Collection entry
Soldatenlieder und Parademärsche
Seventeen supplied selections invoke allegiance, marching, labour and military ritual. Their titles are examined alongside Nazi propaganda and coercive institutions, with both Heiliges Feuer entries retained as separate entries with unverified identities.
Language not yet verified
17 tracks · About 44 minutes
Download only · No physical CD
Audio language and vocal or instrumental content have not yet been verified.
Listen before you buy
Als Soldaten Adolf Hitlers
$9.99
Digital record download
Download details
MP3 recordings in one ZIP download (about 81.9 MB). Download only · No physical record or CD.
Tracklists, historical notes and sources are available on this website.
The recordings
- Als Soldaten Adolf Hitlers2:33
- Schulter an Schulter3:28
- Marsch der Deutschen Jugend3:20
- Der StoBtrupp3:00
- Blinkende Spaten2:16
- Heiliges Feuer1:37
- GrüBet die Fahnen1:37
- Gott segne die Arbeit1:21
Unsere Spaten sind Waffen im Frieden2:32
Historical Context
A photograph caption in Kiran Klaus Patel’s study of the Reichsarbeitsdienst places the wording of this title on a Berlin propaganda display in September 1938. The spade became an image of disciplined service in a system that combined work with ideological education and participation in persecution.
Recording details
The caption is dated 24 September 1938 and describes a display, not a performance. Matching words do not establish the song, musicians, arrangement or date in this audio file.
Sources & Resources
Extracted PDF text was checked; no page images were inspected.
- Wir tragen das Vaterland in unsern Herzen1:39
- Heiliges Feuer1:37
Siehst Du im Osten das Morgenrot3:13
Historical Context
The Library of Congress finding aid lists a 1931 publication by Arno Pardun under this dawn title, describing it as a combat song for Standarte 7 Berlin. The printed object offers a specific comparison for a title shaped by Nazi paramilitary culture.
Recording details
The entry is in box-folder 27/18. Its date and credit belong to a publication; they do not authenticate the supplied performance or its words.
Sources & Resources
Earlier finding-aid text evidence is retained. A fresh fetch returned 403; no page images or scores were inspected.
Library of Congress: German National Music Collection finding aid
- Wir werden weitermarschieren3:46
- Es tönt auf grüner Heide2:56
- Lobet der Berge leuchtende Firne1:48
- Lagerzapfenstreich3:33
Die Sturmartillerie3:19
Historical Context
An undated entry in the Library of Congress finding aid names Hans Georg Pfeffer’s Das Lied der Sturmartillerie. This provides a printed-work comparison for the abbreviated title, rather than a history inferred from a military branch name alone.
Recording details
The entry is in box-folder 27/22. The supplied title does not prove a match with that work, an excerpt, a particular unit or a recording date.
Sources & Resources
Earlier finding-aid text evidence is retained. A fresh fetch returned 403; no page images or scores were inspected.
Library of Congress: German National Music Collection finding aid
Behind the sound
Allegiance, labour imagery and coercion
The opening title names Hitler, whose propaganda staged national unity while promoting antisemitism. A youth title invites comparison with the regime’s compulsory youth service and ideological and paramilitary training. These histories give the labels a critical setting. They do not establish the words heard or prove that Hitler Youth members performed any of the recordings.
The spade imagery connects to a coercive institution. The Reichsarbeitsdienst combined compulsory male service from 1935 with military training and Nazi education. Kiran Klaus Patel’s study also documents its involvement in persecution and reproduces a propaganda caption resembling one supplied title. These references do not identify the songs or authenticate a performance by RAD musicians.
Publication and ceremony histories offer narrower comparison leads. The Library of Congress lists a 1931 Pardun song for Standarte 7 Berlin that closely matches the dawn title. The Bundeswehr traces a Großer Zapfenstreich arrangement to an 1838 Berlin presentation. Neither reference establishes a date for these recordings, and Lagerzapfenstreich does not identify a complete ceremonial programme.
Presented for critical historical study. Nazi ideology, persecution and violence are not endorsed.