
Collection entry · Disc 2
Die Grosse Marsch Parade (Disc 2)
Twelve supplied files bring together regimental, regional and concert-march titles. The notes follow their published histories while keeping the ensemble names in the filenames as unverified reference labels.
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12 source files · About 38 minutes
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Mir Sein Die Kaiserjäger - Musikkorps Garmisch Partenkirchen
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MP3 recordings in one ZIP download (about 72.3 MB). Download only · No physical record or CD.
Tracklists, historical notes and sources are available on this website.
The recordings
Mir Sein Die Kaiserjäger - Musikkorps Garmisch Partenkirchen2:26
Historical Context
The South Tyrolean band association identifies Karl Mühlberger’s Kaiserjägermarsch under the title Mir sein die Kaiserjager, dates the work to 1914 and names Max Depolo as its text author.
Recording details
The work’s text history does not establish whether any words are sung in this recording.
Sources & Resources
The association's biography text was retrieved; no score, sung text or supplied audio was inspected.
- In Treue Fest - Zollwachemusik Steirmark4:16
- Alt Starhemberg - Orig. Tiroler Kaiserjägermusik2:26
Furchtlos Und Treu - Musikkapelle Elbigenalp - Julius Fucik3:41
Historical Context
Rundel’s edition of Furchtlos und treu identifies Fučík’s op. 240 as dedicated to Colonel Oskar Sehrig and also known as Oberst-Sehrig-Marsch. Siegfried Rundel is separately credited as the arranger of that edition.
Recording details
The modern edition’s arranger credit is not a credit for this supplied file.
Sources & Resources
Based on publicly indexed publisher text; the full source page was not inspected.
- Dr. Haslauer Marsch - Militärmusik Salzburg2:41
Vivat Carinthia - Militärmusik Kärten3:24
Historical Context
The Carinthian band association’s composer catalogue lists Vivat Carinthia as a concert march by Karl Safaric, published by Rundel. This is a documented work comparison for the supplied regional title.
Sources & Resources
The association's catalogue entry was retrieved as text; the linked score and audio were not inspected.
Kärntner Blasmusikverband: Kärntner Kompositionen und deren Komponisten
Florentinermarsch - Musikkorps Garmisch Partenkirchen5:16
Historical Context
The Czech Museum of Music dates Julius Fučík’s orchestral autograph to 3 December 1907 and the Bosworth publication of Florentiner Marsch to 1908. The manuscript preserves title variants, but the museum says the reason for the change is unknown.
Sources & Resources
The museum's article text was retrieved; manuscript/score images and any recording were not independently inspected.
National Museum, Czech Museum of Music: Florentinský pochod Julia Fučíka slaví 115 let
- Gruss An Österreich - Neue Böhmische Blasmusik2:59
Einzug Der Gladiatoren - Militärmusik Burgenland2:44
Historical Context
The Czech Museum of Music places Fučík’s Vjezd gladiátorů in his career leading military music, associating the work with Infantry Regiment 86’s Sarajevo period. It provides historical context for the work known by the German title Einzug der Gladiatoren.
Sources & Resources
The museum's article text was retrieved; manuscript/score images and any recording were not independently inspected.
National Museum, Czech Museum of Music: Florentinský pochod Julia Fučíka slaví 115 let
Erzherzog Albrecht Marsch - Trachtenkapelle Oberndorf2:44
Historical Context
The Austrian Mediathek’s Erzherzog Albrecht-Marsch catalogue entry names Karl Komzák as composer and Gardemusik Wien as orchestra. These credits document a separate archival item under the same work title.
Recording details
The supplied filename names Trachtenkapelle Oberndorf. The archive’s Gardemusik Wien credit must remain attached to its own object.
Sources & Resources
Based on publicly indexed catalogue text of this exact object; the full source page and audio were not inspected.
- König Ludwig II Marsch - Musikkorps Garmisch Partenkirchen3:02
- Bürgermeister Marsch - Stadtkapelle Mindelheim2:39
Behind the sound
Regimental names and a changing repertory
The South Tyrolean band association identifies Karl Mühlberger’s Kaiserjägermarsch under the title Mir sein die Kaiserjager, with a 1914 date and words by Max Depolo. This gives the opening filename a work to compare. It does not establish which arrangement is heard, whether words are sung or who made the recording.
Fučík’s marches illustrate how dedications and titles can shift. Rundel’s account of Furchtlos und treu describes its dedication to Colonel Oskar Sehrig and the alternative name Oberst-Sehrig-Marsch. The Czech Museum of Music documents manuscript title variants for Florentiner Marsch and its publication in 1908, while leaving the reason for the title change unknown. Neither history establishes the version or performers in these files.
A catalogue match can help identify a work while describing a different performance. The Austrian Mediathek’s Erzherzog Albrecht-Marsch entry credits Karl Komzák and Gardemusik Wien for its own object. The supplied filename instead names Trachtenkapelle Oberndorf. Those separate credits remain separate: the archival entry does not authenticate the filename’s ensemble claim or date this recording.
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