
Collection entry
Marches Of The Spanish Falangists
Twenty-one supplied titles connect political anthems, youth mobilization and patriotic repertory. Their histories span theatrical entertainment, civil war and dictatorship, including coercive political education; the compilation label does not identify the recordings or performers.
Language not yet verified
21 tracks · About 58 minutes
Download only · No physical CD
Audio language and vocal or instrumental content have not yet been verified.
Listen before you buy
Cara Al Sol(By Jose Antonio Prima De Rivera)
$9.99
Digital record download
Download details
MP3 recordings in one ZIP download (about 110.9 MB). Download only · No physical record or CD.
Tracklists, historical notes and sources are available on this website.
The recordings
Cara Al Sol(By Jose Antonio Prima De Rivera)2:35
Historical Context
The SGAE score catalogue identifies Cara al sol as a Falangist anthem and credits its music to Juan Tellería. The BNE archive describes the registered lyricist name as apparently a collective pseudonym. Separating musical authorship from the party’s collective political text helps explain the title’s uncertain personal attribution.
Recording details
The supplied parenthetical attribution is preserved as a label, not confirmed as a sole lyricist, performer or speaker credit. SGAE’s 1934 work field, 1936 copyright and BNE’s 1936 official-premiere date describe different records; none dates this audio.
Sources & Resources
Public score metadata was checked; digitized notation is restricted to archive reading-room consultation.
Archivo SGAE: Cara al sol score, UME/T-21233
Biblioteca Nacional de España: Juan Tellería musical archive
- Canciondel Falangista3:30
Himno Nacional1:44
Historical Context
If Himno Nacional refers here to the Marcha Real, its history predates Falange. Spain’s official account traces the Marcha Granadera to a 1761 document and its designation as an honour march in 1770. Its national role grew through customary use rather than a single original anthem decree.
Recording details
The general supplied title does not establish which anthem, text, arrangement or version is heard. The 1761 documentation and 1770 designation are work-history references, not recording dates.
- Fuerza Nuevo2:02
Banderita_Corsarias_2:41
Historical Context
La banderita comes from the theatrical world of Las Corsarias, the 1919 work by Francisco Alonso with a libretto by Enrique Paradas and Joaquín Jiménez. Its patriotic number offers a reminder that songs heard in political compilations could begin on the entertainment stage.
Recording details
The supplied label is retained. The family archive’s example performances, including its historical singer credits, are not assigned to this file; the precise work and arrangement still require audio comparison.
- Unico Capitan3:18
- Juventud Espana3:07
- Prietas Las Filas3:10
- En Pie Flechas De Espana2:50
- Al Venir Del Campamanto2:29
- Isabel Y Fernando3:03
- Marchan Las Nuevas Juventud2:39
- Llamane Camerada3:16
- Montanas Nevadas3:19
- Cubre Tu Pecho De Azul3:10
El Novio De La Muerte3:04
Historical Context
El novio de la muerte began as a cuplé before acquiring a ceremonial life with the Spanish Legion. An Army journal attributes the familiar slow-tempo adaptation to Emilio García Ruiz for Holy Week in 1952. That later reshaping matters when listening to a song often treated as timeless tradition.
Recording details
The 1952 date concerns an adaptation, not this recording. Neither the slow arrangement nor a particular Legion ensemble is identified in the supplied file. The journal’s celebratory language is not adopted.
Sources & Resources
The journal’s PDF text was checked; the cited page image was not inspected.
- Despierta Espana2:54
- Vale Quien Sirve3:03
- En Marcha Las Centurias2:18
- Nuestra Guia I Capitan2:47
Cara Al Sol1:29
Historical Context
Cara al sol joined song with Falangist political identity. Its score survives in the SGAE archive as a voice-and-piano publication credited to Juan Tellería, while the BNE describes a collective contribution to the words. A printed scoring documents one edition, not every later performance of the anthem.
Recording details
This closing file remains separate from track 1. Similar titles do not establish identical audio, singers, text, instrumentation, date or provenance. The catalogue’s 1934 work field and 1936 copyright are not resolved into a recording date.
Sources & Resources
Public score metadata was checked; digitized notation is restricted to archive reading-room consultation.
Archivo SGAE: Cara al sol score, UME/T-21233
Biblioteca Nacional de España: Juan Tellería musical archive
Behind the sound
Political ceremony, youth and changing repertory
The Spanish Civil War began with a military uprising against the Republic in July 1936. Falangists formed part of the coalition that brought Franco to victory in 1939. The April 1937 unification decree merged Falange with the Traditionalist movement. Repression continued under the dictatorship, which established a special tribunal against Freemasonry and communism in 1940. This history accompanies the collection’s language of political obedience.
Archivo SGAE credits the music of Cara al sol to Juan Tellería, while the National Library describes its text as apparently the work of a group of Falangist poets. The opening attribution remains unverified. Youth and camp titles also invite comparison with the Frente de Juventudes, created in December 1940, whose compulsory school membership extended political instruction into education and work. No performers’ ages or affiliations are established.
Patriotic repertory also drew on the stage. The Alonso family archive places La banderita in Las Corsarias, dated 1919; the supplied Banderita_Corsarias_ remains a title lead. An Army historical article describes El novio de la muerte as originally a cuplé and records a slow-tempo adaptation for Holy Week in 1952. These changing uses do not establish the arrangements, performers or dates represented in this collection.
Presented for critical historical study of civil war, dictatorship, repression and coercive political education. Fascist ideology and political violence are not endorsed.
