Collection entry
Die Luftwaffe
Twenty supplied titles connect military and civil aviation, aircraft production and paratrooper imagery. Their historical setting includes propaganda, civilian suffering and coerced labour; the collection’s name does not identify or date these recordings.
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20 tracks · About 61 minutes
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Audio language and vocal or instrumental content have not yet been verified.
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Parademarch Der Legion Condor
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MP3 recordings in one ZIP download (about 115.6 MB). Download only · No physical record or CD.
Tracklists, historical notes and sources are available on this website.
The recordings
Parademarch Der Legion Condor2:53
Historical Context
The Deutsches Historisches Museum places the bombing of Guernica alongside Nazi promotion of a Legion Condor myth. “Parademarch” is retained as supplied; the subject does not identify the march, its performers or an occasion.
Wir Flogen Jenseits Der Grenze3:19
Recording details
This title remains unidentified. Border-crossing imagery and the neighbouring Legion Condor title do not establish a work, campaign, author or recording occasion.
Sources & Resources
Jagdgeshwader Richthofen3:14
Recording details
“Jagdgeshwader” is retained as supplied. the “Music Of The Luftwaffe” collection’s “Parademarsc Der Geschwader Richtofen” offers a wording comparison only; neither title establishes a composer, performing unit or shared recording.
Sources & Resources
Es Blitzen Die Stälernen Schwingen2:58
Recording details
The supplied “Stälernen” differs from “Stahleren” in “Music Of The Luftwaffe”. That spelling comparison does not establish a correction, common musical setting or shared performance.
Sources & Resources
Eichenlaub Und Schwerter Marsch3:10
Recording details
This march remains unidentified. Decoration imagery in the title does not establish a dedicatee, award date, composer or performance.
Sources & Resources
Stuka Lied2:47
Recording details
“Music Of The Luftwaffe” lists “Das Stuka Lied,” a possible title comparison. These broad song labels do not identify a particular composition, version or film-soundtrack performance.
Sources & Resources
Junkers 88 Lied3:24
Historical Context
The Buchenwald Memorial documents forced labour in aircraft-component production for Junkers at Schönebeck. This company history does not identify the song. the “Music Of The Luftwaffe” collection’s ambiguous “Junkers SS Lied” remains a separate, unresolved supplied title.
Aufwärts Zur Sonne3:12
Recording details
“Aufwärts Zur Sonne” and the “Music Of The Luftwaffe” collection’s “Aufwarts Zur Sonne” are wording leads only. Their composer, edition, musical setting and recording relationship remain unverified.
Sources & Resources
Bomben Auf Engeland2:57
Historical Context
The Deutsches Historisches Museum links Norbert Schultze’s Bomben auf Engelland to Feuertaufe, released in April 1940. This is a possible work comparison for the supplied “Engeland” title; the film date does not identify or date this performance.
Graf Zeppelin Marsch2:23
Historical Context
A publisher’s sample score names Carl Teike for the music of Graf Zeppelin and credits Achim Graf and Peter Welte as arrangers. The edition bears a 2014 copyright notice. This is a possible work comparison; neither the work match nor that arrangement is established for this recording.
Lied Der Junkers Und Motorenwerke3:34
Historical Context
The Buchenwald Memorial documents prisoners compelled to make aircraft components at the Junkers works in Schönebeck. This history accompanies the industrial title without identifying its words, authors or musicians. the “Music Of The Luftwaffe” collection’s differently worded title is only a comparison lead.
Lied Der Jagdflieger3:45
Recording details
“Music Of The Luftwaffe” also lists “Lied Der Jagdflieger.” Identical supplied titles do not establish the same melody, authorship, arrangement or performance.
Sources & Resources
Wir Sind Der Reiches Adler2:50
Recording details
The supplied wording “Wir Sind Der Reiches Adler,” including “Der,” is preserved. No wording correction, musical work or recording identity has been established.
Sources & Resources
Rüber Über Den Kanal2:53
Recording details
This title remains unidentified. Its Channel reference alone does not connect the file to Bomben auf Engelland, a particular campaign or a recording year.
Sources & Resources
Flieger Sind Wir3:18
Recording details
“Flieger Sind Wir” uses different words from the “Music Of The Luftwaffe” collection’s “Flieger Sind Sieger.” Neither the aviation subject nor the similar wording establishes that these are the same song or performance.
Sources & Resources
Flieger Empor3:19
Historical Context
A trade bibliography of 13 December 1933 lists Flieger empor under E. E. Buder and names H. Männecke as arranger of a wind-band edition. This is a possible same-title work comparison; the composition, arrangement and performance in this file remain unidentified.
Lufthansa March3:20
Historical Context
Lufthansa’s historical account describes the first company’s pilot training, armaments work and extensive forced labour. That company history gives context to “Lufthansa March,” whose supplied spelling, composition, arrangement and recording date remain unresolved.
Rot Scheint Die Sonne2:59
Historical Context
A 1998 Bundestag investigation distinguishes different verses of Rot scheint die Sonne in Bundeswehr use. That dated evidence does not reveal the verses, arrangement or performance in this file. The matching “Music Of The Luftwaffe” title is a comparison lead only.
Sources & Resources
In Den Lüften Hoch Wie Adler3:32
Recording details
This title remains unidentified. Eagle imagery does not establish a relationship to other similarly themed titles or show that these words are audible in the recording.
Sources & Resources
Luftwaffenparade1:15
Historical Context
The RAF Museum dates the Luftwaffe’s public announcement to 1935, following earlier expansion. “Luftwaffenparade” and the “Music Of The Luftwaffe” collection’s spaced “Luftwaffen Parade” remain title comparisons; neither identifies a recorded parade, live event or recording year.
Behind the sound
Aviation display and the violence behind it
The Luftwaffe was publicly announced in 1935 after earlier expansion, according to the RAF Museum. Nazi publicity also promoted the Legion Condor, whose history includes the bombing of Guernica in April 1937. These institutions and their public images frame the aviation titles, without identifying a parade occasion, musical work or recorded performance.
Film helped turn aviation into propaganda. The Deutsches Historisches Museum connects Norbert Schultze’s Bomben auf Engelland with Feuertaufe, released in April 1940. That gives the supplied title a work to compare. The film’s release date does not date this recording or establish its performers, arrangement, language or relationship to the soundtrack.
Aircraft production also depended on exploitation. The Buchenwald Memorial documents prisoners forced to manufacture components at the Junkers works in Schönebeck. Lufthansa’s history describes the first company’s pilot training, armaments work and extensive forced labour. These histories belong beside industrial and company song titles; they do not identify the authors, musicians or circumstances of these recordings.
Presented for critical historical study, including civilian suffering and forced labour. Nazi propaganda, persecution and violence are not endorsed.