{"product_id":"wir-deutsche-furchten-gott-und-sonst-nichts-auf-der-welt","title":"Wir Deutsche fürchten Gott und sonst nichts auf der Welt","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 24 source files. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Wir Deutsche fürchten Gott und sonst nichts auf der Welt. 24 source-file listings, retained in their original order. Technical decoding and duration checks are complete for all 24 supplied source files. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThis twenty-four-title collection brings together Prussian, Bavarian and Austrian march-title traditions beneath a folder title resembling Bismarck’s political language. Its contents need individual histories: a nineteenth-century composition, its later political use and an unidentified performance are different objects of research. The source title is preserved as evidence of the collection’s framing, without endorsement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete. Recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eThe supplied 24 source files passed full technical decoding. Total measured source audio: 64:03, rounded to the nearest second. The complete archive, Wir-Deutsche-f-rchten-Gott-und-sonst-nichts-auf-der-Welt-MP3.zip (119,872,419 bytes), contains 24 full-length MP3 files encoded at 256 kbps and is included with this digital download. Source order and filenames are preserved. Preview excerpts of up to 25 seconds are prepared. Technical measurements do not identify a recording, verify musical completeness or establish distribution rights.\u003c\/p\u003e\n\u003cp\u003eOriginal filenames, supplied titles and source URLs are preserved verbatim. Only the redundant second track-number prefix in “Wir Deutsche fürchten Gott und sonst nichts auf der Welt” display titles is removed for readability; this does not change any spelling, work attribution or source path. “Wenn Wir Marschieren — 24-Track Collection” retains supplied title spellings and suffixes. The English notes concern historical works and institutions; they do not translate or describe unverified audible content.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 1.Badenweiler Marsch.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 1.Badenweiler Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:54, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Badenweiler Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare the music against Fürst and Krostewitz title candidates; distinguish march, march-song and arrangement.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 2.Yorck`scher Marsch.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 2.Yorck`scher Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:42, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Yorck`scher Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare WoO 18 and later march-collection versions; establish which trio and instrumentation are present.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 3.Schützen Defilier Marsch.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 3.Schützen Defilier Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:18, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Schützen Defilier Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the Schützen body, composer and complete edition; this dedication-style name is not a performer credit.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 4.König Karl Marsch.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 4.König Karl Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:46, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: König Karl Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eDistinguish works named for König Karl and verify the dedicatee and composer before assigning a work.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 5.Tölzer Schützenmarsch.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 5.Tölzer Schützenmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:29, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Tölzer Schützenmarsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the specific Tölzer Schützenmarsch composition and score; local name alone does not identify musicians.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 6.Preussens Gloria.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 6.Preussens Gloria.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:44, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Preussens Gloria. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare a Piefke score candidate; establish the edition and any arranger independently.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 7.Hohenfriedberger Marsch.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 7.Hohenfriedberger Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:51, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Hohenfriedberger Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the Hohenfriedberger march version and examine authorship independently; the title is not proof of a royal composer.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 8.Fridericus Rex.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 8.Fridericus Rex.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:54, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Fridericus Rex. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eClarify whether Fridericus Rex names a song, march or adaptation; do not extend the supplied title automatically.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 9.Bayerischer Defiliermarsch.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 9.Bayerischer Defiliermarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:49, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Bayerischer Defiliermarsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the work and arrangement separately from the Bavarian regional designation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 10.84 er Regimentmarsch.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 10.84 er Regimentmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:06, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: 84 er Regimentmarsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eDetermine which army and 84th regiment the title refers to; preserve the supplied spacing 84 er.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 11.Hoch und Deutschmeister.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 11.Hoch und Deutschmeister.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:33, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Hoch und Deutschmeister. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eDetermine whether the title denotes a dedicated march or another work; Hoch und Deutschmeister is not an ensemble attribution.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 12.Kaiserschützenmarsch.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 12.Kaiserschützenmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:37, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Kaiserschützenmarsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eDistinguish Kaiserschützen from Kaiserjäger titles and identify the exact composer and score.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 13.Erzherzog Friedrich Marsch.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 13.Erzherzog Friedrich Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:15, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Erzherzog Friedrich Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify which Erzherzog Friedrich and which dedicated composition; do not assign a unit or date from the name.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 14.Kaiserjäger Marsch.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 14.Kaiserjäger Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:38, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Kaiserjäger Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare independent Kaiserjäger scores and distinguish this title from Mir sein die Kaiserjäger.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"15 15.Grenadier Marsch.wav\" data-source-position=\"15\"\u003e\n\u003cstrong\u003e15 15.Grenadier Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:54, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Grenadier Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eGeneric Grenadier title: identify full work title, composer and any regiment before cataloguing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"16 16.Erzherzog Albrecht Marsch.wav\" data-source-position=\"16\"\u003e\n\u003cstrong\u003e16 16.Erzherzog Albrecht Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:20, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Erzherzog Albrecht Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the Erzherzog Albrecht dedication and specific composition; verify arrangement separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"17 17.Castaldo Marsch.wav\" data-source-position=\"17\"\u003e\n\u003cstrong\u003e17 17.Castaldo Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:14, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Castaldo Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eLocate an independently catalogued Castaldo march and compare musical material before attribution.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"18 18.Nussdorfer Marsch.wav\" data-source-position=\"18\"\u003e\n\u003cstrong\u003e18 18.Nussdorfer Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 1:34, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Nussdorfer Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify the Nussdorfer work and determine whether the place-name is also an abbreviated composition title.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"19 19.Andreas Hofer Marsch.wav\" data-source-position=\"19\"\u003e\n\u003cstrong\u003e19 19.Andreas Hofer Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:40, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Andreas Hofer Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare Gustav Mahr’s Andreas Hofer-Marsch candidate; the named historical figure is not the composer.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"20 20.Alte Kameraden.wav\" data-source-position=\"20\"\u003e\n\u003cstrong\u003e20 20.Alte Kameraden.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 4:37, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Alte Kameraden. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare the Teike work-title candidate and identify arrangement; no source performance established.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"21 21.Radetzky Marsch.wav\" data-source-position=\"21\"\u003e\n\u003cstrong\u003e21 21.Radetzky Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Radetzky Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare Strauss op. 228 editions and establish arrangement; other Radetzky titles do not establish audio equivalence.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"22 22.Kadetten Marsch.wav\" data-source-position=\"22\"\u003e\n\u003cstrong\u003e22 22.Kadetten Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:34, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Kadetten Marsch. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eGeneric cadet-march title: establish composer, full title, institutional dedication and edition.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"23 23.Der alte Trommler.wav\" data-source-position=\"23\"\u003e\n\u003cstrong\u003e23 23.Der alte Trommler.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:35, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Der alte Trommler. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eIdentify Der alte Trommler and determine whether the supplied file contains a song, march or medley.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"24 24.Ich hab mich ergeben.wav\" data-source-position=\"24\"\u003e\n\u003cstrong\u003e24 24.Ich hab mich ergeben.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:08, rounded to the nearest second. MP3 access format: 256 kbps. MP3 playback may vary slightly because of encoder padding.\u003c\/p\u003e\n\u003cp\u003eDocumented display title: Ich hab mich ergeben. The exact source filename is preserved above.\u003c\/p\u003e\n\u003cp\u003eCompare the Maßmann song tradition and determine arrangement and any audible textual variant without assuming vocals.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eAn album title drawn from Bismarck’s political language\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAlbum-title context.\u003c\/strong\u003e The folder title closely resembles a phrase from Bismarck’s Reichstag speech of 6 February 1888. The German Historical Institute distinguishes the speech from Ernst Henseler’s 1901 painting of it, and explains how later quotation often omitted Bismarck’s accompanying emphasis on preserving peace through military strength. This concerns the anthology’s framing. It neither makes the folder an 1888 artefact nor assigns any of its performances to the German Empire. \u003ca href=\"https:\/\/germanhistorydocs.org\/de\/reichsgruendung-bismarcks-deutschland-1866-1890\/wir-deutschen-fuerchten-gott-aber-sonst-nichts-in-der-welt-6-februar-1888-1901\"\u003eGerman History in Documents and Images: „Wir Deutschen fürchten Gott, aber sonst nichts in der Welt!“ Bismarck in der Reichstagssitzung vom 6. Februar 1888 (1901)\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBadenweiler and the political reuse of marches\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 1.\u003c\/strong\u003e In its 1952 account of the SRP prohibition, the Federal Constitutional Court describes the party’s recommendation of Hitler’s preferred Badenweiler march as part of its reuse of Nazi propaganda methods. The Library of Congress also lists different works with closely related titles under Georg Fürst and Heinz Krostewitz, so the short filename cannot settle the composition. Nazi musical propaganda operated within a system that excluded Jewish and politically suspect cultural workers; an older march’s later use must be studied alongside that persecution. \u003ca href=\"https:\/\/www.bundesverfassungsgericht.de\/SharedDocs\/Pressemitteilungen\/DE\/1952\/bvg52-059.html\"\u003eBundesverfassungsgericht: Verlautbarung der Pressestelle des Bundesverfassungsgerichts, 1952\u003c\/a\u003e; \u003ca href=\"https:\/\/tile.loc.gov\/storage-services\/service\/gdc\/gdcfindingaidpdfs\/mu020021\/mu020021.pdf\"\u003eLibrary of Congress: German National Music Collection finding aid\u003c\/a\u003e; \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/culture-in-the-third-reich-overview\"\u003eUnited States Holocaust Memorial Museum: Culture in the Third Reich: Overview\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA march that crossed military and political borders\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 2.\u003c\/strong\u003e The Bundeswehr traces the familiar Yorck march to Beethoven’s Austrian military music and records its incorporation into the Prussian march collection between 1817 and 1819. It says the circumstances of the transfer and the familiar title remain uncertain. The Beethoven-Haus catalogues a later autograph containing work on the trio of WoO 18. These sources distinguish composition, naming and revision; none identifies the arrangement, band or date heard in this file. \u003ca href=\"https:\/\/www.bundeswehr.de\/de\/selbstverstaendnis\/brauchtum-bundeswehr\/yorckscher-marsch-geschichte-6037612\"\u003eBundeswehr: Marsch des Yorckschen Korps\u003c\/a\u003e; \u003ca href=\"https:\/\/katalog.beethoven.de\/cgi-bin\/biblio\/hans_de.pl?reccheck=1289\u0026amp;t_show=x\u0026amp;wert=HCB+BSk+20%2F68\"\u003eBeethoven-Haus Bonn: Ludwig van Beethoven, Skizzen zu WoO 18, WoO 3 und zur 9. und 10. Sinfonie, Autograph HCB BSk 20\/68\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eAndreas Hofer and a regimental composer’s changing workplaces\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 19.\u003c\/strong\u003e Manfred König’s Salzburg music history lists an Andreas Hofer-Marsch among Gustav Mahr’s works. Mahr served in several Habsburg regimental bands, including Salzburg’s Infantry Regiment 59 and Tyrolean Kaiserjäger formations, before working in Linz after the First World War. That biography offers a specific work candidate and shows how military repertoire circulated across changing institutions. It does not establish that the supplied march is Mahr’s or that a named regiment made this recording. \u003ca href=\"https:\/\/www.brauch.at\/folge02\/ch09s11.html\"\u003eManfred König: 9.11. Blasmusik in Salzburg, in Bräuche im Salzburger Land\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eRadetzky and the need to identify an edition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 21.\u003c\/strong\u003e Strauss researcher Norbert Rubey identifies the earliest surviving manuscript source for Johann Strauss I’s Radetzky-Marsch, op. 228, as the basis for the 1848 published editions. His account distinguishes that source from later performing versions and a modern reconstruction. The familiar title therefore does not identify an orchestration, arranger, ensemble or recording period. “Wenn Wir Marschieren — 24-Track Collection” contains a corresponding title, which remains a comparison lead rather than an established duplicate. \u003ca href=\"https:\/\/www.johann-strauss.at\/en\/publikationen\/radetzky-marsch-urfassung\/\"\u003eWiener Institut für Strauss-Forschung, Norbert Rubey: Radetzky-Marsch – Urfassung\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA national song in changing political settings\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 24.\u003c\/strong\u003e The scholarly Liederlexikon dates Hans Ferdinand Maßmann’s text to 1820 and follows its use by students, gymnasts and male-voice choirs, as well as a later surge in songbook circulation during 1933–1936. It was also sung at the Parliamentary Council’s closing session on 23 May 1949. Those changing uses make a single political or chronological label misleading. The supplied title does not establish which verses, arrangement or vocal setting, if any, are audible. \u003ca href=\"https:\/\/www.liederlexikon.de\/lieder\/ich_habe_mich_ergeben\/\"\u003eLiederlexikon: Ich hab mich ergeben\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work-level history, edition dates and later compilation listings do not authenticate a recording.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreserve the exact folder title and all doubly numbered source filenames; display numbering cleanup is documented per track.\u003c\/li\u003e\n\u003cli\u003ePrioritize competing Badenweiler work candidates, generic Grenadier\/Kadetten titles and abbreviated Fridericus Rex before assigning composers.\u003c\/li\u003e\n\u003cli\u003eThe folder’s Bismarck-like title is an editorial framing clue, not a recording-era designation.\u003c\/li\u003e\n\u003cli\u003eNo complete later-release sequence was verified for this album in this research pass. Resale titles alone were not used to identify source recordings.\u003c\/li\u003e\n\u003cli\u003eCross-album title correspondences are logged below; repeated title words are not evidence of duplicate audio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrack-specific identification work\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eBadenweiler Marsch:\u003c\/strong\u003e Compare the music against Fürst and Krostewitz title candidates; distinguish march, march-song and arrangement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYorck`scher Marsch:\u003c\/strong\u003e Compare WoO 18 and later march-collection versions; establish which trio and instrumentation are present.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchützen Defilier Marsch:\u003c\/strong\u003e Identify the Schützen body, composer and complete edition; this dedication-style name is not a performer credit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKönig Karl Marsch:\u003c\/strong\u003e Distinguish works named for König Karl and verify the dedicatee and composer before assigning a work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTölzer Schützenmarsch:\u003c\/strong\u003e Identify the specific Tölzer Schützenmarsch composition and score; local name alone does not identify musicians.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreussens Gloria:\u003c\/strong\u003e Compare a Piefke score candidate; establish the edition and any arranger independently.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHohenfriedberger Marsch:\u003c\/strong\u003e Identify the Hohenfriedberger march version and examine authorship independently; the title is not proof of a royal composer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFridericus Rex:\u003c\/strong\u003e Clarify whether Fridericus Rex names a song, march or adaptation; do not extend the supplied title automatically.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBayerischer Defiliermarsch:\u003c\/strong\u003e Identify the work and arrangement separately from the Bavarian regional designation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e84 er Regimentmarsch:\u003c\/strong\u003e Determine which army and 84th regiment the title refers to; preserve the supplied spacing 84 er.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHoch und Deutschmeister:\u003c\/strong\u003e Determine whether the title denotes a dedicated march or another work; Hoch und Deutschmeister is not an ensemble attribution.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKaiserschützenmarsch:\u003c\/strong\u003e Distinguish Kaiserschützen from Kaiserjäger titles and identify the exact composer and score.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eErzherzog Friedrich Marsch:\u003c\/strong\u003e Identify which Erzherzog Friedrich and which dedicated composition; do not assign a unit or date from the name.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKaiserjäger Marsch:\u003c\/strong\u003e Compare independent Kaiserjäger scores and distinguish this title from Mir sein die Kaiserjäger.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGrenadier Marsch:\u003c\/strong\u003e Generic Grenadier title: identify full work title, composer and any regiment before cataloguing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eErzherzog Albrecht Marsch:\u003c\/strong\u003e Identify the Erzherzog Albrecht dedication and specific composition; verify arrangement separately.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCastaldo Marsch:\u003c\/strong\u003e Locate an independently catalogued Castaldo march and compare musical material before attribution.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNussdorfer Marsch:\u003c\/strong\u003e Identify the Nussdorfer work and determine whether the place-name is also an abbreviated composition title.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAndreas Hofer Marsch:\u003c\/strong\u003e Compare Gustav Mahr’s Andreas Hofer-Marsch candidate; the named historical figure is not the composer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlte Kameraden:\u003c\/strong\u003e Compare the Teike work-title candidate and identify arrangement; no source performance established.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRadetzky Marsch:\u003c\/strong\u003e Compare Strauss op. 228 editions and establish arrangement; other Radetzky titles do not establish audio equivalence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKadetten Marsch:\u003c\/strong\u003e Generic cadet-march title: establish composer, full title, institutional dedication and edition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDer alte Trommler:\u003c\/strong\u003e Identify Der alte Trommler and determine whether the supplied file contains a song, march or medley.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIch hab mich ergeben:\u003c\/strong\u003e Compare the Maßmann song tradition and determine arrangement and any audible textual variant without assuming vocals.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eCross-album title leads\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTrack 1: “SS Schwarzekorps” track 25; “N.S.D.A.P” track 5; “Ich hatt’ einen Kameraden” track 17. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 6: “Die Grosse March Parade (Vol 1)” track 5; “Die Grosse March Parade” track 5; “Wenn Wir Marschieren — 24-Track Collection” track 7. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 9: “Die Grosse March Parade (Vol 1)” track 7; “Die Grosse March Parade” track 7; “Serenade und großer bayerischer Zapfenstreich” track 6; “Wenn Wir Marschieren — 24-Track Collection” track 4. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 11: “Wenn Wir Marschieren — 24-Track Collection” track 16. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 16: “Die Grosse March Parade” track 10. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 20: “Die Grosse March Parade (Vol 1)” track 1; “Die Grosse March Parade” track 1; “Wenn Wir Marschieren — 24-Track Collection” track 1; “Leibstandarte SS Adolf Hitler” track 9. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 21: “Die Grosse March Parade (Vol 1)” track 8; “Die Grosse March Parade” track 8; “Wenn Wir Marschieren — 24-Track Collection” track 13. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003cli\u003eTrack 24: “Lieder unser Fallschirmjäger” track 15. Title correspondence only; no audio identity established.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all 24 retained tracks. No public-domain, royalty-free or redistribution permission is asserted. Approved album pricing is not permission to publish or sell.\u003c\/p\u003e\n\u003cp\u003eFurther review must distinguish rights in the work, arrangement and particular recording in the relevant territories. The \u003ca href=\"https:\/\/www.copyright.gov\/music-modernization\/pre1972-soundrecordings\/\"\u003eU.S. Copyright Office’s pre-1972 recording guidance\u003c\/a\u003e and German \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86.html\"\u003eStGB § 86\u003c\/a\u003e and \u003ca href=\"https:\/\/www.gesetze-im-internet.de\/stgb\/__86a.html\"\u003e§ 86a\u003c\/a\u003e are research starting points, not permission to distribute these files.\u003c\/p\u003e\n\u003cp\u003ePrepared for critical historical study of music, militarization, political appropriation and persecution. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced. A work’s use under dictatorship does not by itself establish when this unidentified performance was recorded.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\u003ch2\u003eUnresolved recording fields for every listed track\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003ePerformer and ensemble\u003c\/li\u003e\n\u003cli\u003eRecording location and session date\u003c\/li\u003e\n\u003cli\u003eOriginal label, catalogue and matrix\/take\u003c\/li\u003e\n\u003cli\u003eOriginal carrier and transfer chain\u003c\/li\u003e\n\u003cli\u003eArrangement and edition actually performed\u003c\/li\u003e\n\u003cli\u003eAudible content and language, if any\u003c\/li\u003e\n\u003cli\u003eRecording and work permissions in intended territories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709855883553,"sku":"HIS-CD560-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/wir-deutsche-furchten-gott-und-sonst-nichts-auf-der-welt","provider":"Nadelton Recordings","version":"1.0","type":"link"}