Collection entry
Kavallerie marsch
Twelve catalogue entries gather cavalry and parade-march titles. The notes follow the repertory through military signals, printed arrangements and library records while leaving its performers, recording dates and original release unidentified.
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Kavallerie-Parademarsch
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MP3 recordings in one ZIP download (about 60.8 MB). Download only · No physical record or CD.
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The recordings
- Kavallerie-Parademarsch3:10
Unter Bayerns Rautenbanner2:21
Historical Context
Georg Fürst’s Unter Bayerns Rautenbanner reached keyboard players as well as marching ensembles. A Börsenblatt publishing notice of 23 April 1934 offers the march for piano from B. Schott’s Söhne in Mainz, priced at 1.50 marks. Later publisher catalogues reveal another practical detail: Halter prints it on the reverse of the Wittelsbacher Fanfare in a wind-band edition. Its marchbook for the German Gymnastics Federation also includes the title among fanfare parts, extending the paper trail into fanfare-ensemble repertory.
Recording details
This is a named-work and edition comparison only. It does not identify the supplied performance, musicians, arrangement, recording date, original issue or source carrier, and does not establish distribution rights.
Unter dem Grillenbanner2:18
Historical Context
Unter dem Grillenbanner appears in the BDLO orchestral library under Wilhelm Lindemann. A separately published score credits Lindemann’s music and Hermann Bayer’s arrangement, showing how the same march can circulate in distinct performing editions.
Recording details
These are work and edition comparisons. Neither source identifies the arrangement, musicians or date of the supplied recording.
Sources & Resources
BDLO catalogue: checked through indexed text; direct retrieval did not return the full page. Bayer score: the title and credits were checked in extracted PDF text; no page images or musical notation were inspected.
BDLO orchestral library: Unter dem Grillenbanner
- Es ritten drei Reiter1:33
Fehrbeliner Reitermarsch2:54
Historical Context
The National Library of Finland catalogues Fehrbelliner Reitermarsch as a Richard Henrion work in a recording made in 1979. That entry also names a separate arranger, documenting the march’s continued circulation through later performances.
Recording details
Fehrbeliner remains the supplied spelling. The library’s Fehrbelliner title, 1979 recording date, arranger and performers are comparison metadata, not credits for this file.
Sources & Resources
National Library of Finland record: checked through indexed catalogue text; the full page was not directly retrieved.
National Library of Finland: Fehrbelliner Reitermarsch, separate recording
Brucker-Lager-Marsch2:30
Historical Context
A contents list preserved by the German National Library pairs Brucker Lagermarsch with Johann Nepomuk Král. Aalen’s published marching-band repertoire also lists the work, with a separate local arrangement credit, tracing it through printed documentation and ensemble repertory.
Recording details
The source titles are work comparisons. Král’s work credit and Aalen’s arrangement credit do not establish what is performed in this file or who performs it.
Sources & Resources
DNB contents list: the extracted text was checked; no PDF page images or the book’s musical example on page 383 were inspected.
German National Library: contents list including Brucker Lagermarsch
- Parademarsch der 18er Husaren2:40
- Braune und schwarze Husaren2:55
Torgauer Parademarsch2:35
Historical Context
An older Prussian march found a place on an East German record. The DDR Museum’s Eterna LP Historische Militär Märsche places Der Torgauer Parademarsch alongside music by Haydn, Beethoven and Schubert, played by the National People’s Army’s central orchestra. An earlier chapter appears in Hofmeister’s February 1895 register, which lists Torgauer Marsch among army marches orchestrated by C. Frese. The title also reached pianists through Richard Krentzlin’s Berühmte Märsche collection.
Recording details
This is a named-work and edition comparison only. It does not identify the supplied performance, musicians, arrangement, recording date, original issue or source carrier, and does not establish distribution rights.
Unter dem Siegesbanner2:53
Historical Context
Unter dem Siegesbanner had a life on the mechanical piano. The Deutsches Museum holds a Hupfeld 88 Animatic roll of Franz von Blon’s march, a different surviving medium from ordinary sheet music. Hofmeister’s February 1895 register lists a piano edition from the Berlin publisher Tschentscher. Across the Atlantic, the University of Iowa’s Goldman Band Records preserve a condensed score and 28 instrumental parts.
Recording details
This is a named-work and edition comparison only. It does not identify the supplied performance, musicians, arrangement, recording date, original issue or source carrier, and does not establish distribution rights.
- Die Wachtparade3:04
Steinmetz Marsch2:54
Historical Context
Hofmeister’s November 1866 register lists a Steinmetz-Marsch alongside a Nachod-Marsch in Rode’s op. 43. Both appear under piano marches, documenting one nineteenth-century publication that used this title.
Recording details
This is a same-title comparison only. The entry does not identify the supplied work, composer, arrangement or recording; its publication-list date must not be assigned to the audio.
Sources & Resources
Hofmeister: the digital text transcription was directly checked; the linked historical page facsimile was not inspected.
Behind the sound
Mounted signals and a wider musical repertory
Trumpeters and kettledrummers historically transmitted signals for mounted troops. Military ensembles also played entertainment repertory, including songs, opera melodies and dances. The cavalry label therefore opens onto several musical functions. It does not establish that this collection documents one cavalry unit, a particular ceremony or a single recording period.
Printed sources help distinguish a composition from an arrangement. The orchestral lending library of the Bundesverband Deutscher Liebhaberorchester lists Unter dem Grillenbanner under Wilhelm Lindemann. A publisher’s score separately names Hermann Bayer as arranger. These references support a work comparison while leaving the supplied file’s arrangement, musicians and recording date unresolved.
The same caution applies to catalogue matches. The National Library of Finland credits Richard Henrion for Fehrbelliner Reitermarsch on a separate 1979 recording; that date and its performers belong to the library item. For Steinmetz Marsch, an 1866 publication register offers a Theodor Rode work among the comparison leads. Neither title alone identifies the supplied recording.
Presented for critical historical study of music and military institutions. Historical labels are retained as evidence.