Collection entry · Disc 1

Die Grosse March Parade (Disc 1)

Fourteen supplied files open a view onto the changing life of march repertory, from military bands and printed arrangements to mechanical music. The appended ensemble names remain unverified filename labels.

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14 source files · About 37 minutes

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Alte Kameraden - Musillorps Garmisch Partenkirchen

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MP3 recordings in one ZIP download (about 69.5 MB). Download only · No physical record or CD.

Tracklists, historical notes and sources are available on this website.

Die Grosse March Parade (Disc 1) $9.99

The recordings

  1. Alte Kameraden - Musillorps Garmisch Partenkirchen2:59

    Historical Context

    The Deutsches Museum catalogues Carl Teike’s work as Old Comrades (Alte Kameraden) March on an Aeolian Company player-piano roll. Punched after 1897, the roll documents the march’s circulation through mechanical music.

    Recording details

    The roll’s manufacture date and playback mechanism describe the museum object; they do not date or identify this supplied recording.

    Sources & Resources

    Based on publicly indexed catalogue text; the full source page and object images were not inspected.

    Deutsches Museum: Alte Kameraden, player-piano roll 1980-470T56

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  2. Gruss An Kiel - Musikkorps Garmisch Partenkirchen2:08
  3. Florentiner Marsch - Militärmusik Burgenland5:10

    Historical Context

    The Czech Museum of Music dates Julius Fučík’s orchestral autograph to 3 December 1907 and the Bosworth publication of Florentiner Marsch to 1908. The manuscript preserves title variants, but the museum says the reason for the change is unknown.

    Sources & Resources

    The museum's article text was retrieved; manuscript/score images and any recording were not independently inspected.

    National Museum, Czech Museum of Music: Florentinský pochod Julia Fučíka slaví 115 let

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  4. Pappenheim Marsch - Militärmusik Salzburg1:27
  5. Preussens Gloria - Musikkorps Garmisch Partenkirchen1:40

    Historical Context

    A Börsenblatt notice dated 24 February 1912 lists G. Piefke’s Preussens Gloria, reworked by Th. Grawert, in piano, military-band and cavalry-band editions. The notice documents several ways of performing the same march.

    Recording details

    The 1912 notice concerns published arrangements; it does not establish which arrangement is heard in this file.

    Sources & Resources

    Based on publicly indexed text of printed page 2436. The PDF page image was not inspected because the direct URL returned an Anubis anti-bot page.

    SLUB Dresden: Börsenblatt, 24 February 1912, page 2436

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  6. Mussinan Marsch - Musikkorps Garmisch Partenkirchen3:11
  7. Bayerischer Defiliermarsch - Musikkorps Garmisch Partenkirchen2:04

    Historical Context

    The Franconian folk-music research archive identifies Adolf Scherzer’s Bayerischer Defiliermarsch as a work first known as Avancier-Marsch and records its use by several Bavarian regiments. Its history is broader than one unit or occasion.

    Sources & Resources

    The primary catalogue page and historical-note text were retrieved; its audio was not played or compared.

    Forschungsstelle für fränkische Volksmusik: Bayerischer Avanciermarsch, object 71670

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  8. Radetzky Marsch - Musikkorps Garmisch Partenkirchen2:24

    Historical Context

    Strauss researcher Norbert Rubey describes a handwritten source for Johann Strauss I’s Radetzky-Marsch, op. 228, underlying the 1848 Haslinger editions. His comparison documents differences between this early orchestration and later familiar versions.

    Recording details

    The supplied title does not distinguish an early orchestration from a later arrangement, and 1848 is not a recording date.

    Sources & Resources

    The institute's article text was retrieved; no score edition or supplied audio was inspected.

    Wiener Institut für Strauss-Forschung: Radetzky-Marsch – Urfassung

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  9. Unter Dem Doppeladler - Musikkorps Garmisch Partenkirchen2:42

    Historical Context

    The Wienbibliothek catalogue lists Joseph Franz Wagner’s Unter dem Doppeladler, op. 159, as a march for string orchestra, issued by Rebay & Robitschek without a stated year. The listing documents a different instrumental setting for the work.

    Recording details

    This separate score does not establish that strings are heard in the supplied recording.

    Sources & Resources

    The primary catalogue listing was retrieved as text; the individual object page and score were not inspected.

    Wienbibliothek im Rathaus: Joseph Franz Wagner, including Unter dem Doppeladler

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  10. Flieger Marsch - Orig. Tiroler Kaiserjägermusik2:33
  11. Fenner Jägermarch - Militärmusik Vorarlberg2:20
  12. Laridah Marsch - Musikkorps Garmisch Partenkirchen3:17
  13. Prinz Eugen Marsch - Militämusik Salzburg2:32
  14. Ersherzog Marsch - Militärmusik Salzburg2:28

Behind the sound

Marches across instruments and editions

Marches travelled beyond the military band. The Deutsches Museum catalogues an Aeolian player-piano roll of Carl Teike’s work as Old Comrades (Alte Kameraden) March, punched after 1897. It documents one route through which the work circulated. The roll’s date and mechanism do not establish the medium, musicians or date of the supplied file.

The Czech Museum of Music preserves Julius Fučík’s orchestral autograph, completed on 3 December 1907, and documents the publication of Florentiner Marsch in 1908. Its manuscripts contain title variants, but the museum leaves the reason for the change open. These dates concern the composition and its publication.

Printed editions also reveal different performing traditions. A 1912 publishing notice offers Preussens Gloria in piano, military-band and cavalry-band arrangements. Research on Radetzky-Marsch finds differences between its 1848 sources and later familiar orchestrations. These examples help frame the supplied titles while leaving each file’s arrangement, performers and recording date unresolved.

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