemzeti Filmintézet–Filmarchívum: Valahol Oroszországban\u003c\/a\u003e; \u003ca href=\"https:\/\/www.kotta.info\/hu\/product\/50278\/Szep-vagy-gyoenyoeru-vagy-Magyarorszag\"\u003eEditio Musica Budapest: Szép vagy, gyönyörű vagy Magyarország, 50278\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMajd, Ha Visszajöttök Megint\u003c\/strong\u003e: Majd, Ha Visszajöttök Megint remains unidentified. Do not turn the return-home wording into a claim about wartime reception, audience or performer. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKis Kató\u003c\/strong\u003e: Kis Kató remains unresolved. A personal name in a short title is not enough to distinguish similarly named songs, dances or arrangements. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNe Bántsd A Magyart!\u003c\/strong\u003e: Ne Bántsd A Magyart! remains unresolved. Preserve the exclamation mark; do not assume that the file is a setting of an earlier literary text or assign an author from the phrase alone. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBajtárs Ma Még Tán\u003c\/strong\u003e: Work-title candidate: Bajtárs, ma még tán. Editio Musica Budapest’s 1999 contents list credits Erdélyi Mihály. The supplied punctuation is retained; the modern edition’s instrumentation and date do not describe this WAV. Recording identification and rights review remain open. \u003ca href=\"https:\/\/www.kotta.info\/hu\/product\/50278\/Szep-vagy-gyoenyoeru-vagy-Magyarorszag\"\u003eEditio Musica Budapest: Szép vagy, gyönyörű vagy Magyarország, 50278\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eÉn Édes Angyalom (Lili Marleen)\u003c\/strong\u003e: Work-title candidate: Lili Marleen. The supplied Én Édes Angyalom title is not independently authenticated as a specific Hungarian version. Compare “Era fascista, Vol. 3” track 7, “Festung Europa” track 13 and “Das Heer - Soldaten der Wehrmacht” track 10 only as title leads; no language, translator, arrangement or audio equivalence is assigned. Recording identification and rights review remain open. \u003ca href=\"https:\/\/www.themorgan.org\/music-manuscripts-and-printed-music\/159220\"\u003eThe Morgan Library \u0026amp; Museum: Lili Marleen, record 159220\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRózsika (Erika)\u003c\/strong\u003e: Work-title candidate: Erika by Herms Niel. The parenthetical filename supplies that lead, but Rózsika is not independently authenticated as a particular adaptation. “Das Heer - Soldaten der Wehrmacht” track 2 is a title-comparison lead only; keep both album entries. Recording identification and rights review remain open. \u003ca href=\"https:\/\/www.schott-music.com\/en\/erika-noc224175.html\"\u003eSchott Music \/ Louis Oertel: Erika, OERT 7331\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCsak Egy Nap A Világ\u003c\/strong\u003e: Work-title candidate: Csak egy nap a világ. Rózsavölgyi’s catalogue associates it with De Fries Károly and Vaszary János, but varies between Kovách Kálmán and Kovách Károly. Retain that attribution discrepancy; do not adopt a performer or infer a definitive lyricist from a modern compilation. Recording identification and rights review remain open. \u003ca href=\"https:\/\/magveto.hu\/media\/kiadok\/rozsavolgyi\/pdf\/rozsavolgyi_kiado_megjelent_hangzoanyagai.pdf\"\u003eRózsavölgyi Kiadó: A kiadó hangzóanyag-kiadása\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA _Hunyadi_ Hadosztály Indulója\u003c\/strong\u003e: A _Hunyadi_ Hadosztály Indulója keeps both underscores. The modern 16-item catalogue instead labels its last item Marsch der 25. SS-Division Hunyadi, which is also a title lead against “Pralantier-Und Parademarlche Der Waffen-SS” track 6. Institutional unit history supplies context, not proof of the composition, a division-band performance or a 1944 recording. Recording identification and rights review remain open.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eCatalogue lead\u003c\/h3\u003e\n\u003cp\u003eSixteen titles in corresponding order: the first fifteen agree apart from capitalization; item sixteen uses the German title Marsch der 25. SS-Division Hunyadi rather than the supplied Hungarian title. This is not an audio match. Research lead only; no authentication of audio, original carrier, release date, copying, infringement or rights. \u003ca href=\"https:\/\/bigbandi.hu\/tul-a-karpatokon-1939-1944-cd\"\u003eBigbandi: Túl a kárpátokon 1939-1944 CD\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eComparison and preservation\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRetain every supplied track and its original spelling, punctuation, sequence and album placement. Shared recordings and different performances remain separate within their original albums; no source is merged, deleted or renamed.\u003c\/li\u003e\n\u003cli\u003eIdentify the musical work and the particular recording separately. Use audio comparison and independently catalogued sources before assigning performers, sessions, arrangements, labels, matrices, original carriers or audible language.\u003c\/li\u003e\n\u003cli\u003eOriginal disc, sleeve, label and transfer documentation has not been authenticated.\u003c\/li\u003e\n\u003cli\u003eTreat the supplied album date range as collection metadata only. No date has been authenticated for any recording.\u003c\/li\u003e\n\u003cli\u003eModern commercial matches are research leads only, not proof of source, copying, infringement or rights. No matching title, sequence, date label or rounded file size establishes audio identity.\u003c\/li\u003e\n\u003cli\u003eThe album price is USD 9.99. Identification and rights review remain unresolved for every item. Pricing is not permission to distribute.\u003c\/li\u003e\n\u003cli\u003eResolve the separate Hungarian adaptation, translation and arrangement questions in Én Édes Angyalom (Lili Marleen) and Rózsika (Erika). Parenthetical titles do not prove the audible language.\u003c\/li\u003e\n\u003cli\u003eInvestigate the Hunyadi march lead without conflating a historical unit’s existence, a modern compilation title and the identity\/date of a performance.\u003c\/li\u003e\n\u003cli\u003eResolve conflicting Csak egy nap a világ contributor entries before assigning a definitive writer credit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for every supplied entry. No public-domain, royalty-free or redistribution permission is asserted. Album pricing is not sale or distribution clearance.\u003c\/p\u003e\n\u003cp\u003eRights review must address the work, adaptation, arrangement and recording independently. Research starting points are the \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and \u003ca href=\"https:\/\/www.copyright.gov\/circs\/circ38b.pdf\"\u003eURAA restoration guidance\u003c\/a\u003e. No clearance is inferred from the historical notes.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709875740961,"sku":"HIS-CD910-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/tul-a-karpatokon-1939-1944","provider":"Nadelton Recordings","version":"1.0","type":"link"}