Collection entry
Era fascista, Vol. 3
Twelve supplied titles bring military references, family-address songs, youth institutions and colonial celebration into one collection. Historical context includes propaganda, racial persecution and civilian deaths; neither the label nor recognizable titles authenticate the performances.
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12 tracks · About 33 minutes
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Inno dei fascisti
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MP3 recordings in one ZIP download (about 62.7 MB). Download only · No physical record or CD.
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The recordings
Inno dei fascisti2:48
Historical Context
A later official register links Inno dei fascisti with All’armi in a composite title. This is a possible work-title connection to the separately retained All Armi entry in “Il Duce Avanti”.
Recording details
The composite-title lead does not establish work equivalence or audio equivalence with “Il Duce Avanti” track 3. Both entries remain separate and unidentified.
Italia bella3:12
Recording details
The broad title does not establish a particular work, colonial setting, composer or recording.
Sources & Resources
Canzone dei sommergibilisti2:22
Recording details
The submarine-service reference does not identify a composition, naval unit, performers or war period.
Sources & Resources
Canto degli arditi1:48
Historical Context
The arditi assault formations developed during the First World War. The Italian cultural-heritage catalogue describes their 1917 origins and Fascism’s later appropriation of their imagery of violence and heroic death.
Recording details
Institutional origins and later political uses do not date this recording. The later register supplies a title lead only; no performer affiliation is established.
Caro papà3:00
Historical Context
REDIRE connects Caro papà with the wartime-song campaign promoted by the Ministry of Popular Culture and EIAR in summer 1942. Radio, print, scores and records carried family feeling into organized war propaganda.
Recording details
The separately catalogued 1942 Cetra DC 4004 credits Tito Manlio and Gino Filippini. Its work credits, performers and date are not authenticated for this file.
La canzone di Maria Uva2:56
Historical Context
REDIRE places La Canzone di Maria Uva in Ethiopian-war propaganda that presented conquest as liberation and depicted colonized people in racist terms. ICRC accounts of attacks on medical facilities document violence obscured by that celebration.
Recording details
REDIRE’s 1937 La Voce del Padrone HN 1291 record and Frati–Olivieri credits describe a separate issue. No transfer or performance match is established.
Lili Marlene3:30
Historical Context
The Haus der Geschichte traces Lili Marleen’s popularity across opposing armies, its many translations and later adaptations, including propaganda rewritings. That wider song history offers context for the similar supplied title.
Recording details
The work match remains unverified. The spelling is retained; no Lale Andersen, Marlene Dietrich, Italian adaptation, audible language or relationship to another supplied performance is established.
Inno dei giovani universitari2:56
Historical Context
The University of Trieste documents GUF participation in the racist campaign of 1938 and the expulsion of Jewish teachers and students. This history gives context to the university-youth reference without establishing the song or its performers’ affiliation.
Recording details
The later register offers an expanded-title comparison only. GUF history does not identify this work or a singer, and no equivalence with Giovinezza is established.
Sources & Resources
Inno della x flottiglia mas3:11
Historical Context
The navy dates the X Flottiglia MAS name to 15 March 1941. The later X MAS was implicated in Fascist repression: the ANPI–INSMLI Atlas lists it among the units responsible at Borgo Ticino on 13 August 1944, where twelve civilians were killed and homes burned and looted.
Recording details
The supplied title cannot distinguish the Regia Marina formation from later RSI-associated X MAS usage, identify a song version or date the performance. Institutional history does not identify the musicians or attribute a particular crime to them.
Saluto al duce1:56
Historical Context
REDIRE catalogues a separate Saluto al Duce ! as an official Balilla hymn. Its account places the work in Fascist youth education and political and military training, distinct from university-youth organizations.
Recording details
Excelsius MA 7896 is a separate comparison record among potentially different salutes. Its work and performance credits are not authenticated for this file.
Combattenti a noi3:11
Recording details
No authoritative composition, issuing body or performance match has been established for this title.
Sources & Resources
Impero (the deum)1:51
Historical Context
A library-hosted contents excerpt lists Impero (Te Deum) under the separate heading L’impero. It provides a possible title comparison for the supplied Impero (the deum).
Recording details
The possible Te Deum title does not establish Latin language, a liturgical text, ecclesiastical setting, composer, issue date or particular performance.
Behind the sound
Propaganda, persecution and the people it harmed
Family feeling and youth institutions could serve organized propaganda. REDIRE connects Caro papà with the wartime-song campaign promoted by the Ministry of Popular Culture and EIAR, launched in summer 1942. The University of Trieste documents GUF participation in the racist campaign of 1938 and the expulsion of Jewish teachers and students. These distinct contexts do not establish any supplied recording’s performers or date.
REDIRE places La Canzone di Maria Uva within Ethiopian-war propaganda that portrayed conquest as liberation and depicted colonized people in racist terms. The ICRC documents attacks on medical facilities during the invasion, exposing violence obscured by imperial celebration. The closing title also has a possible Impero (Te Deum) comparison, but no liturgical text, language or particular performance has been established.
The navy dates the name X Flottiglia MAS to 15 March 1941. Its history must be distinguished from the later X MAS associated with Fascist repression after the armistice. The ANPI–INSMLI Atlas lists it among the units responsible at Borgo Ticino on 13 August 1944, where twelve civilians were killed and homes burned and looted. The supplied title cannot identify an organizational phase or performance.
Presented for critical historical study, including victims of colonial war, racial persecution and Fascist repression. Nazi and Fascist ideology and violence are not endorsed.