{"product_id":"wir-fahren-gegen-engeland","title":"Wir Fahren Gegen Engeland","description":"\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99. Technical audio verification is complete for all 14 tracks. The complete MP3 ZIP is included with this digital download.\u003c\/strong\u003e Recording identities and rights are unverified.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupplied collection title:\u003c\/strong\u003e Wir Fahren Gegen Engeland. 14 source-file listings, retained in their original order. The actual source encoding is verified as WAV containing signed 16-bit PCM at 44,100 Hz with two channels. A file count is not a count of distinct recordings.\u003c\/p\u003e\n\u003cp\u003eThese fourteen supplied filenames connect anti-British propaganda, military commemoration and older song repertories. Their historical associations differ, and the collection title does not authenticate the dates, performers or language of any recording. The notes examine those associations critically while preserving every supplied position.\u003c\/p\u003e\n\u003cp\u003eUnder Nazi rule, cultural institutions were regulated and Jewish artists and political opponents were excluded; songs and marches could serve ideological mobilization. \u003ca href=\"https:\/\/encyclopedia.ushmm.org\/content\/en\/article\/culture-in-the-third-reich-overview?parent=en%2F11058\"\u003eUnited States Holocaust Memorial Museum: Culture in the Third Reich\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital download · USD 9.99.\u003c\/strong\u003e Technical audio verification is complete; recording identification and rights review remain open.\u003c\/p\u003e\n\u003ch2\u003eCollection status\u003c\/h2\u003e\n\u003cp data-technical-summary=\"verified\"\u003eAll 14 source WAV files passed complete decoding and have complete-file and normalized source PCM SHA-256 receipts. All 14 MP3 files and 14 previews were independently decoded in full. The ZIP passed CRC and member-hash checks. MP3 files: 256 kbps, 44,100 Hz, two channels. Preview excerpts: 25 seconds, 128 kbps, 44,100 Hz, two channels. Total measured source duration: 42:44.467 (2564.466667 seconds); exact source payload: 452,372,536 bytes. MP3 playback durations may include encoder padding. The complete MP3 ZIP is included with this digital download. Technical verification does not authenticate recording identity or grant distribution rights.\u003c\/p\u003e\n\u003cp\u003eTitles and sequence preserve the supplied filenames, including spelling and punctuation. These notes concern documented history and comparison works; they do not translate or describe unverified audible content.\u003c\/p\u003e\n\u003ch2\u003eTrack listing\u003c\/h2\u003e\n\u003col data-source-list=\"canonical\"\u003e\n\u003cli data-source-filename=\"01 Wir Fahren Gegen Engeland.wav\" data-source-position=\"1\"\u003e\n\u003cstrong\u003e01 Wir Fahren Gegen Engeland.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:24.760 (204.760000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eLöns text and Niel setting are comparison work history. File’s setting, performers, language and recording date remain unverified.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"02 Siegfried Line.wav\" data-source-position=\"2\"\u003e\n\u003cstrong\u003e02 Siegfried Line.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:12.733 (192.733333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eGeographical label only. A British song, German parody, instrumental medley or other use cannot be selected from this filename.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"03 Kamarad Wir Marschieren.wav\" data-source-position=\"3\"\u003e\n\u003cstrong\u003e03 Kamarad Wir Marschieren.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:55.587 (175.586667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eShortened title and Kamarad spelling preserved. The 1940 printed work is a candidate, not identification of this performance.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"04 Pariser Einzugsmarsch.wav\" data-source-position=\"4\"\u003e\n\u003cstrong\u003e04 Pariser Einzugsmarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 4:13.893 (253.893333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eLibrary catalogue associates a work with Walch and 1814 in its title. No date, version or performer assigned to this file.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"05 Bomben Auf Engeland.wav\" data-source-position=\"5\"\u003e\n\u003cstrong\u003e05 Bomben Auf Engeland.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:51.187 (171.186667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eFinland’s catalogue documents an adaptation and composer lead, not the present language or recording. No Finnish or German version assumed.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"06 Kaiserjaegermarsch.wav\" data-source-position=\"6\"\u003e\n\u003cstrong\u003e06 Kaiserjaegermarsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50.227 (170.226667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eSeveral distinct works use Kaiserjäger titles. Mühlberger’s work is only one candidate; neither composer nor regiment is assigned.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"07 Leo Schlageter Marsch.wav\" data-source-position=\"7\"\u003e\n\u003cstrong\u003e07 Leo Schlageter Marsch.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:56.973 (176.973333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eSchlageter biography explains a political namesake only. No march composer, performer, Nazi organization, date or label authenticated.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"08 Gegen Briten Und Franzosen.wav\" data-source-position=\"8\"\u003e\n\u003cstrong\u003e08 Gegen Briten Und Franzosen.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:02.787 (182.786667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eTitle retained; no exact work, setting, recording event or performance date established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"09 Argonnerwald.wav\" data-source-position=\"9\"\u003e\n\u003cstrong\u003e09 Argonnerwald.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:03.813 (183.813333 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eArgonnerwald is retained. Potential relation to the Argonnerwald song and “Military Music of Adolf Hitler's Third Reich” track 1 needs comparison; neither alias nor common performance established.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"10 Wildgaenze Rauschen Durch Die Nacht.wav\" data-source-position=\"10\"\u003e\n\u003cstrong\u003e10 Wildgaenze Rauschen Durch Die Nacht.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 3:06.120 (186.120000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eFlex poem is a work-level lead. The supplied Wildgaenze spelling is unchanged; setting, stanza\/version choice and performance context remain unknown.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"11 Der Tod In Flandern.wav\" data-source-position=\"11\"\u003e\n\u003cstrong\u003e11 Der Tod In Flandern.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:57.840 (177.840000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eNo specific work or text variant established. Do not infer a First World War recording, medieval origin or particular ideological use from the title.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"12 Rueber Ueber Den Kanal.wav\" data-source-position=\"12\"\u003e\n\u003cstrong\u003e12 Rueber Ueber Den Kanal.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:39.080 (159.080000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003ePrieberg indexes a separate march based on a Bruno Bellmann song and DRA item 4306738-01. No archival date or performance credit is assigned to this WAV.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"13 Torpedo Los!.wav\" data-source-position=\"13\"\u003e\n\u003cstrong\u003e13 Torpedo Los!.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:50.360 (170.360000 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eCommand-like title insufficient for identification. A Prieberg excerpt containing the phrase does not securely identify a whole work; no authorship assigned.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-source-filename=\"14 Wir Ziehen Nach Engeland.wav\" data-source-position=\"14\"\u003e\n\u003cstrong\u003e14 Wir Ziehen Nach Engeland.wav\u003c\/strong\u003e\u003cp data-measured-audio=\"verified\"\u003eMeasured source duration: 2:39.107 (159.106667 seconds). Prepared MP3: 256 kbps, 44,100 Hz, two channels.\u003c\/p\u003e\n\u003cp\u003eDistinct source position retained. Similar anti-British wording does not establish an alias of track 1 or a shared recording.\u003c\/p\u003e\n\u003cp\u003eOpen research questions: Identify the exact work, any text adaptation and arrangement. Identify the performance, original issue, transfer history and relevant permissions separately.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eMusic in its historical setting\u003c\/h2\u003e\n\u003ch3\u003eAn older text used to promote a new invasion\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTracks 1, 14.\u003c\/strong\u003e The Deutsches Historisches Museum dates Hermann Löns’s Matrosenlied to 1910 and Herms Niel’s setting to 1939. The Nazis used it as the Engellandlied to promote the planned invasion of Britain. This supports a comparison for track 1; track 14’s different title is retained separately, with no assumption that it is the same work. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/bestand\/objekt\/pk940273\"\u003eDeutsches Historisches Museum: Invasion Englands propaganda postcard, circa 1940\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Siegfried Line as a propaganda symbol\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 2.\u003c\/strong\u003e The Westwall was Germany’s western fortification system, also called the Siegfried Line. Its construction involved the Organisation Todt and Reichsarbeitsdienst, while Nazi propaganda presented it as an invulnerable barrier. This historical reference does not identify the short filename as any particular song, parody or language version. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/kapitel\/der-zweite-weltkrieg\/kriegsverlauf\/westwall\"\u003eDeutsches Historisches Museum: Der Westwall\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe western campaign in print\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 3.\u003c\/strong\u003e A Wilke \u0026amp; Co. notice from August 1940 lists Kamerad, wir marschieren im Westen, also called Frankreichlied, under Herms Niel, with Heinrich Anacker named and instrumental arrangements offered. This provides a work-level comparison for the shorter Kamarad Wir Marschieren filename. No recording artist, ensemble, exact text or date has been authenticated. \u003ca href=\"https:\/\/digital.slub-dresden.de\/data\/kitodo\/Brsfded_39946221X-19400812\/Brsfded_39946221X-19400812_tif\/jpegs\/Brsfded_39946221X-19400812.pdf\"\u003eSLUB Dresden: Börsenblatt, 12 August 1940, music-publishing notices\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eBombing propaganda and civilian consequences\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 5.\u003c\/strong\u003e The National Library of Finland catalogues a Finnish adaptation of Bomben auf Engeland with music credited to Norbert Schultze, illustrating circulation across language versions. The supplied filename therefore cannot establish audible language. The historical setting also includes German bombing of British cities, with extensive civilian losses, documented by the Bundesarchiv. \u003ca href=\"https:\/\/kansalliskirjasto.finna.fi\/kansalliskirjastofikka\/Record\/fikka.4552742?lng=en-gb\"\u003eNational Library of Finland: Voiton tie, Bomben auf Engeland adaptation\u003c\/a\u003e; \u003ca href=\"https:\/\/www.bundesarchiv.de\/themen-entdecken\/online-entdecken\/themenbeitraege\/bomben-auf-berlin\/\"\u003eBundesarchiv: Bomben auf Berlin, historical background on the air war\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eSchlageter and the making of a Nazi martyr\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 7.\u003c\/strong\u003e Albert Leo Schlageter was a former soldier and Freikorps activist who organized sabotage during the Ruhr occupation. A French military court condemned him, and he was executed in May 1923. The NSDAP then promoted his commemoration as a martyr. That political cult is relevant context for the named march; its composer and performance remain unidentified. \u003ca href=\"https:\/\/www.dhm.de\/lemo\/biografie\/albert-schlageter\"\u003eDeutsches Historisches Museum: Albert Leo Schlageter\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eWildgänse and competing traditions of reception\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrack 10.\u003c\/strong\u003e Walter Flex’s 1915 poem became part of his 1916 war narrative Der Wanderer zwischen beiden Welten. It circulated widely through twentieth-century youth movements. Scholarly commentary records both Nazi adoption and use by groups persecuted under Nazism. Its historical meanings depended on version and setting; no particular text adaptation or performance community is inferred here. \u003ca href=\"https:\/\/www.1000dokumente.de\/Dokumente\/Walter_Flex,_Wildg%C3%A4nse_rauschen_durch_die_Nacht\"\u003eCatherina Schreiber-Jung: Walter Flex, Wildgänse rauschen durch die Nacht\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdetails\u003e\u003csummary\u003eRecording research and provenance\u003c\/summary\u003e\n\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\n\u003cp\u003ePerformers, ensembles, arrangements, recording dates, original labels, catalogue and matrix numbers, original carrier medium, transfer history, audible language and vocal or instrumental content remain unverified. Work history and edition dates do not authenticate a recording.\u003c\/p\u003e\n\u003ch3\u003eTrack-by-track uncertainties\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eWir Fahren Gegen Engeland\u003c\/strong\u003e: Löns text and Niel setting are comparison work history. File’s setting, performers, language and recording date remain unverified. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSiegfried Line\u003c\/strong\u003e: Geographical label only. A British song, German parody, instrumental medley or other use cannot be selected from this filename. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKamarad Wir Marschieren\u003c\/strong\u003e: Shortened title and Kamarad spelling preserved. The 1940 printed work is a candidate, not identification of this performance. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePariser Einzugsmarsch\u003c\/strong\u003e: Library catalogue associates a work with Walch and 1814 in its title. No date, version or performer assigned to this file. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBomben Auf Engeland\u003c\/strong\u003e: Finland’s catalogue documents an adaptation and composer lead, not the present language or recording. No Finnish or German version assumed. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKaiserjaegermarsch\u003c\/strong\u003e: Several distinct works use Kaiserjäger titles. Mühlberger’s work is only one candidate; neither composer nor regiment is assigned. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLeo Schlageter Marsch\u003c\/strong\u003e: Schlageter biography explains a political namesake only. No march composer, performer, Nazi organization, date or label authenticated. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGegen Briten Und Franzosen\u003c\/strong\u003e: Title retained; no exact work, setting, recording event or performance date established. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArgonnerwald\u003c\/strong\u003e: Argonnerwald is retained. Potential relation to the Argonnerwald song and “Military Music of Adolf Hitler's Third Reich” track 1 needs comparison; neither alias nor common performance established. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWildgaenze Rauschen Durch Die Nacht\u003c\/strong\u003e: Flex poem is a work-level lead. The supplied Wildgaenze spelling is unchanged; setting, stanza\/version choice and performance context remain unknown. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDer Tod In Flandern\u003c\/strong\u003e: No specific work or text variant established. Do not infer a First World War recording, medieval origin or particular ideological use from the title. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRueber Ueber Den Kanal\u003c\/strong\u003e: Prieberg indexes a separate march based on a Bruno Bellmann song and DRA item 4306738-01. No archival date or performance credit is assigned to this WAV. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTorpedo Los!\u003c\/strong\u003e: Command-like title insufficient for identification. A Prieberg excerpt containing the phrase does not securely identify a whole work; no authorship assigned. Rights remain unresolved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWir Ziehen Nach Engeland\u003c\/strong\u003e: Distinct source position retained. Similar anti-British wording does not establish an alias of track 1 or a shared recording. Rights remain unresolved.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eComparison leads and evidence limits\u003c\/h3\u003e\n\u003cp\u003e3 title-only candidate(s); every original listing retained. Audio equivalence not tested. Similar titles do not establish a shared performance.\u003c\/p\u003e\n\u003cp\u003eA later commercial catalogue aligns with all fourteen title positions, and a streaming compilation begins with this sequence before adding more titles. Those listings are private research leads only. Their artist strings, dates, durations, origin claims and rights notices are not facts about these files. No copying or infringement conclusion is drawn.\u003c\/p\u003e\n\u003cp\u003eThe possible relationship between the “Military Music of Adolf Hitler's Third Reich” collection’s Lied der Pioniere and the “Wir Fahren Gegen Engeland” collection’s Argonnerwald remains an unanswered comparison question. Both recordings and their original titles are retained.\u003c\/p\u003e\n\u003cp\u003eSome institutional catalogue and periodical evidence was available only as indexed text. Access limits are recorded source by source in the research record. No archive or catalogue item has been authenticated as one of these recordings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthenticate exact works, text versions, arrangements and performances separately; dates of events, advertisements or editions are not recording dates.\u003c\/li\u003e\n\u003cli\u003eOriginal disc, sleeve, label and transfer documentation has not been authenticated.\u003c\/li\u003e\n\u003cli\u003eUse reliable comparison scores and archival audio if later available and authorized; do not identify performers from modern compilation labels.\u003c\/li\u003e\n\u003cli\u003eAll source filenames and listing positions are retained. Repeated titles and proposed spelling changes do not establish recording equivalence.\u003c\/li\u003e\n\u003cli\u003eRecording identification, rights and permission for sale remain unresolved for the questioned recordings and the full album.\u003c\/li\u003e\n\u003cli\u003eActual duration, encoding and complete decoding are technically verified. Vocal status and audible language remain unverified.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnverified. Recording identification and rights review remain open for all tracks. No public-domain, royalty-free or redistribution permission is asserted. Approved pricing does not clear recordings for sale.\u003c\/p\u003e\n\u003cp\u003eWork, arrangement and recording rights require separate review. No legal clearance is inferred from age, physical ownership, remastering, educational framing or a catalogue match.\u003c\/p\u003e\n\u003cp\u003ePresented for critical historical study of music, propaganda, militarization and dictatorship. No endorsement of Nazi or fascist ideology is intended. No lyrics or lyric translations are reproduced.\u003c\/p\u003e\n\u003c\/details\u003e\n\n\n\u003ch2\u003eCollection provenance and evidence limits\u003c\/h2\u003e\u003cp\u003eOriginal carriers, labels, matrix numbers, recording dates and transfer histories remain unverified.\u003c\/p\u003e\u003cp\u003eHistorical accounts, work dates and comparison catalogue records do not establish recording identity, audible language or vocal\/instrumental content. Composition, arrangement and recording rights remain unverified. The complete MP3 ZIP is included with this digital download.\u003c\/p\u003e\n","brand":"History in Sound","offers":[{"title":"Default Title","offer_id":53709850050849,"sku":"HIS-CD780-ALBUM","price":9.99,"currency_code":"USD","in_stock":true}],"url":"https:\/\/nadeltonrecordings.com\/products\/wir-fahren-gegen-engeland","provider":"Nadelton Recordings","version":"1.0","type":"link"}